Comparison AOC G2590FX 25 " vs AOC G2590PX 25 "

The colour depth supported by the monitor.

This parameter characterizes the number of shades that the screen can display. And here it is worth recalling that the image in modern monitors is based on 3 basic colours — red, green, blue (RGB scheme). And the number of bits is indicated not for the entire screen, but for each base colour. For example, 6 bits (the minimum colour depth for modern monitors) means that the screen is capable of producing 2 ^ 6, that is, 64 shades of red, green and blue; the total number of shades will be 64 * 64 * 64 = 262,144 (0.26 million). An 8-bit colour depth (256 shades for each base colour) already gives a total of 16.7 million colours; and the most advanced modern monitors support 10-bit colour, allowing you to work with more than a billion shades.

Screens with support for FRC technology are worth a special mention; nowadays, you can find models marked " 6 bit + FRC " and " 8 bit + FRC ". This technology was developed to improve picture quality in situations where the incoming video signal has a greater colour depth than the screen, such as when 10-bit video is fed to an 8-bit matrix. If such a screen supports FRC, the picture on it will be noticeably better than on a regular 8-bit monitor (although somewhat worse than on a full-fledged 10-bit monitor, but “8 bit + FRC” screens are much...cheaper).

High colour depth is important primarily for professional graphics and other tasks that require high colour fidelity. On the other hand, such features significantly affect the cost of the monitor. In addition, it is worth remembering that the quality of colour reproduction depends not only on the colour depth, but also on other parameters — in particular, colour gamut (see below).

The colour gamut of the monitor is based on the NTSC colour model.

Any colour gamut is indicated as a percentage, however, not relative to the entire variety of visible colours, but relative to the conditional colour space (colour model). This is due to the fact that no modern screen is able to display all the colours visible to humans. However, the larger the colour gamut, the wider the monitor's capabilities, the better its colour reproduction.

Specifically, NTSC is one of the first colour models created back in 1953 with the advent of colour television. It is not used in the production of modern monitors, but is often used to describe and compare them. NTSC covers a wider range of colours than sRGB, which is standard in computer technology: for example, coverage of only 85% in NTSC gives about 110% in sRGB. So the colour gamut for this model is usually given for advertising purposes — as a confirmation of the high class of the monitor; a very good indicator in such cases is considered to be 75% or more.

— Mini-Jack input (3.5 mm). Audio input with standard 3.5mm mini-jack. Usually, it looks like a socket into which a mini-jack plug is connected from a signal source. The signal itself from such an input can be fed either to the monitor's built-in speakers or to the audio output (see below for both).

— Mini-Jack output (3.5 mm). Analogue audio output using a standard 3.5mm mini-jack. Usually it is universal, it can be used both for connecting headphones and as a line output for computer speakers or other active acoustics. The presence of an audio jack on the monitor is convenient because such a port is usually closer to the user than the audio card outputs, and connecting headphones or speakers directly to the monitor is easier than pulling a wire to the system unit.

-LAN. Standard connector for wired connection to computer networks. The presence of such an input in most cases turns the monitor into a network device: any network user with the appropriate access rights can display an image on it. Another use case for LAN is a direct connection to another device. For example, in this way you can connect a laptop with a LAN output without disconnecting the monitor from the PC (to which it can be connected, for example, via the DVI interface). And some especially advanced models have embedded software tools that allow using t...he local network to view the contents of devices connected to this network, and even use some web services directly from the monitor, without using a computer as such.

— Component. An analogue interface that transmits video components over three separate wires (hence the name). It is the most advanced of the common analogue standards, allows you to transmit HD-image and provides better quality than S-Video and even more so the composite connector. It is practically never found in computer video cards, but it is still quite popular in various video equipment; may be useful for connecting the monitor to a media centre, DVD player, or other similar device. However the sound will have to be connected through a separate connector — the component interface does not support audio transmission.

— Composite. One of the simplest and most common analogue audio/video inputs. Like component, it uses three wires and in its standard form consists of three RCA connectors; in some monitors, both interfaces can even be implemented through one set of connectors, switched to "component" or "composite" modes in the settings. The peculiarity of this standard is that it allows you to transmit both picture and sound: one of the wires is used for the analogue video signal, and the remaining two are responsible for the left and right stereo channels. However the composite interface is considered outdated: due to video transmission over a single cable, the quality and noise immunity of the picture are low, and there is no talk of HD resolutions at all. On the other hand, such outputs are still quite popular in video technology — both modern and frankly outdated (like VHS VCRs). And the ability to connect both video and sound at once is very convenient. However, if the monitor has neither audio outputs nor built-in speakers, it usually provides a stripped-down version of this connector — "composite video", with one RCA jack.

