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Comparison Steinberg UR22C vs Focusrite Scarlett 2i2 3rd Gen

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Steinberg UR22C
Focusrite Scarlett 2i2 3rd Gen
Steinberg UR22CFocusrite Scarlett 2i2 3rd Gen
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Main
Mic preamps with Air technology to emulate lighter and more spacious mic preamps. Support for USB Type C. The operation of the input connectors in three modes — linear, microphone and instrument.
Form factordesktopdesktop
Number of channels
2 in
2 out
2 in
2 out
ConnectionUSB 3.1 type CUSB 2.0 type C
DAC
32 bit
192 kHz
24 bit
192 kHz
Frequency range20 – 22000 Hz20 – 20000 Hz
Preamplifier
2 pcs /D-PRE/
2 pcs
Inputs
Total Jack / XLR audio inputs
Combo XLR 2 pcs
Combo XLR 2 pcs
MicrophoneCombo XLR 2 pcsCombo XLR 2 pcs
InstrumentCombo XLR 1 pcsCombo XLR 2 pcs
LineCombo XLR 2 pcsCombo XLR 2 pcs
MIDI in1
Outputs
Total Jack/XLR audio outputs
Jack x3
Jack x3
MainJack (6.35 mm) 2 pcs
LineJack x2
MIDI out1
HeadphonesJack x1Jack x1
Features
Phantom power
ASIO
DSP processor
Loopback
Front headphone output
Headphone level adjustment
Software includedSteinberg Plus, Cubase AI, Cubasis LE, dspMixFx, Basic FX Suite
Ableton Live Lite, 3 months Pro Tools Artist and Avid Complete Plugin Bundle, Hitmaker /3 months Splice subscription/
General
ОСWindows / macOS / iOS / iPadOSWindows / macOS
Power supplyUSB / mainsUSB
External power supply
Power consumption4.5 W
Dimensions (WxDxH)159x159x47 mm175x99x48 mm
Weight1 kg0.47 kg
Color
Added to E-Catalogseptember 2021july 2019

Connection

Connection interfaces that the audio interface is equipped with.

- USB A. Connection via standard USB port. Until recently, this was the most popular interface for external peripherals, found in almost all PCs and laptops. Nowadays, it is often replaced by a USB type C port (see the corresponding paragraph). Most USB A audio interfaces draw power directly from the PC or other host device.

- USB type B. The connector has a characteristic square shape, noticeably different from the well-known rectangular USB A ports. In audio interfaces, it is used to transmit signals from external sources to a computer for recording and processing.

- USB type C. A peripheral connector with a symmetrical contact group, which often replaces full-size USB ports on board modern PCs and laptops. Many new models of audio interfaces are being made for this interface. An exception to the rule is individual instances for Thunderbolt. For them, it is Thunderbolt that is indicated, and not USB type C.

- Thunderbolt v2. Initially, Thunderbolt is a universal connector used primarily in Apple computer equipment. On board audio interfaces it is used as a general peripheral connector (similar to USB). This uses the miniDisplayPort hardware port. The data transfer speed in this version reaches 20 Gbit/s. Recently, the v2 edition has been rep...laced by the Thunderbolt v3 version (see the corresponding paragraph).

- Thunderbolt v3. A universal interface that is found mainly in Apple technology. In audio interfaces it is used as a general peripheral connector (similar to USB). Specifically, Thunderbolt v3 provides data transfer speeds of up to 40 Gbps and uses a USB type C hardware connector (as opposed to earlier versions based on miniDisplayPort).

- Lightning. A connector used exclusively in Apple portable electronics (since 2012). Accordingly, audio interfaces with such a port are aimed at ease of connection to iPhones and iPads. Note that today there has been a transition from proprietary Lightning to the common USB type C - the latest generations of Apple gadgets are produced with just such a peripheral connection connector.

- mini-USB. A smaller version of the full-size USB interface, created for portable equipment. It is found very rarely in audio interfaces.

- FireWire. Universal connector, also known as IEEE 1394 or i-Link. In terms of functionality, it is analogous to USB, and in some characteristics it even surpasses it. However, FireWare is much less common. Used to connect to computers and some types of specialized audio equipment.

Dante Dante connectors are used to connect audio interfaces to a network to transmit audio digitally. In this case, a standard Ethernet port (RJ-45) is used for physical access to the network.

DAC

Characteristics of the built-in DAC - a digital-to-analog converter for converting digital audio into line-level analog audio, usually in stereo format.

— Bit depth. Bit size of the digital-to-analog converter (DAC) used in the device. In this case, the meaning of this parameter is as follows: the bit depth of the DAC must be no lower than the bit depth of the audio signal with which the converter is planned to be used, otherwise the device will not be able to effectively cope with the conversion. As for specific values, the standard options in modern audio interfaces are 16 bit, 24 bit and 32 bit.

- Sampling frequency. The sampling rate of the digital-to-analog converter (DAC) installed in the audio interface. Let us recall that such a converter is responsible for converting digital audio into an analog audio signal. The paragraph usually indicates the maximum value of the sampling frequency, for which one of the standard values corresponding to a certain sound quality is used ( 48 kHz, 96 kHz, 192 kHz).

Frequency range

The audio frequency range supported by the device. Most often we are talking about the range of frequencies that a device can produce in an analog audio output signal.

In general, the wider the frequency range, the fuller the sound, the lower the likelihood that the audio interface will “cut off” the upper or lower frequencies. However, it must be taken into account that the human ear is capable of hearing sounds at frequencies from 16 to 22,000 Hz, and the upper limit decreases with age. So from a practical point of view, it makes no sense to provide a wider range in audio technology. And the impressive numbers found in high-end devices are rather a “side effect” of advanced electronic circuits and are given in the specifications mainly for advertising purposes. Also remember that the overall sound quality is affected by many other factors besides frequency range.

