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Canon 135mm f/2.0L EF USM (2520A015)

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Canon - EF 135mm f/2L USM Telephoto Lens - Black 2520A004

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Canon 135mm f/2.0L EF USM
Lens type
fix
DxOMark rating
39
System
Canon
Mount
Canon EF
Focal length
135 mm
Aperture value
f/2.0
Viewing angles
15°, 10°, 18° / horizontally, vertically, diagonally /
Min. diaphragm
32
Minimum focus distance
0.9 m
Maximum zoom
0.19
Sensor size
full frame/APS-C
Autofocus drive
ultrasonic drive motor
Internal focus
Design (elements/groups)
10 elements in 8 groups
Filter diameter
72 mm
Dimensions (diameter/length)
82.5x112 mm
Weight
750 g
Added to E-Catalog
November 2006
P/N
2520A015

A telephoto lens with a rather specific set of characteristics: at a fixed focal length of 135 mm, it has an aperture of 2.0 and is claimed by the manufacturer as the lightest in its class and well suited, in particular, for filming indoor sports events. Designed for Canon systems with Full frame sensors. The minimum aperture value is 32. Autofocus is provided by an ultrasonic drive.

The information in the model description is for reference purposes.
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Model overview based on user reviews  
The Canon 135mm f/2.0L EF USM lens is highly regarded for its exceptional optical quality and sharpness, making it ideal for full-length portraits and artistic photography. Users appreciate its ability to capture vivid colors and minimal chromatic aberrations even when wide open. The lens is noted for its excellent focusing capabilities, effortlessly capturing moving subjects. While it lacks macro functionality and image stabilization, it remains a favorite for its affordable price compared to competitors like Nikon and Sony. Some drawbacks include a non-rounded diaphragm affecting bokeh when closed and noticeable vignetting at wide apertures. The lens is best suited for experienced photographers, as it requires skill to handle effectively. Overall, it is a versatile tool for both portrait and street photography, offering a unique perspective with its 135mm focal length.
Pros

Cons

Not for crooked hands and beginners. Don't waste your money.
16 November 2013 
In skillful hands it turns into a wonderful instrument!
What a silly previous review!? Have you even held this lens in your hands? Buy a photo equipment guide!!!
- For full-length portraits without distortion, the distance to the subject should be two or more times the height of the subject being photographed, with significant frame filling. For example, if the head is 25 cm tall, then choose a focal length so that it completely fills the frame from half a meter or further. For a person 1.7 meters tall, shoot from 3.5-4 meters and further for full-length frame filling. A 135mm or more on a full frame quite meets these conditions!
- Probably the only portrait lens, of those I've used, that does not show visible chromatic aberrations when wide open.
- It becomes maximally sharp at aperture 8-16, perfect for shooting flowers, birds, butterflies, caterpillars, with attention to distance and stabilization. Of course, there is no macro mode, so photographing ants won't be possible.
- Didn't notice vignetting on 6D and Mark 3, possibly the camera body corrects it.
- Sharp and colorful.
The glass is peculiar, and it's hard to remove it by hand without skill, which often results in defects. But if your eyes and hands are aligned correctly, everything will get sorted out in a couple of days. It doesn't suit a crop, as its meaning gets lost.
Maksimuse Canon 135mm f/2.0L EF USM few months
An excellent lens, suitable for artistic photography as well as street photography.
2 September 2013 
The price can be viewed in two ways. On one hand, the lens is more than twice as expensive as the 100 2, but on the other hand, as I noted above, it is much cheaper than its competitors. Unfortunately, I cannot judge, since I haven't used the 100 2, the Sony 135 1.8, or the Nikon 135 2. The lens has quite a quality image. It should be noted that when wide open, the lens provides high detail while maintaining a subtle moderate contrast. This combination is useful both for close-up portraits, where contrast is not needed at all, and for full-body portraits, where detail is beneficial. The lens is intended for artistic, "en plein air" photography, and reportage. Of course, the 70-200 is more convenient for reportage, but the advantage in stops can provide benefits in terms of light and image quality. The lens is not meant for shooting flowers and other semi-macro subjects, like many fast lenses. At apertures starting from f/4, the out-of-focus area becomes dreadful. It's also important to understand that 135mm for full-body portraits means a "hallway" perspective. This perspective is interesting in its own way, and I like it too, but there is a common opinion that lenses with a focal range of 85-100 provide a more natural volume for full-body portraits. In general, see for yourself.
- Lower price compared to competitors in this class (1.5 times cheaper than Nikon, 2 times cheaper than Sony)
- Highest optical characteristics
- Excellent focusing, capturing running children with an open lens - no problem !!!
- non-rounded diaphragm produces a pattern that is not very good when closed
- it could have been equipped with seals to make the lens protected
- noticeable vignetting at wide aperture
use Canon 135mm f/2.0L EF USM few months
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Video reviews
Short description:

The CANON EF 135mm f/2.0L USM is an excellent choice for photographers who often shoot indoor sports or shoot portraits with heavy background blur. This 135mm fixed telephoto lens is the lightest and fastest lens in its class. Two UD (Ultra-low Dispersion) glass elements included in the optical assembly effectively correct the secondary spectrum, providing excellent sharpness and accurate colour reproduction. The lens is compatible with Extender EF 1.4x and 2x teleconverters.