— Coaxial (S/P-DIF). An electrical version of the S / P-DIF interface: through one coaxial RCA connector (tulip), sound is transmitted digitally, including multichannel. This connector is found mainly among large-format plasma and LCD panels (see "Type"), where it plays the role of an output for connecting external audio systems — primarily home theaters and other advanced multi-channel acoustic sets.

— Linear. The line interface is a standard audio interface for transmitting an audio signal in analogue format. In general, the most popular way to use this connector is to output sound to active speakers and/or an external amplifier. However, monitors can have both outputs and inputs of this type. In this sense, the line interface is similar to the 3.5 mm jack described above; moreover, in some models, the mini-Jack plays the role of a linear connector.

— Optical. Another type of S / P-DIF connector, in addition to the coaxial output described above. It is used for the same purpose — to output multi-channel sound to external acoustics — however, it uses not an electrical, but an optical (light-guide) cable, so that such a connection is absolutely not subject to electrical interference. On the other hand, optical fibre requires careful handling, as it can crack from bending or strong pressure. It is also worth noting that, unlike coaxial, the optical output is found in both large and relatively small monitors.

— COM port (RS-232). Universal digital interface for transferring various data. In monitors, it usually plays an auxiliary role: it allows you to control the screen settings from a connected computer or other device, and in models with touch screens it can also be used to transfer data from the sensor to the computer. It is much less common than USB, it is practically not used in laptops, but it has the advantage of a maximum cable length — 15 m versus 5 m.

— S video. One of the common analogue video interfaces, along with the composite and component ones described above. The video signal is transmitted on two separate wires, so you can achieve better quality than in composite video; and compares favorably with the component interface S-Video in compactness (both wires are connected through one connector). Audio transmission over this connection is not provided. This standard is considered obsolete and has almost gone out of use in computers, but it is still found in various video equipment and can be useful for non-standard monitor applications.

The screen is 90° rotatable on a stand, from landscape (horizontal) to portrait (vertical). The vertical orientation of the screen ( portrait mode) can be useful, for example, when working with large documents made in portrait orientation.

The presence of a swivel stand in the design of the monitor allows you to change not only the angle of the screen (of course everyone has it), but also its rotation to the right and left. The angle of rotation depends on the model, but anyway, even a slight deviation allows you to quickly adjust the position of the monitor to your needs.

The ability to move the monitor screen up and down relative to the base. This feature is very convenient for adjusting the height of the screen — moving it on the mount is much easier than looking for a stand or resorting to other tricks.

The presence of the monitor's own built-in speakers. Such models, in fact, combine a screen and speakers, which can save the user from having to purchase separate acoustics. And for models with a TV tuner (see above), this function is almost mandatory. However note that the power of such speakers and the quality of their sound are relatively low, so such a system is hardly suitable for demanding listeners. Nevertheless, built-in acoustics usually sound at least as good as inexpensive external speakers, and take up much less space.

Rated power of the speakers installed in the monitor (see "Built-in speakers"). The higher the power, the louder the acoustics can sound, the easier it is to cover a vast space. However, in most cases, the user is directly in front of the monitor, and high volume is not required for normal hearing. So this parameter is critical mainly for plasma and LCD panels (see "Type").

The monitor has a USB hub with USB 3.2 connectors.

A USB hub is a set of additional USB ports on the monitor case, to which you can connect various peripherals (provided that the monitor is connected to the computer's USB port with a special cable). This equipment performs two useful functions. Firstly, the hub increases the number of ports available for connection: the USB cable from the monitor occupies only one port on the computer, and in return the user receives several connectors on the monitor. Secondly, these connectors are located in close proximity to the user, literally at arm's length. This is especially useful when working with classic PCs, where the system unit can be located under the table or in another hard-to-reach place, and it would be inconvenient to reach for it every time in search of USB ports.

As for version 3.2, it combines all versions of the third generation. In fact, this standard includes three specifications: USB 3.2 Gen 1 (formerly USB 3.0) with speeds up to 5 Gbps, USB 3.2 Gen 2 (formerly USB 3.1) with speeds up to 10 Gbps and USB 3.2 Gen 2x2 with speeds up to 20 Gb /with. The USB 3.x hub in the monitor can meet any of these specifications, such details should be clarified separately.