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Comparison Fujifilm X-T100 kit vs Sony A6300 kit 16-50

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Fujifilm X-T100  kit
Sony A6300  kit 16-50
Fujifilm X-T100 kitSony A6300 kit 16-50
from $529.00 
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Main
Touch screen on a swivel hinge. Vintage retro style. Compact size and light weight.
Record 0.05 s and the number of points (425 pcs.) phase detection autofocus for February 2016. Record 4K video and slow motion videos (up to 120 fps in Full HD). Wireless control from mobile gadgets. Electronic viewfinder. Lens included.
Camera type"mirrorless" (MILC)"mirrorless" (MILC)
DxOMark rating85
Sensor
Sensor
CMOS (CMOS) /processor X-Processor Pro/
CMOS (CMOS) /bionz-X processor/
Sensor sizeAPS-C (23x15.5 mm)APS-C (23x15.5 mm)
Total MP25
Effective MP number2424
Maximum image size6000x4000 px6000x4000 px
Light sensitivity (ISO)
200 - 51200 /ISO 100 and 51200 are only available in manual adjustment modes/
100-25600 /hardware ISO up to 51200 possible/
RAW format recording
Lens
Mount (bayonet)Fujifilm XSony E
Kit lens?
Aperturef/3.5 - f/5.6
Focal length16 - 50 mm
Optical zoom3.1
Manual focus
Image stabilizationis absentis absent
Photo shooting
HDR
2 control dials
 /modes, shutter speed, exposure/
White balance measuring
Exposure compensation± 5 EV, in 1/3 EV steps± 5 EV, in 1/2 or 1/3 EV steps
Auto bracketing
 /± 3 (3 frames in 1/3 EV increments)/
 /± 5 (3.5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 60 fps1920x1080 px 120 fps
Ultra HD (4K)3840x2160 px 15 fps3840x2160 px 30 fps
File recording formats
MOV /H.264/
MPEG-4, AVCHD, XAVC S /H.264/
Manual video focus
Maximum video length
 
time limit /30 min/
Connection ports
HDMI v 1.4
microphone Jack
HDMI v 1.4
microphone Jack
Focus
Autofocus modes
one shot
AI focus
tracking
in face
one shot
 
tracking
in face
Focus points91 шт425 шт
Touch focus
Viewfinder and shutter
Viewfinderelectronic
electronic /2359K points/
Viewfinder crop0.93 x0.7 x
Frame coverage100 %100 %
Shutter speed
30 - 1/4000 с /electronic shutter up to 1/32000/
30 - 1/4000 с
Continuous shooting6 fps11 fps
Shutter typeelectronic/mechanicalmechanical
Screen
Screen size3 ''3 ''
Screen resolution920 thousand pixels921 thousand pixels
Touch screen
Rotary display
Memory and communications
Memory cards types
SD, SDHC, SDXC /UHS-I, UHS-I/
SD, SDHC, SDXC /MS Pro Duo, MS Pro-HG Duo, MS Pro-HG HX Duo/
Communications
Wi-Fi
 
smartphone control
Wi-Fi 4 (802.11n)
NFC
smartphone control
Flash
Built-in flash
Guide number5
Application range6 m
External flash connect
Power source
Power source
battery
battery
Battery modelNP-W126sNP-FW50
Battery capacity1080 mAh
Shots per charge430 шт400 шт
General
Charger modelBC-W126sBC-QM1
Console/synchronizer modelRM-VPR1, RMT-DSLR2
Materialmagnesium alloyaluminium / plastic
Retrodesign
Dimensions (WxHxD)121х83х47 mm120х67х49 mm
Weight448 g981 g
Color
Added to E-Catalogjune 2018february 2016

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Mount (bayonet)

The type of bayonet mount — mount for interchangeable lenses — provided in a SLR or MILC camera (see "Camera type"). Bayonets come in different sizes, and interchangeable lens specifications usually indicate which mount it is designed for. Most often, mounts of different types are not compatible with each other, but there are exceptions (sometimes directly, sometimes using adapters).

Also note that one brand can use different mounts for different classes of cameras — and vice versa, one mount can be used by several manufacturers. So, Canon releases cameras with mounts EF-M, EF-S, EF and Canon RF. Leica has Leica M, Leica SL, Leica TL. Nikon has in its arsenal Nikon 1, Nikon F, Nikon Z. Pentax — Pentax 645, Pentax K, Pentax Q. Samsung offers NX and NX-M mounts. Sony cameras have Sony A and Sony E, Fuji has Fujifilm G and Fujifilm X. And as an example of a mount used by different brands, one can cit...e Micro 4/3, which is widespread in Olympus and Panasonic cameras.

Kit lens

A lens supplied with the camera in a serial (kit) configuration. With it, the camera is ready to work literally “out of the box” - everything needed for shooting is already available, and there is no need to buy a lens separately (as is the case with the “naked body” of the body camera). The vast majority of these are optics with a universal set of medium focal lengths and a relatively low variable aperture ratio. Often, kit lenses have rather modest characteristics, and they are intended mainly for novice users, learning the basics of photography and simple everyday shooting. But there are also other options for whale lenses - top camera models can be equipped with fairly advanced optics. It wouldn’t hurt to clarify this point separately. We also note that the same camera can be supplied with different options for complete optics.

Aperture

Aperture of the lens installed in the camera or supplied with it in the kit (for models with detachable optics).

