DACs RME

• Custom holes for mounting RME 9.5" devices• More stability due to new, stronger material• Cable management slots at the back - designed to fit the unit's external power suplies by using cable straps• Rear slots to use as cable strain reliefs• Same Gray/silver look & feel as the popular RM19-x rackmount adapters

The RME Professional Balanced Analog Breakout Cable is specially designed for HDSP 9632 System. It connects 15-pin D-sub to 4x XLR Analog.

The MADI Converter converts MADI digital audio streams from optical format to coaxial and from coaxial to optical. The compact 19" housing with 1 unit height contains six fully independent bi-directional converters. The MADI converter is an ideal companion to RMEs MADI Bridge. Its six coaxial inputs and outputs can be converted to optical, which is advantageous in live and installed setups and for longer cable lengths. The device can be placed underneath the RME MADI Bridge ideally; the coaxial in- and outputs of the two devices will be right next to each other vertically and can be connected with short patch cables easily.All 12 inputs are equipped with status LEDs on the front panel. Any

Experience the unparalleled audio conversion quality of the M-32 DA 32-Channel High-End MADI/ADAT to Analog Converter. This state-of-the-art device, designed by RME, is a testament to advanced analog circuit design, incorporating the latest converter chips and RME's superior SteadyClock technology. This professional-grade converter is optimized for use in high-end recording studios, live sound applications, and broadcast environments. It offers an impressive 32-channel DA conversion, ensuring high-fidelity sound reproduction. The M-32 DA is part of RME's M-series converters, which can be combined in various configurations to accommodate 16, 32, 48, or 64 channels, depending on your specific

After meticulous design and engineering, the M-32 AD 32-Channel High-End Analog to MADI/ADAT Converter from RME emerges as a professional-grade, advanced audio conversion solution. This sophisticated device is equipped with a comprehensive feature set, making it a powerhouse in the realm of audio conversion. The M-32 AD is a precision instrument, boasting 32 channels of high-end AD conversion. It seamlessly blends superior analog circuit design with the latest converter chips and RME's proprietary SteadyClock technology. This combination results in state-of-the-art AD conversion, delivering unparalleled audio quality across all 32 channels. This advanced converter is equipped with unique

While the RME M-1610 Pro may appear simple at first glance, it is a sophisticated and advanced 16-channel A/D, 10-channel D/A converter that offers unparalleled flexibility and reliability. This state-of-the-art audio equipment is designed to bring high-quality, professional performance to your recording studio, live sound setup, or post-production facility.The M-1610 Pro boasts 16 analog inputs with a switchable sensitivity of up to +24 dBu per channel, 8 balanced analog line level outputs, and an additional headphone output, providing ample analog I/O for any studio setup. It also features redundant AVB ports, up to two independent MADI ports, and ADAT outputs, making it one of the most

When integrating the I64 MADI Option Card into your professional audio setup, you unlock a new realm of sophisticated connectivity and advanced audio performance. Designed specifically for the Micstasy Microphone Preamp and ADI-8 QS AD/DA Converter, this high-quality option card expands your system's capabilities with a 64-Channel MADI input and output, ensuring seamless integration with a wide array of MADI-equipped devices.The I64 MADI Card is engineered for reliability and innovation, featuring both optical and coaxial MADI inputs. It intelligently switches between inputs, automatically detecting and selecting a valid signal source. This automatic input switching provides full redundancy,

The DMC-842 is both an 8-Channels AES42 interface as well as a controller for digital microphones. The unique device allows for connection and control of up to 8 digital microphones and converting their signals to ADAT, AES/EBU, analog and (optional) MADI. Eight individually switchable hi-end sample rate converters offer a flexible clocking and further usage options, especially as the inputs are compatible to AES3 and AES/EBU too. When developing the DMC-842, RME worked closely with the microphone manufacturers to secure maximum compatibility and best functionality. As a result the DMC-842 is the most flexible and most compatible AES42 interface available - a true milestone for the broad

After meticulous design and development, the ARC USB Advanced Remote Control emerges as an indispensable tool for TotalMix FX users. This wired remote control is specifically engineered to provide direct access to the most frequently used actions and commands of TotalMix FX, making it an essential asset in any professional studio setting. The ARC USB Remote Control boasts an incredibly flexible configuration through TotalMix FX, designed to streamline your workflow and enhance the usability of the RME interface in a wide range of real-world situations. As a USB 1.1 (UAC1) MIDI remote control, it is natively compatible with both Windows and Mac OS X operating systems. Upon connection to the operating …

