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Comparison Steinberg UR22C vs Steinberg UR242

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Steinberg UR22C
Steinberg UR242
Steinberg UR22CSteinberg UR242
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Form factordesktopdesktop
Number of channels
2 in
2 out
4 in
2 out
ConnectionUSB 3.1 type CUSB 2.0 type B
DAC
32 bit
192 kHz
24 bit
192 kHz
Frequency range20 – 22000 Hz20 – 22000 Hz
Preamplifier
2 pcs /D-PRE/
2 pcs /D-PRE/
Inputs
Total Jack / XLR audio inputs
Combo XLR 2 pcs
Combo XLR 2 pcs and Jack 2 pcs
MicrophoneCombo XLR 2 pcsCombo XLR 2 pcs
InstrumentCombo XLR 1 pcsCombo XLR 1 pcs
LineCombo XLR 2 pcsCombo XLR x2 and Jack x2
MIDI in11
Outputs
Total Jack/XLR audio outputs
Jack x3
Jack x2
MainJack (6.35 mm) 2 pcs
LineJack x2
MIDI out11
HeadphonesJack x1
Features
For podcasts / streams
Phantom power
ASIO
DSP processor
high Pass Filter (HPF)
 /DSP/
Loopback
Front headphone output
Headphone level adjustment
Software includedSteinberg Plus, Cubase AI, Cubasis LE, dspMixFx, Basic FX SuiteCubase AI, Cubasis LE, dspMixFx, Basic FX Suite
General
ОСWindows / macOS / iOS / iPadOSWindows / macOS / iOS / iPadOS
Power supplyUSB / mainsmains powered
External power supply
Power consumption4.5 W5 W
Dimensions (WxDxH)159x159x47 mm198x159x47 mm
Weight1 kg1.3 kg
Color
Added to E-Catalogseptember 2021november 2015

Number of channels

The number of input and output channels that the audio interface is equipped with. See below for more details on each type.

— Input channels. Input (in) channels on audio interfaces designate the number of different audio signals a device can accept for recording overnight. Their number plays a decisive role in multi-channel sound recording, connecting several instruments or vocals at the same time. When choosing an audio interface, consider not only the number of input channels, but also the types of connectors (see “Inputs”).

— Output channels. Output channels output (out) is the number of audio signals that can be sent to other devices or equipment for playback. The outputs of the audio interface can be used to connect to amplifiers, monitors, speaker systems, headphones, etc. A large number of output channels will come in handy when creating sound mixes, multi-channel recording or multitasking in a studio environment. For simpler tasks, it is enough to have from 2 to 4 output channels. When choosing an audio interface, consider not only the number of output channels, but also the types of connectors (see “Outputs”).

Connection

Connection interfaces that the audio interface is equipped with.

- USB A. Connection via standard USB port. Until recently, this was the most popular interface for external peripherals, found in almost all PCs and laptops. Nowadays, it is often replaced by a USB type C port (see the corresponding paragraph). Most USB A audio interfaces draw power directly from the PC or other host device.

- USB type B. The connector has a characteristic square shape, noticeably different from the well-known rectangular USB A ports. In audio interfaces, it is used to transmit signals from external sources to a computer for recording and processing.

- USB type C. A peripheral connector with a symmetrical contact group, which often replaces full-size USB ports on board modern PCs and laptops. Many new models of audio interfaces are being made for this interface. An exception to the rule is individual instances for Thunderbolt. For them, it is Thunderbolt that is indicated, and not USB type C.

- Thunderbolt v2. Initially, Thunderbolt is a universal connector used primarily in Apple computer equipment. On board audio interfaces it is used as a general peripheral connector (similar to USB). This uses the miniDisplayPort hardware port. The data transfer speed in this version reaches 20 Gbit/s. Recently, the v2 edition has been rep...laced by the Thunderbolt v3 version (see the corresponding paragraph).

- Thunderbolt v3. A universal interface that is found mainly in Apple technology. In audio interfaces it is used as a general peripheral connector (similar to USB). Specifically, Thunderbolt v3 provides data transfer speeds of up to 40 Gbps and uses a USB type C hardware connector (as opposed to earlier versions based on miniDisplayPort).

