Microphones Royer Labs

Microphone socks available for SF-1, SF-12, R-121, and R-122. Royer SOCK Microphone Sock - SF12.

Microphone socks available for SF-1, SF-12, R-121, and R-122. Royer SOCK Microphone Sock - SF1.

Microphone socks available for SF-1, SF-12, R-121, and R-122. Royer SOCK Microphone Sock - R122.

Microphone socks available for SF-1, SF-12, R-121, and R-122. Royer SOCK Microphone Sock - R121.

Royer Labs' SF-2 ribbon microphone is a phantom-powered version of their original SF-1 ribbon microphone. Designed primarily for classical applications and acoustic instruments, the SF-2 combines high-quality audio performance with their exclusive active electronics for ribbon microphones. The SF-2's output of -38 dB puts its sensitivity on par with that of phantom-powered condenser microphones, allowing it to be used with a wide variety of mic pre's regardless of gain characteristics. The unique electronics and custom designed FET's used in the SF-2 deliver ultra-quiet operation, with self-noise of lower than 18 dB.The SF-2's magnet/pole piece transducer structure gives a wide, uniform frequency …

Royer Labs' SF-24V vacuum tube stereo ribbon microphone features a lush, natural sound pickup with outstanding stereo imaging and transient response. The tube electronics provide increased midrange reach, great clarity and detail, and an airiness previously unheard of in ribbon mics.The SF-24V's independent tube circuits provide an output level of -38 dB, suitable for use with any professional preamplifier. With a self-noise lower than 18 dB, the SF-24V's ultra-quiet operation is suitable for demanding classical and acoustic recording applications.Like an SF-12, the SF-24V is actually two matched ribbon microphones, placed one above the other in a coincident pair, each aimed 45 degrees from …

You've invested in your microphone and audio system, so the last problem you want to deal with is unwanted vibrations and sounds when using an inferior placement setup. Utilizing springs and nylon cords, the Sling-Shock™ (Patent No. 8,571,250) from Royer Labs is a revolutionary departure from traditional shockmount designs. They’ve done away with unreliable rubberized parts and elastic cords, producing a durable shockmount that provides exceptional isolation from vibration, rumble and resonances. Royer's proprietary system of non-resonant nylon cable and damped steel springs acts to isolate the microphone from vibrations induced from the microphone stand. These vibrations appear …

Royer Labs' RSM-SS1 Sling-Shock shock mount does away with elastic bands, rubber bungee cords or synthetic bushings. The adjustable microphone grip allows for a secure hold with flexible microphone positioning, and its cotton-lined interior protects your microphone's finish. The RSM-SS1 Sling-Shock fits Royer's 1" diameter microphones (R-121, R-122, R-122V, SF-1, and SF-12 models) and other cylindrical microphones measuring approximately 1" in diameter (+/- 1/8"). Royer RSM-SS1 Microphone Shock Mount for R-121, R-122, R-122V, SF-1, SF-12.

The R-122V was originally developed in 2001 as a benchmark to test our R-122 designs against. Over four years of additional development, the unique R-122V has evolved into a world class ribbon microphone with unparalleled richness, depth and detail, especially in the midrange frequencies. R-122V recorded tracks reveal a lush-ness that must be heard to be truly appreciated. The R-122V vacuum tube ribbon microphone offers the ultimate in ribbon microphone performance for those who insist on the very best.The R-122V takes the Royer-pioneered concept of active ribbon microphone technology to an unprecedented level by incorporating vacuum tube electronics into the same proven transducer system used …

The R-122V was originally developed in 2001 as a benchmark to test our R-122 designs against. Over four years of additional development, the unique R-122V has evolved into a world class ribbon microphone with unparalleled richness, depth and detail, especially in the midrange frequencies. R-122V recorded tracks reveal a lush-ness that must be heard to be truly appreciated. The R-122V vacuum tube ribbon microphone offers the ultimate in ribbon microphone performance for those who insist on the very best.The R-122V takes the Royer-pioneered concept of active ribbon microphone technology to an unprecedented level by incorporating vacuum tube electronics into the same proven transducer system used …

