Comparison Fujifilm X-A7 kit vs Fujifilm X-T100 kit
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|---|---|---|
| Fujifilm X-A7 kit | Fujifilm X-T100 kit | |
from $849.99 | from $541.00 | |
| User reviews | ||
| TOP sellers | ||
Large APS-C sensor. Interchangeable optics. Quick autofocus. Hot shoe. Video shooting in 4K. Audio input for microphone. Swivel screen with touch control. | Touch screen on a swivel hinge. Vintage retro style. Compact size and light weight. Low frame rate when shooting 4K video. High minimum ISO threshold for video shooting. There is no RAW support when photographing on the "machine". | |
| Camera type | "mirrorless" (MILC) | "mirrorless" (MILC) |
Sensor | ||
| Sensor | CMOS (CMOS) | CMOS (CMOS) |
| Sensor size | APS-C (23x15.5 mm) | APS-C (23x15.5 mm) |
| Effective MP number | 24 | 24 |
| Maximum image size | 6000x4000 px | 6000x4000 px |
| Light sensitivity (ISO) | 100-25600 | 200 - 51200 |
| RAW format recording | ||
Lens | ||
| Mount (bayonet) | Fujifilm X | Fujifilm X |
| Manual focus | ||
| Image stabilization | in absent | in absent |
Photo shooting | ||
| HDR | ||
| 2 control dials | ||
| White balance measuring | ||
| Exposure compensation | ± 5 EV, in 1/3 EV steps | ± 5 EV, in 1/3 EV steps |
| Auto bracketing | ||
| Exposure modes | auto shutter priority aperture priority manual mode | auto shutter priority aperture priority manual mode |
| Metering system | point centre-weighted sensor (estimated) | point centre-weighted sensor (estimated) |
Video recording | ||
| Full HD (1080) | 1920x1080 px 60 fps | 1920x1080 px 60 fps |
| Ultra HD (4K) | 3840x2160 px 30 fps | 3840x2160 px 15 fps |
| File recording formats | MPEG-4 | MOV |
| Manual video focus | ||
| Maximum video length | time limit | |
| Connection ports | HDMI v 1.4 microphone Jack | HDMI v 1.4 microphone Jack |
Focus | ||
| Autofocus modes | one shot tracking in face | one shot AI focus tracking in face |
| Focus points | 425 шт | 91 шт |
| Touch focus | ||
Viewfinder and shutter | ||
| Viewfinder | in absent | electronic |
| Viewfinder crop | 0.93 x | |
| Frame coverage | 100 % | |
| Shutter speed | 30 - 1/4000 с | 30 - 1/4000 с |
| Continuous shooting | 6 fps | 6 fps |
| Shutter type | electronic/mechanical | electronic/mechanical |
Screen | ||
| Screen size | 3.5 '' | 3 '' |
| Screen resolution | 2760 thousand pixels | 920 thousand pixels |
| Touch screen | ||
| Rotary display | ||
Memory and communications | ||
| Memory cards types | SD, SDHC, SDXC | SD, SDHC, SDXC |
| Communications | Wi-Fi Bluetooth | Wi-Fi smartphone control |
Flash | ||
| Built-in flash | ||
| Guide number | 5 | |
| Application range | 4 m | |
| External flash connect | ||
Power source | ||
| Power source | battery | battery |
| Battery model | NP-W126S, NP-W126 | NP-W126s |
| Shots per charge | 440 шт | 430 шт |
General | ||
| Charger model | DV00DV3054 | BC-W126s |
| Material | aluminium alloy | magnesium alloy |
| Retrodesign | ||
| Dimensions (WxHxD) | 119x38x41 mm | 121x83x47 mm |
| Weight | 320 g | 448 g |
| Color | ||
| Added to E-Catalog | september 2019 | june 2018 |
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Glossary
Light sensitivity (ISO)
The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.
HDR
Camera support for HDR.
HDR stands for High Dynamic Range. The main application of this technology is shooting scenes with significant differences in illumination, when there are both very bright and very dark areas in the frame. The features of modern digital photography are such that in the normal shooting mode, only a rather narrow range of brightness can be correctly processed; as a result, with a large difference in illumination, the image contains either too dark or overexposed fragments. HDR avoids this phenomenon: in this mode, the camera takes several shots with different exposure settings, and then glues them together in such a way as to reduce the brightness in bright places and increase in dark places. This allows you to shoot, for example, landscapes against the backdrop of a bright sunset sky, the interiors of dimly lit buildings with bright windows, etc. In addition, HDR can also be used as an artistic technique — to give the picture an unusual colour scheme.
