USA
Catalog   /   Sound & Hi-Fi   /   Hi-Fi & Hi-End Components   /   Amplifiers

Comparison Vincent SV-226MK vs NAD C375BEE

Add to comparison
Vincent SV-226MK
NAD C375BEE
Vincent SV-226MKNAD C375BEE
from $1,960.40
Outdated Product
from $1,780.00 up to $2,052.00
Outdated Product
TOP sellers
Device typeintegrated amplifierintegrated amplifier
Element basehybridtransistor
Tubes typeECC83
Toroidal transformer
Capacitor capacitance40 mF
Amplifier parameters
Number of channels22
Frequency range20 – 20000 Hz
20 – 20000 Hz /A-weighted, right. 150 W/
Power per channel (8Ω)100 W150 W
Power per channel (4Ω)200 W
Signal to noise ratio90 dB
102 dB /A-weighted, right. 500 mV out/
Signal-to-noise ratio (Main)
123 dB /A-weighted, right. 150 W/
Signal to noise ratio (Phono MM/MC)77/76 dB
Damping factor200
Harmonic distortion0.02 %
0.009 % /to enter Main/
Channel sensitivity / impedance
Line input
150 mV
50 kOhm
158 mV
100 kOhm
Main input
 
 
1.2 V
10 kOhm
Phono MM/MC
 
 
18/1.6 mV
47/0.1 kOhm
REC output
 
1 kOhm
Preout
 
0.08 kOhm
Connectors
Inputs
 
 
 
 
 
Phono
USB B /depending on modification/
optical /depending on modification/
RS-232
control input (IR)
To amplifier (Main)RCA
RCA6 pairs7 pairs
Outputs
Pre-Amp
 
Pre-Amp /two pairs/
control output (IR)
For acoustics4 шт4 шт
REC (to recorder)1 pairs2 pairs
Trigger output1 шт
On headphones6.35 mm (Jack)
Front panel
 
 
headphone output
indicators
audio input jack /Aux 3.5mm/
headphone output
Features
Adjustments
bass control
treble adjustment
 
level adjustment
loudness
bass control
treble adjustment
balance adjustment
level adjustment
 
More features
 
 
 
additional speaker connect
Bi-Wiring
 
By-pass/Direct
ММ phono stage /depending on modification/
MC phono stage /depending on modification/
additional speaker connect
Bi-Wiring
external devices control
General
Remote control
PSUinternalinternal
Power consumption500 W290 W
Standby consumption0.5 W
Dimensions (WxDxH)430x400x130 mm435х396х150 mm
Weight16 kg15.3 kg
Added to E-Catalognovember 2015january 2014

Element base

transistor. The term "semiconductor" is also used, since it is on such materials that the operation of transistors is based. Such an element base is the most popular in modern amplifiers: transistors are able to provide high sound quality with a minimum of distortion, while they are inexpensive, unpretentious in use, do not require powerful cooling systems, and are also resistant to shock and shaking. However they can somewhat lose to lamps in terms of the “atmospheric” sound (for more details, see below); however, this is already a matter of personal tastes of each user.

Lamp. Element base built on radio tubes. Historically, this variant predates the transistor variant, but pure tube amps are now relatively rare. This is due not only to the high cost of such devices, but also to their large dimensions and some inconvenience in use: after switching on, it takes some time to “warm up”, and the lamps themselves have a relatively short service life. In addition, tube amplifiers are significantly inferior to transistor amplifiers in terms of signal purity (in particular, harmonic coefficient, see below); however, this point cannot be called a clear disadvantage. The fact is that distortion from tube circuits is much more pleasant to the ear than from transistor ones; moreover, they are one of the components of the notorious "warm tube sound". Therefore, most modern tube amplifiers belong to the Hi-E...nd category and are designed for lovers of such a sound.

Hybrid. Amplifiers that combine both of the above types of circuits in their design. Thanks to this, it becomes possible to achieve a characteristic "tube" sound at a relatively low cost and acceptable dimensions of the device. Most of these models are of the integrated type (see above) and combine a tube preamp with transistor output stages.

Tubes type

The model of tubes installed in a tube or hybrid type amplifier (see "Element base"). The capabilities of the device largely depend on the lamps used in the design, including small details of the sound, not directly spelled out in the characteristics. In addition, this information allows, to some extent, to assess the overall level of the model. On the other hand, in fact, it can only be useful to extremely demanding listeners, attentive to every detail; most users, including audiophiles, will only need information about the type of tubes when they need to be replaced.

