Microphones AMT

The AMT Z1 Studio version combines the smallest and only specific flute microphone system on the market with the AMT AP40 floor pre-amp. The AP40 replaces the stock AMT BP40 belt pack pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The AMT Z1 Flute Microphonecurve is necessary is on certain models or instruments in order to maintain the most natural reproduction of sound in conjunction with the achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic

The Applied Microphone Technology Z1L-5C is the answer for any player looking for a belt pack free wireless system for alto and bass flute. The new Z1L-5C system comes with AMT’s flagship Z1L microphone and the Wi5IIC Wireless system. Designed, manufactured by hand, and distributed by AMT throughout the world. The Z1L is the #1 choice for top professionals that look for the most natural sound reproduction possible from a clip on microphone. A professional player spends their entire life creating ‘their’ sound, and AMT has spent its entire lifetime working to capture those sounds. Combine the success of the Z1L with AMT’s second generation wireless system, the Wi5IIC,

The AMT Z1 hardwired single microphone is made for flute (Formally the Z7). The Z1 is the perfect choice from soft to louder playing applications. It can be used for featured soloists or miking a section of flutes. The AMT Z1 single microphone gets the most gain before feedback. The system comes with the microphone, special low mass flute clamp, and preamp. The preamp uses the chip technology which contours the microphone for the most natural reproduction of sound possible. Perfect for all situations.Specifications:Element: CondenserPolar Pattern: CardioidFrequency Response: 50Hz - 20kHzSensitivity: -65dB+ 4dBImpedance: 150 OhmsPhantom Power: 12 to 52 vDC, 9 volt batteryMax input SPL: 139

The AMT WSW Sennheiser microphone system allows the player to directly connect the most natural sounding woodwind and brass microphone with any Sennheiser beltpack transmitter/wireless system. The WS comes wired directly with a 3.5mm connector to connect directly to any Sennheiser wireless beltpack.The AMT WS models including WSW, WS Studio, and the WS all come with two isolation rings. Both microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise.ApplicationsThe AMT WSW Sennheiser microphone system is meant to be used by the player that requires a multi-channel professional level wireless system. This application is a commonly

The AMT WSW Shure microphone system allows the player to directly connect the most natural sounding woodwind and brass microphone with any Shure beltpack transmitter/wireless system. The WS comes wired directly with a 4-pin connector to connect directly to any Shure wireless beltpack.The AMT WS models including WSW, WS Studio, and the WS all come with two isolation rings. Both microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise.ApplicationsThe AMT WSW Shure microphone system is meant to be used by the player that requires a multi-channel professional level wireless system. This application is a commonly preferred method used

AMT's WS is a low profile double condenser microphone that attaches to the clarinet, alto and bass flue, or oboe with an ultra-miniature low mass clamp. It is specifically designed for the timbre of the clarinet. The microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The WS features one microphone at the bell and a second positioned over the keys to provide a

The AMT VS Studio version combines the most natural sounding violin, viola, and mandolin microphone system on the market with the AMT AP40 floor pre-amp. The AP40 replaces the stock AMT BP40 belt pack pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most gain before feedback in a live application. The output of the preamp is an XLR low impedance balanced output. The output sends signal at mic level.Applications:The AMT VS Studio

Get the ultimate multi-purpose microphone system for saxophones. Whether you're a soprano, tenor, alto, or bari saxophonist, the TA6 has got you covered. With its double microphone setup, the TA6 is perfect for soprano saxophones, but quickly converts to a single microphone for tenor, alto, and bari saxophones. An optional extension kit (sold separately) configures the TA6 to work with straight alto and straight tenor saxophones. With the included Inline preamp, carry pouch, and AMT disconnecting cable technology, the TA6 is compatible with AMT Quantum 7, Shure, Line 6, or Sabine wireless systems. A Sennheiser cable is sold separately to give you more options. Get your hands on the TA6 today