Note that this effect can also be achieved using post-processing in a graphics editor; however, using the camera is much more convenient.
HDR stands for High Dynamic Range. The main application of this technology is shooting scenes with significant differences in illumination, when there are both very bright and very dark areas in the frame. The features of modern digital photography are such that in the normal shooting mode, only a rather narrow range of brightness can be correctly processed; as a result, with a large difference in illumination, the image contains either too dark or overexposed fragments. HDR avoids this phenomenon: in this mode, the camera takes several shots with different exposure settings, and then glues them together in such a way as to reduce the brightness in bright places and increase in dark places. This allows you to shoot, for example, landscapes against the backdrop of a bright sunset sky, the interiors of dimly lit buildings with bright windows, etc. In addition, HDR can also be used as an artistic technique — to give the picture an unusual colour scheme.
Note that this effect can also be achieved using post-processing in a graphics editor; however, using the camera is much more convenient.
2 control dials
The presence of two control dials in the design of the camera.
This design feature makes it easier to control the camera and change settings on the fly: additional operating parameters are transferred to the second disk, and turning it to the desired position is easier and faster than “digging” in the on-screen menu items. This feature is found mainly in semi-professional and professional cameras, which involve frequent use of manual shooting mode.
This design feature makes it easier to control the camera and change settings on the fly: additional operating parameters are transferred to the second disk, and turning it to the desired position is easier and faster than “digging” in the on-screen menu items. This feature is found mainly in semi-professional and professional cameras, which involve frequent use of manual shooting mode.
Ultra HD (4K)
The maximum resolution and frame rate of video captured by the camera in the Ultra HD (4K) standard.
UHD 4K refers to resolutions with a frame size of approximately 4,000 horizontal pixels. Specifically, in cameras for video shooting, resolutions of 3840x2160 and 4096x2160 are most often used. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.
UHD 4K refers to resolutions with a frame size of approximately 4,000 horizontal pixels. Specifically, in cameras for video shooting, resolutions of 3840x2160 and 4096x2160 are most often used. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.
File recording formats
File formats in which the camera can record video. Given that the footage is designed to be viewed on an external screen, you should make sure that the playback device (DVD player, media centre, etc.) is able to work with the appropriate formats. At the same time, many camera models themselves can play the role of a player by connecting to a TV via an audio / video output or HDMI (see the corresponding paragraphs of the glossary). And if the video materials are to be viewed on a computer, you should not pay special attention to this parameter at all: problems with format incompatibility in such cases rarely occur, but are usually solved by installing the appropriate codec.
Manual video focus
The ability to manually focus the camera during video shooting.
This feature is typically found on cameras that support manual focus in photo mode (see "Manual Focus"); however, not all such models are capable of focus manually when shooting video, so this feature is highlighted separately. As in the case of photography, manual focus allows the user to independently choose the object to be focused on, without relying on automation (which quite often does not work the way we would like). This can be useful not only to ensure the overall quality of the material, but also to use original creative techniques.
This feature is typically found on cameras that support manual focus in photo mode (see "Manual Focus"); however, not all such models are capable of focus manually when shooting video, so this feature is highlighted separately. As in the case of photography, manual focus allows the user to independently choose the object to be focused on, without relying on automation (which quite often does not work the way we would like). This can be useful not only to ensure the overall quality of the material, but also to use original creative techniques.
Maximum video length
Restrictions on the length of the recorded video provided in the design of the camera. In some models, the recording time is limited in time (for example, 30 minutes) — thus, to record a longer video, it will have to be split into separate clips. In others, the duration depends only on the amount of free memory — you can record as long as there is enough space. There is also a combination of these options; in such models, video recording stops as soon as either of the two limits is reached.
Autofocus modes
Autofocus operating modes provided in the camera design.
— One picture. The main mode of autofocus operation is found in all modern cameras and is used most often. Designed for shooting motionless objects.
— Follower. This mode is used for shooting moving objects, the distance to which is constantly changing: the camera constantly monitors the position of the object, constantly adjusting the optics so that it is in focus. Usually found in middle and upper class cells.
