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Comparison Sony A6600 body vs Sony A6100 body

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Main
5-axis matrix image stabilization system. Focus on the eyes in the video. Support for gamma curve profiles when shooting video. Tilt screen with touch control. Comfortable grip in the hand.
Fast and tenacious autofocus. High rate of fire. Electronic viewfinder. Developed ergonomics. Tilt display.
Camera type"mirrorless" (MILC)"mirrorless" (MILC)
DxOMark rating82
Sensor
Sensor
CMOS (CMOS) /bionz-X processor/
CMOS (CMOS) /bionz-X processor/
Sensor sizeAPS-C (23x15.5 mm)APS-C (23x15.5 mm)
Total MP2525
Effective MP number2424
Maximum image size6000x4000 px6000x4000 px
Light sensitivity (ISO)100-102400100-51200
RAW format recording
Lens
Mount (bayonet)Sony ESony E
Manual focus
Image stabilization
with matrix shift /5 axis/
is absent
Photo shooting
HDR
White balance measuring
Exposure compensation± 5 EV, in 1/2 or 1/3 EV steps± 5 EV, in 1/2 or 1/3 EV steps
Auto bracketing
 /± 5 (3.5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)/
 /± 5 (3.5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 120 fps1920x1080 px 60 fps
Ultra HD (4K)3840x2160 px 30 fps3840x2160 px 30 fps
File recording formatsMPEG-4, XAVC SMPEG-4, XAVC S
Manual video focus
Connection ports
HDMI v 1.4
headphone Jack
microphone Jack
HDMI v 1.4
 
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
one shot
tracking
in face
Focus points425 шт425 шт
Viewfinder and shutter
Viewfinderelectronic
electronic /magnification 1.07x, 1440k dots/
Viewfinder crop1.07 x
Frame coverage100 %100 %
Shutter speed30 - 1/4000 с30 - 1/4000 с
Continuous shooting11 fps11 fps
Shutter typemechanicalmechanical
Screen
Screen size3 ''3 ''
Screen resolution921 thousand pixels921 thousand pixels
Rotary display
Memory and communications
Memory cards types
SD, SDHC, SDXC /MS Pro Duo, MS Pro-HG Duo, MS Pro-HG HX Duo/
SD, SDHC, SDXC /MS Pro Duo, MS Pro-HG Duo, MS Pro-HG HX Duo/
Communications
Wi-Fi
Bluetooth
NFC
Wi-Fi
Bluetooth
NFC
Flash
Built-in flash
Application range6 m
Power source
Power source
battery
battery
Battery modelNP-FW50
Battery capacity1080 mAh
Shots per charge810 шт420 шт
General
Charger modelBC-QM1
Console/synchronizer modelRM-VPR1, RMT-DSLR2
Materialaluminium / plasticaluminium / plastic
Dimensions (WxHxD)120x67x69 mm120х67х59 mm
Weight503 g396 g
Color
Added to E-Catalogaugust 2019august 2019

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Image stabilization

An image stabilization method provided by a camera. Note that optical and sensor-shift systems are sometimes combined under the term "true" stabilization, due to their effectiveness. See below for more details.

Stabilization itself (regardless of the operating principle) allows you to compensate for the "shake" effect when the camera is not positioned correctly - especially when shooting handheld. This is especially important when shooting with significant magnification or at long shutter speeds. However, in any case, this function reduces the risk of ruining the frame, so cameras with stabilization are extremely common. The operating principles can be as follows:

— Electronic. Stabilization is carried out by means of a kind of “reserve” — a section along the edges of the sensor, which is not initially involved in the formation of the final image. However, if the camera electronics detect vibrations, it compensates for them by selecting the necessary fragments of the image from the reserve. Electronic systems are extremely simple, compact, reliable and at the same time inexpensive. However, for their operation, it is necessary to allocate a fairly significant part of the sensor — and reducing the useful area of the sensor increases the noise level and degrades the image quality. And in some models, electronic stabilization is enabled only at lower resolutions and is not available at full...frame size. Therefore, in its pure form, this option is found mainly in relatively inexpensive cameras with non-replaceable optics.

— Optical. Stabilization is achieved when light passes through the lens — due to a system of moving lenses and gyroscopes. As a result, the image gets to the sensor already stabilized, and the entire area of the sensor can be used for it. Therefore, optical systems, despite their complexity and rather high cost, are considered more preferable for high-quality shooting than electronic ones. Separately, we note that in SLR and MILC cameras (see "Camera type") the presence of this function depends on the installed lens; therefore, for such models, optical stabilization is not indicated in our catalog in principle (even if the kit lens is equipped with a stabilizer).

— With sensor shift. Stabilization performed by shifting the sensor "following" the shifted image. Like the optical one described above, it is considered a fairly advanced option, although in general it is somewhat less effective. On the other hand, sensor shift systems have serious advantages — first of all, such stabilization will work regardless of the characteristics of the lens. For cameras with non-replaceable optics, this means that the lens can do without an optical stabilizer and make the optics simpler, cheaper and more reliable. In SLR and MILC cameras, sensor shift allows even "non-stabilized" lenses to be used with convenience, and when "stabilized" optics are installed, both systems work together, and their efficiency is very high. In addition, sensor shift is somewhat simpler and cheaper than traditional optical stabilizers.