The AMT SP25B - TP is Applied Microphone Technology's microphone tail piece mounting system for acoustic bass. It is designed, manufactured by hand, and distributed by AMT in the USA. The system is intended to bolt onto the side of a bass allowing the player to leave the microphone on the instrument while it's being stored in a case.The tail piece system incorporates the same proven sonic quality that AMT Bass systems have been known for. The TP, or tailpiece setup, is intended for the player that always uses or tours with the same instrument. The TP is ideal for the player that would like to leave the microphone mounted to the instrument while traveling.The TP systems are the #1 choice for

The AMT SP25B is Applied Microphone Technology's microphone original side clamping system for acoustic basses. It is designed, manufactured by hand, and distributed by AMT in the USA. The system is intended to clamp onto the side of a bass allowing for quick and easy removal for traveling or when the microphone is no longer needed. An adjustable clamp allows for different sized instruments.The side-mounting systems are the #1 choice for top professionals that look for the most natural sound reproduction possible from a clip on microphone. The SP25B includes updated features including D.C.T. (Disconnect Cable Technology), with the ability to connect the Wi5IIC creating a beltpack-free

AMT's S3G is a unique, low-profile condenser microphone that can only be used with an acoustic guitar that has a sound-hole under the strings. This microphone incorporates an omni pattern to capture the sound from inside the guitar.The AMT S3G features a flexiable gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive.The S3G is terminated by a 3.5mm plug which connects to a belt pack preamp. The included belt pack houses a volume control, contours the setup for the intended instrument, and powers the microphone system

The AMT S26 Series Acoustic Bass microphone system is Applied Microphone Technology’s microphone 2nd generation tail piece mounting system for acoustic bass. Designed, manufactured by hand, and distributed by AMT in the USA. The system is intended to quickly clamp onto the tail piece of a bass allowing the player to move the microphone from instrument to instrument quick and easily. Designed small for the travel, the mounting system still allows the head of the microphone to be placed in a variety of depending on the players choice.The Tail Piece systems incorporate the same proven sonic quality that AMT Bass systems have been known for. The S26 setup is intended for the player that

The AMT S25B-TP is Applied Microphone Technology's microphone tail piece mounting system for acoustic basses. It is designed, manufactured by hand, and distributed by AMT in the USA. The system is intended to bolt onto the side of a bass allowing the player to leave the microphone on the instrument while it's being stored in a case.The tail piece system incorporates the same proven sonic quality that AMT Bass systems have been known for. The TP or tailpiece setup, is intended for the player that always uses or tours with the same instrument. The TP is ideal for the player that would like to leave the microphone mounted to the instrument while traveling.,The TP systems are the #1 choice for

The AMT S19i is Applied Microphone Technology’s microphone Tail Piece mounting cello microphone system. Designed, manufactured by hand, and distributed by AMT in the USA. The system is intended to clamp onto the TAIL PIECE of a cello allowing for quick and easy removal for traveling or when the microphone is no longer needed. AMT S19I Cello Tail Piece Microphone System.

The AMT S18i is Applied Microphone Technology’s original side clamping microphone system for cello, which includes the Inline Preamp. Designed, manufactured by hand, and distributed by AMT in the USA. The system is intended to clamp onto the side of a cello allowing for quick and easy removal for traveling or when the microphone is no longer needed.The S18C is an electret-condenser microphone that has been designed for cello. All of the miking parameters that are problematic for string instruments have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time accurately reproducing the

The AMT S18C is Applied Microphone Technology's microphone original-side clamping system for cellos. It is designed, manufactured by hand, and distributed by AMT in the USA. The system is intended to clamp onto the side of a cello allowing for quick and easy removal for traveling or when the microphone is no longer needed.The S18C is the #1 choice for top professionals that look for the most natural sound reproduction possible from a clip-on microphone. The S18C includes updated features including D.C.T. (Disconnect Cable Technology) with the ability to connect the Wi5IIC creating a beltpack-free wireless system.The AMT S18C is an electret-condenser microphone that has been specifically