— AI focus. A peculiar combination of the previous two modes is used when a stationary object can start moving at any moment. If the scene is static, autofocus works in the single frame mode, but if the object on which focus is made starts to move, the device switches to tracking autofocus mode. AI mode allows you to almost instantly set the optimal autofocus settings, which is especially useful for sequential shooting. Initially, it was found in expensive models, however, thanks to the development of technology, today it can even be used in inexpensive compacts (see “Camera type”).
— By the face. Autofocus mode that uses a face recognition system and focuses on them. This feature is especially useful for taking pictures of people at a great distance from the camera, when the face is much smaller than the frame size, such as in group shots.
— With a smile. A further development of the face autofocus mode described above, when, in accordance with the nam...e, the system reacts not just to a face, but to a smile. This mode can be combined with the function of automatic shooting at the moment of a smile.
— Animal in the frame. A mode designed primarily for shooting animals, which can be difficult (and often impossible) to make them sit still in the frame. It is usually a variation of the tracking autofocus described above, but specific features of operation may vary depending on the camera model.
This list is not exhaustive, and other specific autofocus modes may be provided in the design of modern cameras.
— One picture. The main mode of autofocus operation is found in all modern cameras and is used most often. Designed for shooting motionless objects.
— Follower. This mode is used for shooting moving objects, the distance to which is constantly changing: the camera constantly monitors the position of the object, constantly adjusting the optics so that it is in focus. Usually found in middle and upper class cells.
— AI focus. A peculiar combination of the previous two modes is used when a stationary object can start moving at any moment. If the scene is static, autofocus works in the single frame mode, but if the object on which focus is made starts to move, the device switches to tracking autofocus mode. AI mode allows you to almost instantly set the optimal autofocus settings, which is especially useful for sequential shooting. Initially, it was found in expensive models, however, thanks to the development of technology, today it can even be used in inexpensive compacts (see “Camera type”).
— By the face. Autofocus mode that uses a face recognition system and focuses on them. This feature is especially useful for taking pictures of people at a great distance from the camera, when the face is much smaller than the frame size, such as in group shots.
— With a smile. A further development of the face autofocus mode described above, when, in accordance with the nam...e, the system reacts not just to a face, but to a smile. This mode can be combined with the function of automatic shooting at the moment of a smile.
— Animal in the frame. A mode designed primarily for shooting animals, which can be difficult (and often impossible) to make them sit still in the frame. It is usually a variation of the tracking autofocus described above, but specific features of operation may vary depending on the camera model.
This list is not exhaustive, and other specific autofocus modes may be provided in the design of modern cameras.
Focus points
The number of focus points (autofocus) provided in the design of the camera.
The focus point is the point (more precisely, a small area) in the frame from which the autofocus system reads data for focusing. The simplest systems work with a single point, but their capabilities are very limited, and this option is practically not found today. Modern digital cameras have at least three focus sensors, and in the most advanced models this figure can reach several dozen.
The more autofocus sensors there are in the camera, the more advanced its autofocus capabilities will be, the more specific techniques it allows you to use. In this case, the selection of specific points used can be carried out both automatically, simultaneously with the choice of the subject program, and manually (however, the second option is more typical for professional cameras). In addition, the abundance of focus points has a positive effect on the quality of the tracking autofocus (see "Autofocus Modes").
In general, more focus sensors are generally considered a sign of a more advanced camera; however, differences in quality become really noticeable only if the difference in the number of points is significant - for example, if we compare models with 9 and 39 points. A lot also depends on the location of the points in the frame - it is believed that sensors distributed over a wide area work better than densely located in the center of the frame, even if their number is the same.
The focus point is the point (more precisely, a small area) in the frame from which the autofocus system reads data for focusing. The simplest systems work with a single point, but their capabilities are very limited, and this option is practically not found today. Modern digital cameras have at least three focus sensors, and in the most advanced models this figure can reach several dozen.
The more autofocus sensors there are in the camera, the more advanced its autofocus capabilities will be, the more specific techniques it allows you to use. In this case, the selection of specific points used can be carried out both automatically, simultaneously with the choice of the subject program, and manually (however, the second option is more typical for professional cameras). In addition, the abundance of focus points has a positive effect on the quality of the tracking autofocus (see "Autofocus Modes").
In general, more focus sensors are generally considered a sign of a more advanced camera; however, differences in quality become really noticeable only if the difference in the number of points is significant - for example, if we compare models with 9 and 39 points. A lot also depends on the location of the points in the frame - it is believed that sensors distributed over a wide area work better than densely located in the center of the frame, even if their number is the same.