- Lightning. A connector used exclusively in Apple portable electronics (since 2012). Accordingly, audio interfaces with such a port are aimed at ease of connection to iPhones and iPads. Note that today there has been a transition from proprietary Lightning to the common USB type C - the latest generations of Apple gadgets are produced with just such a peripheral connection connector.

- mini-USB. A smaller version of the full-size USB interface, created for portable equipment. It is found very rarely in audio interfaces.

- FireWire. Universal connector, also known as IEEE 1394 or i-Link. In terms of functionality, it is analogous to USB, and in some characteristics it even surpasses it. However, FireWare is much less common. Used to connect to computers and some types of specialized audio equipment.

Dante Dante connectors are used to connect audio interfaces to a network to transmit audio digitally. In this case, a standard Ethernet port (RJ-45) is used for physical access to the network.

DAC

Characteristics of the built-in DAC - a digital-to-analog converter for converting digital audio into line-level analog audio, usually in stereo format.

— Bit depth. Bit size of the digital-to-analog converter (DAC) used in the device. In this case, the meaning of this parameter is as follows: the bit depth of the DAC must be no lower than the bit depth of the audio signal with which the converter is planned to be used, otherwise the device will not be able to effectively cope with the conversion. As for specific values, the standard options in modern audio interfaces are 16 bit, 24 bit and 32 bit.

- Sampling frequency. The sampling rate of the digital-to-analog converter (DAC) installed in the audio interface. Let us recall that such a converter is responsible for converting digital audio into an analog audio signal. The paragraph usually indicates the maximum value of the sampling frequency, for which one of the standard values corresponding to a certain sound quality is used ( 48 kHz, 96 kHz, 192 kHz).

Total Jack / XLR audio inputs

— Total audio inputs Jack / XLR. The total number of analog audio inputs such as Jack (6.35 mm) and/or XLR (this interface can be combined with a “jack”). Note that such connectors can play the role of both a line input and a microphone or instrument input. For more details, see the relevant paragraphs.

— mini-Jack. The standard 3.5 mm mini-Jack is usually used in audio interfaces as an analog (line) input for two stereo channels, as well as as a microphone audio input (see the corresponding paragraphs).

Line

The type of line input provided in the device. Uses the line input to feed audio from an external source to the audio interface.

The following types of connectors can be used for line input:

mini-Jack (3.5 mm). A socket for a standard mini-Jack plug (3.5 mm). The connector serves as an audio input for two stereo channels. It is designed primarily for portable electronics such as smartphones, pocket players, etc. In stationary devices, Jack (6.35 mm), XLR and RCA are more popular.

Jack (6.35 mm). A common audio connector for transmitting an analog signal. In design, this type of socket is as similar as possible to a mini-Jack (3.5 mm), but differs in size. Jack connector (6.5 mm) provides tight contact and is less susceptible to interference. It also supports a balanced connection - high-quality transmission of audio signals over fairly long wires with effective protection against interference.

- XLR. The XLR standard is considered professional - not only because of the high quality of signal transmission, but also because of its fairly large size and the presence of locks for securely securing the plugs. However, only one channel of audio can be transmitted over one cable, so XLR outputs are usually installed in pairs - based on stereo sound. Also note that these connectors can be combined with Jack sockets (6.35 mm). They also allow y...ou to implement a connection in a balanced format with a high degree of noise immunity and the use of fairly long wires without affecting the frequency of the analog signal.

- RCA. Connector for coaxial cable with tulip type plug. The standard RCA input consists of two jacks - for stereo sound, left and right channel. One analog RCA connector can only transmit one channel of audio, so the number of such connectors corresponds to the number of channels supported by the device.

Total Jack/XLR audio outputs

— Total audio outputs Jack / XLR. The total number of analog audio outputs such as Jack (6.35 mm) and/or XLR (this interface can be combined with a “jack”). Note that such connectors can play the role of both the Main output and the linear output. For more details, see the relevant paragraphs.