— Optical and electronic. Stabilization that combines both of the above options: initially, it operates on an optical principle, and when the lens's capabilities are not enough, an electronic system is connected. This allows for an increase in overall efficiency in comparison with purely optical or purely electronic stabilizers. On the other hand, the disadvantages of both options in such systems are also combined: the optics are comparatively complex and expensive, and not the entire sensor is used. Therefore, such a combination is rare, mainly in individual advanced digital compacts.

— With sensor shift and electronic. Another type of combined stabilization systems. Like "optical + electronic", it improves the overall efficiency of stabilization, but at the same time combines the disadvantages of both methods (they are also similar: more complicated and more expensive camera plus a decrease in the useful area of the sensor). Therefore, this option is used extremely rarely - in single models of digital ultrazooms and advanced compacts.

Full HD (1080)

The maximum resolution and frame rate of video captured by the camera in Full HD (1080p).

The traditional Full HD video resolution in this case is 1920x1080; other options are more specific and practically do not occur in modern cameras. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.

Connection ports

— USB C. A universal USB interface that uses a Type C connector. USB ports themselves (all types) are used mainly for connecting the camera to a computer for copying footage, managing settings, updating firmware, etc. Specifically The Type C connector is comparable in size to earlier miniUSB and microUSB, but has a reversible design that allows the plug to be inserted in either direction. In addition, USB C often operates according to the USB 3.1 standard, which allows for connection speeds of up to 10 Gbps - a useful feature when copying large amounts of content.

- HDMI. A comprehensive digital interface that allows you to transmit video (including high resolution) and audio (up to multi-channel) over a single cable. The presence of such a port makes it possible to use the camera as a player: it can be directly connected to a TV, monitor, projector, etc. and view your footage on the big screen. In this case, broadcast capabilities can include not only video playback, but also demonstration of captured photos in slide show mode. HDMI inputs are present in most modern video equipment, and connection is usually not a problem.
Nowadays, there are several versions of the HDMI interface on the market:
  • v 1.4. The oldest version currently relevant, released in 2009. However, it supports 3D video, is capable of working with resolutions up to 4096x2160 at a speed of 24 fps, and in Full HD resolution the frame rate can reach 120...fps. In addition to the original v.1.4, there are also improved modifications - v.1.4a and v.1.4b; they are similar in basic capabilities, in both cases the improvements affected mainly work with 3D content.
  • v2.0. Significant HDMI update introduced in 2013. In this version, the maximum frame rate in 4K has increased to 60 fps, and support for ultra-wide 21:9 format can also be mentioned. In update v.2.0a, HDR support was added to the interface capabilities; in v.2.0b this function was improved and expanded.
  • v 2.1. Despite the similarity in name to v.2.0, this version, released in 2017, was a very large-scale update. In particular, it added support for 8K and even 10 K at speeds up to 120 fps, and also further expanded the capabilities for working with HDR. This version was released with its own cable - HDMI Ultra High Speed; all features of v.2.1 are available only when using cables of this standard, although basic functions can be used with simpler cords.


— Headphone output. Audio output allows you to connect headphones to the camera. As a rule, it is represented by a classic 3.5 mm mini-jack. The presence of such a connector provides the ability to monitor sound during video recording in real time. This is especially important when filming interviews, vlogs and other similar projects.

— Microphone input. Specialized input for connecting an external microphone to the camera. External microphones are significantly superior to built-in microphones in sound quality. Firstly, they are not so sensitive to the camera’s “own” sounds - from buttons, control wheels, focus motors, etc. (and if the microphone uses a long wire and is not attached to the body, these sounds will not be heard at all). Secondly, external microphones themselves have more advanced characteristics. On the other hand, their use is justified mainly for professional video recording; therefore, the presence of a microphone input, as a rule, corresponds to advanced video recording capabilities

Viewfinder crop

This setting can be simplistically described as the amount of magnification provided by the viewfinder relative to how the image appears to the naked eye. The features of modern viewfinders are such that most of them have crop values less than 1 — that is, it somewhat reduces the visible “picture”.

In general, the larger this parameter, the larger the objects look in the viewfinder and the easier it is to focus through it.

Built-in flash

The presence of a built-in flash in the design of the camera. The meaning of this function is generally obvious: in situations where a flash is needed (for example, in low light or backlit conditions), it allows you to do without external accessories. On the other hand, the power of built-in flashes is usually very low, and many of the features implemented in external equipment are not available for built-in flashes (for example, the lamp cannot be turned up to provide diffused light). Therefore, in more or less advanced cameras, this function, usually, is combined with the ability to install an external flash (see below), and in professional models, a built-in lamp is often absent altogether.

Application range

The minimum/maximum distance from the subject to the lens at which the flash can be used effectively (usually limited to a few metres). Since lenses with a variable focal length have different aperture ratios depending on the set focal length (see Aperture), for cameras with such optics, two ranges of flash application are indicated — for the minimum and maximum focal lengths, for example "0.3 — 3.5 (W), 0.45 — 2(T)." The letters W and T in such markings indicate the minimum and maximum focal lengths, respectively.

Battery model

The model name of the original battery (see "Power Type") used in the camera. Knowing this name, you can easily find a spare or replacement battery for the device.
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