In 2002 Royer Labs introduced the R-122, the world's first phantom powered, active ribbon™ microphone. This was an important development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed Royer Labs' R-122 to be used on even the quietest sound sources.The Royer Labs R-122 MKII takes the R-122 to a different level, delivering unprecedented flexibility for ribbons via the addition of a switchable -15 dB pad and a switchable bass-cut filter. The switches are completely out of the circuit when disengaged, so when both are off the microphone is for all purposes an original Royer Labs R-122. The switches are located on the back of the microphone …

Smooth, clear with many of the attributes of condenser microphones but with the ability to reproduce a wider dynamic range without pads and clipping. The frequency response is very flat from 30-15,000Hz and the panoramic sound-field is well balanced. The figure-8 bi-directional pattern offers excellent rejection at the sides, the ribbon is lengthwise providing a side-address type microphone. Great for any instrument or vocals. Includes a protective wooden case, mic sock and stand clip.The R-121 is the world's first radically redesigned ribbon microphone and Royer's flagship product. Like most ribbons, the R-121's pattern is figure 8, its sensitivity is roughly equal to a good dynamic mic, and …

Smooth, clear with many of the attributes of condenser microphones but with the ability to reproduce a wider dynamic range without pads and clipping. The frequency response is very flat from 30-15,000Hz and the panoramic sound-field is well balanced. The figure-8 bi-directional pattern offers excellent rejection at the sides, the ribbon is lengthwise providing a side-address type microphone. Great for any instrument or vocals. Includes a protective wooden case, mic sock and stand clip.The R-121 is the world's first radically redesigned ribbon microphone and Royer's flagship product. Like most ribbons, the R-121's pattern is figure 8, its sensitivity is roughly equal to a good dynamic mic, and …

Incorporating advancements pioneered by Royer Labs, the R-10 is a a passive mono ribbon microphone that is designed for use both in the studio and on live stages, and hand-built in Royer's Burbank, California factory. With its all-Royer sound and performance, it can handle sound pressure levels (SPL) of up to 160 dB @ 1 kHz. Its compact size and mounting system offers versatile, unobtrusive positioning. The ribbon transducer is wired for humbucking, enabling it to reject electromagnetically induced noise, plus the patented offset-ribbon design positions the ribbon element more towards the front of the transducer, allowing for handling of the higher SPL from the front (logo) side, along with …

The Royer Labs R-10-MP is a matched pair package of their top quality R-10 ribbon microphone.The R-10 Ribbon MicrophoneThe R-10, a passive mono ribbon microphone that's hand-built in Royer's Burbank, California factory, incorporates advancements pioneered by Royer Labs, and is designed for use both in the studio and on live stages. Its all-Royer sound and performance allows it to handle sound pressure levels (SPL) of up to 160 dB @ 1 kHz. Its compact size and mounting system enables versatile, unobtrusive positioning. The ribbon transducer is wired for humbucking, so it rejects electromagnetically-induced noise, plus the patented offset-ribbon design positions the ribbon element more towards …

The FlexBar Dual Microphone Adjustable Utility Mount offers unparalleled versatility and convenience for audio professionals and performers alike. Engineered with precision and durability in mind, this innovative mounting solution enables users to effortlessly position two microphones simultaneously to suit a variety of recording or live sound applications. With its adjustable design, the FlexBar accommodates various microphone sizes and configurations, providing optimal placement for capturing clear and balanced audio. Whether utilized in studio setups, live performances, or multimedia productions, the FlexBar ensures reliable and flexible microphone placement, enhancing overall sound quality …

The AxeMount™ Dual Microphone Clip from Royer Labs is designed to work with the R-121/57-styled dynamic mic combo which is legendary for capturing electric guitars. With the AxeMount, using these two classic mics has never been easier, faster to set up, or more stable once they’re set up. You can also move the two mics from one cabinet to another effortlessly – it’s as easy as moving one mic stand.The AxeMount microphone clip positions an R-121 right next to a 57-style dynamic mic, phase-aligned and ready to record for the ultimate electric guitar microphone package. A good starting point is positioning the clip so the dynamic mic is pointed at where the speaker dome