The AMT S15G Studio version combines the most natural cardioid guitar microphone system with the AMT AP40 floor pre-amp. The AP40 replaces the stock AMT BP40 belt pack pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound in conjunction with the achieving the most amount of gain before feedback in a live application. The output sends signal at Mic Level.The S15G now also comes with a cable that disconnects as well. This cable will allow the player to switch back and

AMT's S15G is a low-profile condenser microphone that has a cardioid pattern which gives it better gain before feedback. The element as well as the mounting clamp is designed for the instrument. AMT designs microphones for each instrument and does NOT adapt elements or mounting gear to fit instruments. The S15G system clamps to the outside of the guitar. It is adjustable from a minimum of 3" to a maximum of 5-7/8". The AMT S15G features a flexiable 6" gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive.The microphone attaches

The AMT Quantum 7 is a high quality diversity wireless system designed for musical instruments. With 100 channels to choose from (region dependent) the system is simple to use while providing professional quality sound. The Q7 works with all past and present AMT models that include a disconnect (D.C .T.). Clip on the transmitter to create an operating environment free of belt packs and wires. The receiver is a true diversity design allowing the wireless reception up to approximately 100 meters. The receiver is constructed with a rugged metal chassis which includes both a 1/4 in and XLR output. It includes high quality transient response, no delay, no background noise, with multi-level narrow

The AMT P800 trumpet microphone system is the only system on the market specifically made to handle the highest SPL levels that a trumpet can reproduce. The element, somewhere in size between a small and large diaphragm, is hand made by AMT and larger in size than AMT's other system, which allows for even the loudest of trumpet players to not overload the microphone. The P800 clamps to the lead pipe of the trumpet or flugal horn. AMT has developed their special "Off the bell" clamping system for this model. The latest version of the AMT P800W allows the player to easily convert where their directly connecting wireless microphone to any AMT preamp version. With a change in a cable, convert

The AMT P800 Studio Trumpet microphone system is the only system on the market specifically made to handle the highest SPL levels that a trumpet can reproduce. The element, somewhere in size between a small and large diaphragm is hand made by AMT and larger in size than AMT's other system which allows for even the loudest of trumpet players to not overload the microphone. The P800 clamps to the lead pipe of the trumpet or flugal horn. AMT has developed their special "Off the bell" clamping system for this model. The latest version of the AMT P800 Studio allows the player to easily change to and from AMT different preamps and allows for direct connections to either Shure or Sennheiser

The AMT P800 trumpet microphone system is the only system on the market specifically made to handle the highest SPL levels that a trumpet can reproduce. The element, somewhere in size between a small and large diaphragm is hand made by AMT and larger in size than AMT's other system which allows for even the loudest of trumpet players to not overload the microphone. The P800 clamps to the lead pipe of the trumpet of flugal horn. AMT has developed their special "Off the bell" clamping system for this model. The P800 in it's stock configuration is the perfect choice for the player that needs control of their volume in a belt pack style setup. The latest version of the AMT P800 allows the player

The AMT M51 is Applied Microphone Technology's bass drum microphone system which has been designed, manufactured by hand, and distributed by AMT in the USA. The system is intended to set inside the bass drum to produce the most accurate and natural sound possible from a bass drum microphone while providing the bottom end that many bass drum specific microphones are missing. Its size makes it extremely easy to position in many different bass drum configurations.Applied Microphone Technology designs microphone specific for each instrument and does not adapt one microphone for many instruments. The M51 has been designed for bass drum but works equally well in other applications such as boundary

The AMT ERTS is a second-generation percussion microphone system from AMT. It is designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA. The ERTS is a mini condenser microphone for professional live and studio use. The ERTS qualities include a natural & even reproduction of sound, resistant to feedback, with high SPL tolerances.The system comes with one AMT microphone with Iso-Ring technology, an AMT inline preamp (phantom power required), and a clamp to fit onto various percussion and even the ropes of hand percussion instruments.The ERTS incorporates a flat frequency response which allows the microphone to reproduce percussion instruments as natural as