— mini-Jack. The standard 3.5 mm mini-Jack is usually used in audio interfaces as an analog (line) output for two stereo channels, as well as as an output for connecting headphones (see the corresponding paragraphs).

Main

Through the Main outputs it is supposed to transmit signals from the audio interface to external devices for playing and recording sound. In everyday use, there are models with one type of Main connector, as well as with several varieties (for example, Jack (6.35 mm), XLR, RCA, or Jack (6.35 mm) / RCA, or Jack (6.35 mm) / XLR).

Jack (6.35 mm). Output for transmitting analog audio signal. Structurally similar to the popular mini-Jack, but differs from it in its larger dimensions. As a result, Jack type plugs (6.35 mm) are used primarily in high-end stationary audio equipment. Outputs of this type usually operate on a “one channel per connector” principle (i.e., to transmit stereo sound you will need to use two Jack sockets). Also, this interface often provides a balanced connection - a connection in a special format that allows the use of long wires without compromising the signal quality (due to the suppression of interference in the wire itself). However, the Jack connection (6.35 mm) may also be unbalanced.

- XLR. Another type of output for transmitting an analog signal using a balanced connection. It allows the use of long cable lengths without compromising the quality of data exchange - external interference is absorbed directly in the cable. Often the connector is combined with a Jack interface (6.5 mm). The XLR is equipped with a locking lock and three contacts. A single three-pin an...alog cable can only carry one channel of audio, so a standard XLR output typically consists of two jacks, stereo left and right.

- RCA. Jacks for coaxial cables with characteristic plugs, popularly known as “tulips”. One cable in analog format can transmit one channel of audio. The standard output of this type consists of two connectors - for the left and right stereo channels. On the other hand, RCA does not provide the possibility of a balanced connection, which is why it is inferior to other options in noise immunity, has noticeable limitations on cable length and is poorly suitable for professional use. Nevertheless, “tulips” have become very widespread in entry-level and mid-level stationary audio equipment.

Line

The type of line output provided in the audio interface design. It outputs a line-level analog audio signal. This interface is mainly used for connecting recording devices, outputting a signal to playback equipment or to an external amplifier. And the types of connectors used for linear output can be as follows:

mini-Jack (3.5 mm). A standard socket for the popular mini-Jack plug (3.5 mm), used as a line output. This connector is mainly used to connect some models of active speakers, while two stereo channels are usually output through one mini-Jack (3.5 mm). Note that headphone outputs, which also use a mini-Jack, are considered separately - see the corresponding paragraph.

Jack (6.35 mm). A larger analogue of the mini-Jack connector (3.5 mm) for outputting an analog stereo signal. The Jack output provides a more reliable and noise-free connection, making it ideal for professional applications. Effective protection against interference is possible with a balanced connection method. To save space, the 6.35 mm output can be combined with an XLR connector (see the corresponding paragraph). The disadvantage of this design is the impossibility of using both interfaces simultaneously. Jack line outputs (6.35 mm) adhere to the “one channel per connector” principle.

- XLR. A round three-pin connector for outputting a line-level analog audio signal, oft...en with a balanced connection type. Transmission is carried out over three wires instead of two, and during it the noise induced on the wire is eliminated. This allows the use of fairly long cables without compromising the “purity” of the signal, making this type of connection excellent for professional audio equipment. XLR is also considered a professional interface, both due to the ability to work with a balanced signal and due to increased reliability: such connectors are often equipped with locks to secure the plugs.

- RCA. Analog linear audio output using RCA connectors - so-called “tulips” (due to the characteristic shape of the plugs). The standard output of this type consists of two connectors - for the left and right stereo channels. Also note that RCA connectors can be used in other output interfaces, but they have their own names.

Headphones

The device has a separate output for connecting headphones. Most often, its role is played by the classic mini-Jack connector (3.5 mm). However, there are models with several outputs. They, along with mini-Jack, can use other connectors. Headphone connections serve a variety of purposes - some devices actually act as high-end external headphone amplifiers, while others allow you to control the sound sent to the outputs.
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