In a simplified way, this parameter can be described as the ability of the lens to transmit light - in other words, how much the light flux weakens when passing through the optics. It is believed that two main indicators affect the characteristics of light transmission: the size of the relative opening of the lens and its focal length. Aperture is the ratio of the first indicator to the second; in this case, the size of the active hole is taken as one and is generally omitted when recording, as a result, such a recording looks, for example, like this: f / 2.0. Accordingly, the larger the number after the fraction sign, the lower the aperture ratio, the less light the lens transmits.

Zoom lenses (zoom lenses), as a rule, have different aperture values for different focal lengths. For such optics, two values of this parameter are indicated in the characteristics, for the minimum and maximum focal lengths, for example, f / 2.8–4.5. There are also vario lenses that maintain a constant aperture over the entire range of focal lengths, but they are much more expensive than analogs with variable aperture.

The high light transmission of the lens is important if the camera is planned to be used for shooting in low light conditions or for shooting fast moving objects: high-aperture optics allow you to shoot at low sensor sensitivity (which...reduces the likelihood of noise) and at low shutter speeds (at which moving objects are less blurry) . This parameter also determines the depth of field of the imaged space: the higher the aperture ratio, the smaller the depth of field. Therefore, for shooting with artistic background blur (“bokeh”), it is recommended to use fast lenses.

Focal length

Focal length of the camera lens.

Focal length is such a distance between the camera matrix and the optical center of the lens, focused at infinity, at which a clear and sharp image is obtained on the matrix. For models with interchangeable lenses ( mirrorless cameras and MILC, see “Camera Type”), this parameter is indicated if the camera is supplied with a lens (“kit”); Let us recall that, if desired, optics with other characteristics can be installed on such a camera.

The longer the focal length, the smaller the viewing angle of the lens, the higher the degree of approximation and the larger the objects visible in the frame. Therefore, this parameter is one of the key for any lens and largely determines its application (specific examples are given below).

Most often in modern digital cameras, lenses with a variable focal length are used: such lenses are able to zoom in and out of the image (for more details, see "Optical Zoom"). For "DSLRs" and MILC, specialized optics with a constant focal length (fixed lenses) are produced. But in digital compacts, "fixes" are used extremely rarely, usually such a lens is a sign of a high-end model with specific characteristics.

It should be borne in mind that the actual focal length of the lens is usually given in the characteristics of the camera. And the viewing angles and the general purpose of the optics are determined not only by this parameter, but also...by the size of the matrix with which the optics are used. The dependence looks like this: at the same viewing angles, a lens for a larger matrix will have a longer focal length than a lens for a small sensor. Accordingly, only cameras with the same sensor size can be directly compared with each other in terms of lens focal length. However, to facilitate comparisons in the characteristics, the so-called. EGF - focal length in 35 mm equivalent: this is the focal length that a lens for a full frame matrix having the same viewing angles would have. You can compare by EGF lenses for any matrix size. There are formulas that allow you to independently calculate the equivalent of 35 mm, they can be found in special sources.

If we talk about a specific specialization, then the EGF up to 18 mm corresponds to ultra-wide-angle fisheye lenses. Wide-angle is considered "fixed" optics with EGF up to 28 mm, as well as vario lenses with a minimum EGF up to 35 mm. Values up to 60mm correspond to "general purpose" optics, 50 - 135mm are considered optimal for shooting portraits, and higher focal lengths are found in telephoto lenses. More detailed information about the specifics of various focal lengths can be found in special sources.

Optical zoom

The magnification factor provided by the camera by using the capabilities of the lens (namely, by changing its focal length). In models with interchangeable lenses (see “Camera type”), indicated for the complete lens, if available.

Note that in this case the magnification is indicated not relative to the image visible to the naked eye, but relative to the image produced by the lens at minimum magnification. For example, if the characteristics indicate an optical zoom of 3x, this means that at the maximum magnification, objects in the frame will be three times larger than at the minimum.

The degree of optical zoom is directly related to the range of focal lengths (see above). You can determine this degree by dividing the maximum focal length of the lens by the minimum, for example 360mm / 36mm=10x magnification.

To date, optical zoom provides the best "close" image quality and is considered to be superior to digital zoom (see below). This is due to the fact that with this format of work, the entire area of \u200b\u200bthe matrix is constantly involved, which allows you to fully use its capabilities. Therefore, even among low-cost models, devices without optical zoom are very rare.

HDR

Camera support for HDR.

HDR stands for High Dynamic Range. The main application of this technology is shooting scenes with significant differences in illumination, when there are both very bright and very dark areas in the frame. The features of modern digital photography are such that in the normal shooting mode, only a rather narrow range of brightness can be correctly processed; as a result, with a large difference in illumination, the image contains either too dark or overexposed fragments. HDR avoids this phenomenon: in this mode, the camera takes several shots with different exposure settings, and then glues them together in such a way as to reduce the brightness in bright places and increase in dark places. This allows you to shoot, for example, landscapes against the backdrop of a bright sunset sky, the interiors of dimly lit buildings with bright windows, etc. In addition, HDR can also be used as an artistic technique — to give the picture an unusual colour scheme.

Note that this effect can also be achieved using post-processing in a graphics editor; however, using the camera is much more convenient.
Fujifilm X-T100 often compared
Sony A6300 often compared