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SIRUI 100mm T29 16X Full-Frame Anamorphic Lens Cinema Lens E Mount Venus E100
Full-Frame Coverage- SIRUI 100mm anamorphic lens available in E/RF/L/Z mount pairs perfectly with popular mirrorless and cine... morema camera models.
1.6x Cinema Scope- this anamorphic is equivalent to the horizontal FOV of a FF 63mm. Featuring a 1.6x wide squeeze factor, it produces 2.4:1 aspect ratio images when set at a 3:2 sensor mode and achieves a wider 2.8:1 frame when shooting at a 16:9 mode, offering a unique and eye-pleasing cinematic experience.
Distinct Cinematic Look - This squeeze factor offers cinematographers more noticeable anamorphic effects such as sci-fi lens flare and creamy oval bokeh, adding a stylistic cinematic feel to your scenes, and producing strong background compression with distinct focus fall-off for capturing more organic images.
Shallow Depth of Filed- With the premium optical design, this 100mm anamorphic blurs the background and allows incredible separation between the subject and background, producing a visible shallower DOF, perfect for shooting portraits, weddings, wildlife, etc.
Focal Length: 100mm | Lens Mount: E Mount | Maximum Aperture: T2.9 | Minimum Aperture: T16 | Lens Structure: 15 Elements in 13 Groups | Aperture Blades: 13 | Support Format: Full-Frame | Shooting Distance: 3ft(0.93m)-∞ | Focus Method: Manual Focus | Max Magnification: 1:8.50(V), 1:13.64(H) | Filter Spec: M82 x 0.75 | Rotation Angle of Focus Ring: 100°| Weight: 1490g/3.28lbs | Length: 166mm/6.54inch
Sirui 100mm T2.9 1.6x Anamorphic Lens for Sony E VENUS E100
100mm-Shallow DOF for Shooting TelephotoThe 100mm focal length has the ability to produce strong background compression as we... morell as beautiful oval bokeh with distinct focus fall-off, perfect for shooting portraits, sports, weddings, and wildlife.Complete Focal LengthsFour commonly used focal lengths are included in the versatile lens set for shooting complete projects from different angles of view.Full-Frame! High Squeeze!The FF anamorphic lineup sees 1.6x more on the horizontal with prominent anamorphic characteristics, especially suitable for high-end productions.Two Aspect Ratios• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio.• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1.As the 1.6x squeeze becomes increasingly popular, most monitors and cameras currently on the market have a 1.6x de-squeeze capability.Cinematic LookHit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic feeling to the footage.Uniform Barrel Construction49; T2.9 to T16 Aperture Range• Identical Gear Position• 82mm Filter Thread• 1/4" Threaded Hole• Metric & Imperial ScalesCompact DesignThe lightest lens in the lineup weighs only 1477g/3.26 lbs, More compact and lightweight than similar products.Mount OptionsThis lineup comes in RF, L, E, and Z-mount, working perfectly on professional cinema cameras and popular FF mirrorless cameras.
Take your photography and videography to the next level with the 100mm T2.9 1.6x Anamorphic Lens for Canon RF. This lens is d... moreesigned to deliver superior image quality with a strong background compression and a beautiful oval bokeh effect. The distinct focus fall-off makes it an ideal choice for shooting a variety of subjects, including portraits, sports, weddings, and wildlife.The lens set includes four commonly used focal lengths, providing versatility for capturing complete projects from different angles of view. The Full-Frame, High Squeeze feature allows you to see 1.6x more on the horizontal, showcasing prominent anamorphic characteristics that are particularly suitable for high-end productions.This lens offers two aspect ratios for added flexibility. When shooting in 3:2, you can achieve a 2.4:1 aspect ratio. Alternatively, using the lens on a 16:9 sensor results in a wider 2.8:1 aspect ratio, providing ample room for cropping in post-production to achieve a 2.4:1 ratio. With the increasing popularity of the 1.6x squeeze, this lens is compatible with most monitors and cameras currently on the market that have a 1.6x de-squeeze capability.Experience the cinematic look with this lens. Direct a light source at the lens to create stunning blue lens flares. The 1.6x squeeze adds a unique stretch to the background, making the bokeh taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic to your footage.The lens features a uniform barrel construction with a T2.9 to T16 aperture range, identical gear position, 82mm filter thread, and a 1/4" threaded hole. It also includes both metric and imperial scales. Despite its robust features, it remains compact and lightweight, weighing only 1477g/3.26 lbs, making it more portable than similar products.The 100mm T2.9 1.6x Anamorphic Lens for Canon RF is available in RF, L, E, and Z-mount options, ensuring seamless integration with professional cinema cameras and popular Full-Frame mirrorless cameras. Elevate your photography and videography with this versatile, high-quality lens.
