Comparison Xiaomi Mi Box S vs Xiaomi Mi Box 3

HDMI is the most common modern interface for working with HD content and multi-channel audio. Video and audio signals with this connection are transmitted over a single cable, and the bandwidth in the latest versions ( HDMI 2.0 and HDMI 2.1) is enough to work with UltraHD resolution and even higher. Almost any modern screen (TV, monitor, etc.) with HD support has at least one HDMI input, which is why most media players and TV receivers have outputs of this type. However, there are also models without HDMI — these are mostly outdated or the most inexpensive solutions that use only analogue video interfaces. There are also models for several HDMI and in most cases one of these ports is for the incoming signal, while the HDMI ports differ in versions.

— v 1.4. The version presented back in 2009, however, does not lose popularity to this day. Supports 4K (4096x2160) video at 24 fps and Full HD at 120 fps; the latter, among other things, allows you to transfer 3D video over this interface. In addition to the original v 1.4, there are also improved versions v 1.4a and v 1.4b, where the possibilities for working with 3D have been further expanded.

-v 2.0. Version released in 2013. Among other things, it introduced the ability to work with 4K video at speeds up to 60 fps, compatibility with ultra-wide format 21: 9, as well as support for up to 32 channels and 4...audio streams simultaneously. HDR support was not originally included in this release, but was introduced in v 2.0a and further enhanced in v 2.0b; media players from this category can support both the original version 2.0 and one of the improved ones.

— v 2.1. 2017 version, also known as HDMI Ultra High Speed. Indeed, it provides a very solid bandwidth, allowing you to work even with 10K video at a speed of 120 fps; in addition, a number of improvements have been made to HDR support. Note that the full use of HDMI v 2.1 is possible only with a special cable, but the functions of earlier versions remain available when using conventional wires.

The model of the CPU installed in the media player.

This information is mainly of reference value: the processor is selected in such a way as to provide certain practical characteristics (maximum resolution, support for certain standards, embedded applications, etc.). So when choosing, you should focus primarily on these specifications. However, if you wish, knowing the processor model, you can find detailed data on it and evaluate the capabilities of the media centre to work with resource-consuming applications. This can be useful, in particular, if you choose an Android model (see above) and plan to use additional software intensively — the set of applications for this OS is very extensive, and some of them are quite demanding on system resources.

Also note that CPU data is often specified for advertising purposes — to emphasize that the device has a fairly advanced chip from a well-known brand. Among the most common brands of such processors are Allwinner, Amlogic, Rockchip, Realtek.

The core is the part of the processor that executes a single thread of instructions. Accordingly, the presence of multiple cores allows to work with multiple threads simultaneously, which has a positive effect on performance. Theoretically, more cores (4 cores or even 6 cores or more) can increase the efficiency of the processor. However, in fact, CPU performance depends on so many additional factors that the number of cores is purely a reference parameter. So, a high-end dual-core processor may well be more performant than an inexpensive quad-core one.

The volume ofits own storage installed in the media player.

In this case, storage means permanent memory available to the user — the storage that you can fill with movies, music, applications, etc. The larger the volume of such storage, the more convenient it is for the user; on the other hand, this parameter significantly affects the cost of the entire device. In addition, it should noted that external media are also quite suitable for films and other multimedia content — flash drives, portable HDDs, drives installed in a slot (see below), optical discs, etc. So specifically look for a model with a capacious storage makes sense in two main cases. The first is if you want to keep an extensive collection of content in the media player, so as not to bother once again with connecting flash drives, loading disks, etc. it is best to put it in the built-in memory, and often this is the only possible option).

As for specific volumes, the capacity up to 4 GB is considered very limited nowadays; such a storage is not enough even for a movie in HD 720p, its purpose is mainly to store a small set of applications. 8 GB and 16 GB are also relatively small, but this already allows you to work with a fairly extensive set of software and store individual movies in HD resolutions. And if you initially intend to store a large amount of c...ontent on the device, you should definitely pay attention to models with a capacity of 32 GB or more.

The amount of RAM installed in the media player.

In general, this volume is selected by the manufacturer in such a way that the device can normally cope with the tasks that are claimed for it. On the other hand, all else being equal, more RAM usually means faster performance. This parameter is especially important if the media player runs under the Android OS (see above): such firmware allows the installation of additional applications that may have rather high requirements for RAM.

As for specific values, by modern standards, a device with more than 2 GB of RAM is considered a fast media player.

HDR standard supported by the media player.

For more details about HDR in general, see above, while the standard defines some features of the implementation of this feature. Today, the following HDR formats are relevant:

— HDR10. Historically the first of the consumer HDR formats, less advanced than the options described below, but extremely widespread. In particular, HDR10 is supported by almost all streaming services that provide HDR content at all, and it is also common for Blu-ray discs. Allows to work with a colour depth of 10 bits (hence the name). At the same time, devices of this format are also compatible with content in HDR10 +, although its quality will be limited by the capabilities of the original HDR10.

— HDR10+. An improved version of HDR10. With the same colour depth (10 bits), it uses the so-called dynamic metadata, which allows transmitting information about the colour depth not only for groups of several frames, but also for individual frames. This results in an additional improvement in colour reproduction.

— Dolby Vision. An advanced standard used particularly in professional cinematography. Allows to achieve a colour depth of 12 bits, uses the dynamic metadata described above, and also makes it possible to transmit two image options at once in one video stream — HDR and standard (SDR). At the same time, Dolby Vision is based on the same tec...hnology as HDR10, so in modern video technology this format is usually combined with HDR10 or HDR10 +.

Codec — from the phrase "Encoder-DECoder" — in this case is the format used for encoding digital video during storage/transmission and decoding during playback (without encoding, video data would take up an unjustifiably large amount of space). Do not confuse this parameter with the format of video files: different files of the same format can be encoded with different codecs, and if the corresponding codec is not supported by the player, video playback will be impossible, even if the file format itself corresponds to the capabilities of the device. And in models with online TV support (see "Features") this nuance also determines compatibility with a specific broadcast: the general format of the broadcast is indicated by the codec used for this.

In general, modern devices usually have quite extensive sets of codecs (one of the most advanced is H.265, AV1 codecis also popular), and there are usually no problems with video playback; in extreme cases, you can use special programs for transcoding files. As for specific codecs, detailed data on them can be found in special sources, but with standard use of media players, such details are not needed.

The set of audio codecs supported by the device

Codec — from the phrase "Encoder-DEcoder" — in this case, the format used for encoding and compressing sound in digital form during storage/transmission and decoding — during playback (digital sound is basically impossible without encoding, and compression allows to reduce the amount of data). Information about supported codecs is relevant primarily for assessing whether the player will be able to work with sound in a particular video file. The fact is that even in video files of the same format (see below), sound can be compressed by different codecs; and if the player supports the file format, but does not support the codec, sound playback will become impossible.

Theoretically, these rules are also relevant for audio files and online broadcasts (all formats — TV, video, audio). However, in fact, when working with such content, you can ignore codec data. So, for each audio file format, usually, its own standard codec is used, and file type support automatically means codec support. Broadcasts usually use generally accepted audio decoders like MPEG-1 or MPEG-2, which are practically guaranteed to be supported by any modern player designed for such broadcasts.

As for specific codecs, detailed information on them can be found in special sources, however, with the standard use of devices, such details are usually not needed.