Amplifiers Millennia

<b> Multiple Paths, One Goal: Total Sonic Realism </b> • Four distinct inputs can be optimized for any source • Instruments - Twin Topology DI channel; dual-triode 12AT7 vacuum tube or discrete FET solid state • Microphones - discrete solid state HV-3 microphone preamplifier • DAW or tape outputs - Discrete solid state line level amplifier • Guitar power amp outputs - Speaker Soak technology • Powerful yet musical tonal shading • Two bands of mastering-grade NSEQ-2 parametric Eq; 20 Hz to 20 kHz center frequency, 0.4 to 4.0 Q • Optimized DI input for any instrument with variable 470 k / 2 M / 10 M impedance • Nine outputs for unlimited

<b> Over 130 Optimized Signal Topologies </b> • Twin Mic Preamps - M-2B vacuum tube or HV-3 discrete solid state • Twin NSEQ-2 Mastering-Grade Parametric EQs - vacuum tube or discrete solid state • Three Opto Compressor/Limiter Paths - TCL vacuum tube, discrete solid state, passive • Twin Opto De-Esser Paths - vacuum tube or discrete solid state • Vacuum tube or discrete solid state line level paths • Input coupling with or without MIT-01 audio transformer • 1/4" vacuum tube DI input - route via tube or solid state gain path • Effortless, lifelike musical performance at all levels • Musically rich vacuum tubes available • Gol

<b> Professional Phonographic Preamplifier with RIAA + Archival Compensation & Corrective EQ </b>• True differentially balanced phonographic preamplifier topology• User-definable (universal) compensation and loading parameters• Sets new precedent in phonographic sonic invisibility• Ultra-premium transformerless componentry throughout• Gold relays, connectors & switches. Hand machined aluminum cosmetics• Extremely low noise (-125 dBu flat). Pure class-a discrete j-FET filters• Effortless, lifelike musical performance at all dynamic levels• Constructed for life, cosmetically appealing• Lundahl MC transformer option included at no

<b> Digital Delivery Demands Total Clarity </b>Microphone preamplifiers magnify the input as much as 1000:1. There's no "Undo" after this point. Coloration or distortion becomes part of the signal. Lost information can never be recovered. Data compression algorithms (MPG, AC3, DTS etc.) are unable to distinguish signal from noise, so preserving the clarity and integrity of the signal through the recording and production process is critical to communicating the artist's intention and individuality.<b&gt; Authentic Transparency for Unrestricted Creativity </b>• Unsurpassed ambience retrieval• Transformerless design with matched hi-speed discrete transis

<b> Digital Delivery Demands Total Clarity </b>Microphone preamplifiers magnify the input as much as 1000:1. There's no "Undo" after this point. Coloration or distortion becomes part of the signal. Lost information can never be recovered. Data compression algorithms (MPG, AC3, DTS etc.) are unable to distinguish signal from noise, so preserving the clarity and integrity of the signal through the recording and production process is critical to communicating the artist's intention and individuality.<b&gt; Authentic Transparency for Unrestricted Creativity </b>• Unsurpassed ambience retrieval• Transformerless design with matched hi-speed discrete transis

<b> Digital Delivery Demands Total Clarity </b>Microphone preamplifiers magnify the input as much as 1000:1. There's no "Undo" after this point. Coloration or distortion becomes part of the signal. Lost information can never be recovered. Data compression algorithms (MPG, AC3, DTS etc.) are unable to distinguish signal from noise, so preserving the clarity and integrity of the signal through the recording and production process is critical to communicating the artist's intention and individuality.<b&gt; Authentic Transparency for Unrestricted Creativity </b>• Unsurpassed ambience retrieval• Transformerless design with matched hi-speed discrete transis

<b> Signal Present (green) and Peak (red) LEDs </b>Indicate signal present at -46dB and peaks at +22dB.• Continuously variable gain control• Front panel instrument input• DC coupled ribbon mic with 10dB gain boost setting• 80Hz roll off filter• 48V phantom power• 14dB Pad• Polarity flip• 12 to 15V operation - 100 to 240V line lump power supply, 12V output, included<b> Pad </b>Attenuates the input signal after the gain stage by about 14dB.<b> Pol Flip (Polarity Flip) </b>Inverts the signal's polarity. This can be useful in multiple mic setups to change the interaction between them.<b> +48V </b>Turns the ph

<b> Gain </b>Gain is a continuously variable gain control. It has a high gain jump near full clockwise for low level signals.• Continuously variable gain control• DC coupled ribbon mic with 10dB gain boost setting• 48V phantom power• 14dB Pad• 12 to 15V operation - 100 to 240V line lump power supply, 12V output, included<b> Signal LEDs </b>Indicate signal level at -30dBu (green), +8dBu (yellow) and +20dBu (red).<b> Ribbon-Dyn Mic </b>DC couples the mic to the gain stage and also provides an additional 10dB of gain. Use with any Ribbon or Dynamic mic (like an SM-57). A mic requiring phantom power will not work in this mode.<b>

Based on years of pro client suggestions, the HV316 is designed for harsh environments and mission critical applications: live touring racks, scoring stages, remote recording trucks, large studio complexes, sampler houses, hotrack installs, concert halls, outdoor facilities, schools and networked music venues, and environmental recording (12V battery operation).

Based on years of pro client suggestions, the HV316 is designed for harsh environments and mission critical applications: live touring racks, scoring stages, remote recording trucks, large studio complexes, sampler houses, hotrack installs, concert halls, outdoor facilities, schools and networked music venues, and environmental recording (12V battery operation).

<b> Protecting Against Electrostatic Discharge </b>Static electricity can harm delicate components on the HV-35 board. To prevent static damage, discharge static electricity from your body before you touch any jumpers or switches with the cover removed. You can do so by touching an unpainted metal surface on the API rack's chassis.• Continuously variable gain control• Front panel instrument input• DC coupled ribbon mic with 10dB gain boost setting• 80Hz roll off filter• 48V phantom power• 15dB Pad• Polarity flip• API 500 series compatible format<b> Compatible Racks </b>The HV-35 is designed to work in an API 500VPR or Lunch box

<b> Protecting Against Electrostatic Discharge </b>Static electricity can harm delicate components on the HV-32 board. To prevent static damage, discharge static electricity from your body before you touch any jumpers or switches with the cover removed. You can do so by touching an unpainted metal surface on the API rack's chassis.• Fits in API 200 frame and API Legacy and Vision consoles• Continuously variable gain control• DC coupled ribbon mic with 10dB gain boost setting• 48V phantom power• 15dB Pad<b> Compatible Racks </b>The HV-32 is designed to work in an API L200 rack, Vision or Legacy console. If you are using another brand, be sure i