Take your photography and videography to the next level with the 100mm T2.9 1.6x Anamorphic Lens for Canon RF. This lens is d... moreesigned to deliver superior image quality with a strong background compression and a beautiful oval bokeh effect. The distinct focus fall-off makes it an ideal choice for shooting a variety of subjects, including portraits, sports, weddings, and wildlife.The lens set includes four commonly used focal lengths, providing versatility for capturing complete projects from different angles of view. The Full-Frame, High Squeeze feature allows you to see 1.6x more on the horizontal, showcasing prominent anamorphic characteristics that are particularly suitable for high-end productions.This lens offers two aspect ratios for added flexibility. When shooting in 3:2, you can achieve a 2.4:1 aspect ratio. Alternatively, using the lens on a 16:9 sensor results in a wider 2.8:1 aspect ratio, providing ample room for cropping in post-production to achieve a 2.4:1 ratio. With the increasing popularity of the 1.6x squeeze, this lens is compatible with most monitors and cameras currently on the market that have a 1.6x de-squeeze capability.Experience the cinematic look with this lens. Direct a light source at the lens to create stunning blue lens flares. The 1.6x squeeze adds a unique stretch to the background, making the bokeh taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic to your footage.The lens features a uniform barrel construction with a T2.9 to T16 aperture range, identical gear position, 82mm filter thread, and a 1/4" threaded hole. It also includes both metric and imperial scales. Despite its robust features, it remains compact and lightweight, weighing only 1477g/3.26 lbs, making it more portable than similar products.The 100mm T2.9 1.6x Anamorphic Lens for Canon RF is available in RF, L, E, and Z-mount options, ensuring seamless integration with professional cinema cameras and popular Full-Frame mirrorless cameras. Elevate your photography and videography with this versatile, high-quality lens.
- Sirui 35mm & 100mm T2.9 1.6x Anamorphic Lens -35mm-Wide FOV for Shooting Wide Angle & 100mm-Shallow DOF for Shooting Teleph... moreotoThe 35mm anamorphic is equivalent to the horizontal field of view of a FF 22mm, allowing more elements to be included into the frame, therefore suitable for shooting architectures, landscapes, and tight spaces.The 100mm focal length has the ability to produce strong background compression as well as beautiful oval bokeh with distinct focus fall-off, perfect for shooting portraits, sports, weddings, and wildlife.Complete Focal LengthsFour commonly used focal lengths are included in the versatile lens set for shooting complete projects from different angles of view.Full-Frame! High Squeeze!The FF anamorphic lineup sees 1.6x more on the horizontal with prominent anamorphic characteristics, especially suitable for high-end productions.Two Aspect Ratios• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio.• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1.As the 1.6x squeeze becomes increasingly popular, most monitors and cameras currently on the market have a 1.6x de-squeeze capability.Cinematic LookHit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic feeling to the footage.Uniform Barrel Construction49; T2.9 to T16 Aperture Range• Identical Gear Position• 82mm Filter Thread• 1/4" Threaded Hole• Metric & Imperial ScalesCompact DesignThe lightest lens in the lineup weighs only 930g/2lbs, More compact and lightweight than similar products.- Sirui 50mm T2.9 1.6x Anamorphic Lens -Immersive Experience - 2.8:1 CinemaScope Aspect RatioSIRUI 50mm T2.9 1.6x Full-Frame Anamorphic LensFull Frame1.6x Squeeze Factor, 2.8:1 Wide-Screen Aspect RatioSirui Goes Full FrameIn the past few years, SIRUI 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, Sirui again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.Wider than WiderThis lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.Frame as You LikeWhether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C