Capacitor capacitance

The total capacitance of the capacitors installed in the power supply of the amplifier. Usually, for ordinary lovers of high-quality sound, this indicator is not practically significant: the capacitance is selected in such a way as to optimally (or at least minimally) match the characteristics of the amplifier. However, for demanding audiophiles who pay attention to the smallest details of audio system components, capacitors are also often of interest.

The fact is that they are an important part of the rectifier circuit — they smooth out current fluctuations that arise both due to the imperfection of the rectifiers themselves and due to various external factors. Knowing the total capacitance of the capacitors, one can also evaluate the efficiency of their work: the higher this indicator, the more stable the power supply will work and the lower the likelihood of sound distortion due to its fault. There are special formulas that allow you to derive the optimal capacitance of capacitors depending on the type, power and other parameters of the amplifier; they can be found in specialized sources.

Power per channel (8Ω)

The nominal sound power output by the amplifier per channel when operating with a load having a dynamic resistance (impedance) of 8 ohms. In our catalog, this parameter is indicated for the mode when all channels of the amplifier work under load (see "Number of channels"); in the presence of unused channels, the rated power may be slightly higher, but this mode cannot be called standard.

Rated power can be simply described as the highest output signal power at which the amplifier is able to work stably for a long time (at least an hour) without negative consequences. These are average figures, because in fact, the audio signal is by definition unstable, and individual level jumps can significantly exceed the rated power. However, it is she who is the main basis for assessing the overall loudness of the sound.

This indicator also determines which speakers can be connected to the amplifier: their rated power should not be lower than that of the amplifier.

According to the laws of electrodynamics, with different dynamic load resistance, the output power of the amplifier will also be different. In modern speakers, the standard values \u200b\u200bare 8, 6, 4 and 2 Ohms, and power levels are indicated for them.

Power per channel (4Ω)

The nominal sound power output by the amplifier per channel when a load with a dynamic resistance (impedance) of 4 ohms is connected to it. See Power per Channel (8Ω) for more information on power rating and its relationship to impedance.

Signal to noise ratio

In itself, the signal-to-noise ratio is the ratio of the level of pure sound produced by the amplifier to the level of extraneous noise that occurs during its operation. This parameter is the main indicator of the overall sound quality — and very clear, because. its measurement takes into account almost all the noise that affects the sound in normal operating conditions. A level of 70 – 80 dB in modern amplifiers can be considered acceptable, 80 – 90 dB is not bad, and for advanced audiophile-class devices, a signal-to-noise ratio of at least 100 dB is considered mandatory.

If the specifications do not specify for which output the signal-to-noise ratio is indicated, it usually means its value for the linear input (see "RCA (par)"). This is quite enough to evaluate the quality of the device for this parameter. However, some manufacturers indicate it for other inputs — Main, Phono; see below for more on this.

Signal-to-noise ratio (Main)

Signal-to-noise ratio when the amplifier is operating through the Main input. For more details on the value of the signal-to-noise ratio, see the relevant paragraph above, about the Main input — p. "Input to the amplifier (Main)".

Signal to noise ratio (Phono MM/MC)

signal-to-noise ratio when the amplifier is driven through the Phono input. This interface is for connecting turntables; its features are described in the “Inputs” section below, and for the meaning of any signal-to-noise ratio, see the corresponding section above.

Damping factor

The damping factor describes the quality of interaction between the amplifier and the speaker system connected to it.

Due to the design features, any speaker is prone to the occurrence of so-called parasitic oscillations — oscillations that continue after the main impulse from the amplifier has ceased (similar to how a string continues to vibrate after a pluck). This phenomenon has a negative effect on sound quality, and manufacturers use various means to reduce it to an absolute minimum; suppression of parasitic oscillations is called damping.

The most effective type of damping is electrical, by reducing the output impedance of the amplifier. The lower this resistance, the better the amplifier keeps the speakers from unnecessary vibrations. To evaluate this effect, they introduced the concept of “damping factor” (damping factor) — the ratio of the load resistance (impedance) to the output resistance of the amplifier. The minimum value of such a coefficient for Hi-Fi class equipment is 20; indicators at the level of 100 – 120 can be called good, and among the Hi-End segment there are numbers of the order of several thousand.

At the same time, it is worth noting that when increasing to three-digit numbers, the original meaning of this parameter is, in fact, lost, and other points appear. The most important of them from a practical point of view is that models with a high damping factor are very demanding on the quality of the connection to t...he speakers — the high resistance of cables and connectors can negate the damping properties of the amplifier itself. There are other nuances associated with this indicator (in particular, recommendations for choosing an amplifier and speakers for each other); they are described in detail in specialized sources.
NAD C375BEE often compared