Why settle for less when you can have the best? The ADI-8 QS 8 Channel A/D and D/A Converter from RME is a state-of-the-art, professional-grade audio converter that offers advanced features and high-quality performance. This sophisticated device is designed to convert analog audio signals to digital and vice versa, making it an essential tool for recording studios, live sound setups, and other professional audio applications.The ADI-8 QS is equipped with a high-resolution 192kHz interface, ensuring superior sound quality. It boasts a wide range of interfaces, including 1/4" phone, BNC word clock, DB-25, fiber optic, and MIDI, providing versatility for various audio setups. This advanced converter …

From the professional studios to the broadcast suites, the ADI-648 stands as an advanced 64-channel 24-bit/96kHz MADI/ADAT format converter, embodying sophistication and reliability for audio professionals. The ADI-648 bridges the gap between the world's most prevalent multi-channel interface, MADI, and the high-end exclusive ADAT format, ensuring seamless integration in professional audio environments.The converter boasts a comprehensive 16x16 routing matrix, enabling unparalleled flexibility in signal routing. Users can effortlessly route any 8-channel input block to multiple 8-channel output blocks, facilitating complex setups such as signal splitting and routing within the same format.

The ADI-6432R BNC provides 64 channels of format conversion from MADI to AES-3id and vice versa. Based on RME's highly successful bidirectional MADI-AES/AES-MADI converter ADI-6432, the newly developed ADI-6432R BNC offers broadcasters ease of integration and fail-safe operation through the utilization of industry standard BNC connectors and dual redundant power supplies, while offering 64 channels of I/O capability. The BNC version targets broadcast and professional users who require AES-3id connections - coaxial 75 Ohm cables with up to 300m length. • Support for up to 192 kHz with MADI and AES • Unique status displays for MADI and AES • SteadyClock for maximum jitter

The RME ADI-6432 R is identical to the ADI-6432, but can be connected to two different electrical circuits. If one of these circuits fails, the ADI-6432 R will continue to operate without interruption. RMEs ADI-6432 offers 64 channels of format conversion from MADI to AES and vice versa. Typical applications include two ADI-6432 used as digital multicore or one unit used as AES/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24-Bit are supported. Built with 2 units height there is enough space for all connectors and control elements.• MADI Multinorm• MADI Dual I/O• MADI Quad Wire• MADI Redundancy• RME Remote• Instant Memory• MIDI over

Let the RME ADI-6432 Bidirectional 64 Channel 24-Bit/192kHz MADI/AES Format Converter be the cornerstone of your professional audio setup, offering unparalleled audio signal conversion capabilities. This sophisticated device is designed to meet the demands of advanced audio production environments, seamlessly converting between MADI and AES formats with precision and ease.The ADI-6432 supports a remarkable 64 channels of high-quality audio conversion, ensuring that your audio retains its pristine quality through the conversion process with a high resolution of 24-bit/192kHz. This state-of-the-art unit is ideal for a variety of applications, including use as a digital multicore system or as

The ADI-642, an 8-Channel format converter from MADI to AES and vice versa, is the latest addition to RMEs successful MADI series. Amongst other applications, the unit can serve as ideal AES/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24-Bit are supported. Its most outstanding feature is an easy-to-use 72 x 74 routing matrix, which can assign an individual input channel to every single output channel, allowing free configuration of all 64 MADI channels and the 8 AES channels.• MADI Multinorm• MADI Dual I/O• MADI Quad Wire• MADI Redundancy• RME Remote• Instant Memory• MIDI over MADI• RS-232 over MADI• Intelligent Clock

The ADI-2 FS is a compact and extremely flexible 2-channel Hi-End AD/DA-converter. The small 9.5" unit offers first-class AD/DA-conversion from/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected! HighlightsBalanced analog inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal conversion quality, 3-stage hardware input and output level control and the additional modes D-D and A-A turn the ADI-2 FS into a universal tool and a flexible problem solver. Its pro-class sound qualifies it also as extension for other premium converters. The ADI-2 FS is equipped with …