Instrument

Connectors used to connect musical instruments (acoustic or bass guitars, keyboards, etc.). Most often they are made in the form of 6.35 mm Jack format sockets, but there are other options (see below). The audio signal from pickups has its own specific characteristics, so the instrument input typically features a higher input level and special impedance matching to ensure optimal sound quality.

Jack (6.35 mm). Jack sockets (6.35 mm) are most widely used as instrument audio input. They are very large in size, thereby ensuring tighter contact, and support a balanced connection (for transmitting a high-quality signal without interference over fairly long wires). The number of Jack connectors (6.5 mm) usually corresponds to the number of tools that can be simultaneously connected to the device.

- XLR. A characteristic round connector, often combined with a Jack interface (6.5 mm). XLR is equipped with a locking lock and three contacts (there are other options in terms of quantity, but they are practically not found). The connector is used to transmit an analog signal through a balanced connection, which provides high immunity to interference - sufficient for professional use.

MIDI in

Input for connecting MIDI devices: keyboards, turntables and other controllers. The MIDI stream does not represent sound, but service information for virtual musical instruments. Therefore, data received via MIDI In is not processed by the device, but is simply transmitted to a computer, tablet or specialized equipment via USB type B, MIDI output or other similar connector.

Main

Through the Main outputs it is supposed to transmit signals from the audio interface to external devices for playing and recording sound. In everyday use, there are models with one type of Main connector, as well as with several varieties (for example, Jack (6.35 mm), XLR, RCA, or Jack (6.35 mm) / RCA, or Jack (6.35 mm) / XLR).

Jack (6.35 mm). Output for transmitting analog audio signal. Structurally similar to the popular mini-Jack, but differs from it in its larger dimensions. As a result, Jack type plugs (6.35 mm) are used primarily in high-end stationary audio equipment. Outputs of this type usually operate on a “one channel per connector” principle (i.e., to transmit stereo sound you will need to use two Jack sockets). Also, this interface often provides a balanced connection - a connection in a special format that allows the use of long wires without compromising the signal quality (due to the suppression of interference in the wire itself). However, the Jack connection (6.35 mm) may also be unbalanced.

- XLR. Another type of output for transmitting an analog signal using a balanced connection. It allows the use of long cable lengths without compromising the quality of data exchange - external interference is absorbed directly in the cable. Often the connector is combined with a Jack interface (6.5 mm). The XLR is equipped with a locking lock and three contacts. A single three-pin an...alog cable can only carry one channel of audio, so a standard XLR output typically consists of two jacks, stereo left and right.

- RCA. Jacks for coaxial cables with characteristic plugs, popularly known as “tulips”. One cable in analog format can transmit one channel of audio. The standard output of this type consists of two connectors - for the left and right stereo channels. On the other hand, RCA does not provide the possibility of a balanced connection, which is why it is inferior to other options in noise immunity, has noticeable limitations on cable length and is poorly suitable for professional use. Nevertheless, “tulips” have become very widespread in entry-level and mid-level stationary audio equipment.

Line

The type of line output provided in the audio interface design. It outputs a line-level analog audio signal. This interface is mainly used for connecting recording devices, outputting a signal to playback equipment or to an external amplifier. And the types of connectors used for linear output can be as follows:

mini-Jack (3.5 mm). A standard socket for the popular mini-Jack plug (3.5 mm), used as a line output. This connector is mainly used to connect some models of active speakers, while two stereo channels are usually output through one mini-Jack (3.5 mm). Note that headphone outputs, which also use a mini-Jack, are considered separately - see the corresponding paragraph.

Jack (6.35 mm). A larger analogue of the mini-Jack connector (3.5 mm) for outputting an analog stereo signal. The Jack output provides a more reliable and noise-free connection, making it ideal for professional applications. Effective protection against interference is possible with a balanced connection method. To save space, the 6.35 mm output can be combined with an XLR connector (see the corresponding paragraph). The disadvantage of this design is the impossibility of using both interfaces simultaneously. Jack line outputs (6.35 mm) adhere to the “one channel per connector” principle.

- XLR. A round three-pin connector for outputting a line-level analog audio signal, oft...en with a balanced connection type. Transmission is carried out over three wires instead of two, and during it the noise induced on the wire is eliminated. This allows the use of fairly long cables without compromising the “purity” of the signal, making this type of connection excellent for professional audio equipment. XLR is also considered a professional interface, both due to the ability to work with a balanced signal and due to increased reliability: such connectors are often equipped with locks to secure the plugs.

- RCA. Analog linear audio output using RCA connectors - so-called “tulips” (due to the characteristic shape of the plugs). The standard output of this type consists of two connectors - for the left and right stereo channels. Also note that RCA connectors can be used in other output interfaces, but they have their own names.

MIDI out

Specialized output for transmitting MIDI commands. Found exclusively in audio interfaces that have a MIDI input. The corresponding signals represent a kind of “digital music notation”. The MIDI Out connector is used to transmit MIDI commands received by the input to an external device - most often a hardware sequencer or other specialized equipment.

DSP processor

The presence of a specialized processor in the device, which is used to process the audio signal in digital form. DSP processors are built into some audio interfaces to perform various audio processing operations in real time. This feature allows you to instantly apply various effects and audio processing without having to send a signal to your computer and back. This can be useful, for example, when streaming, where delays are extremely undesirable.
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