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Comparison Nikon D500 body vs Nikon D810 body

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Nikon D500  body
Nikon D810  body
Nikon D500 bodyNikon D810 body
from $1,574.95 
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Main
ISO software expansion up to 50 – 1,640,000. 153-point phase detection autofocus. 4K video recording, including in Timelapse mode. Wireless modules Wi-Fi, Bluetooth and NFC.
Camera typedigital mirrordigital mirror
DxOMark rating8497
Sensor
Sensor
CMOS (CMOS) /expeed 5 processor/
CMOS (CMOS) /expeed 4 processor/
Sensor size
APS-C (23x15.5 mm) /23.5х15.7 mm/
full frame
Total MP2137.09
Effective MP number2136.3
Maximum image size5588x3712 px7360х4912 px
Light sensitivity (ISO)
100 - 51200 /possible software extension ISO up to 50 – 1640000/
64-12800 /hardware expansion of the ISO range up to 32-51200 is possible/
Sensor cleaning
RAW format recording
 /NEF, 12 or 14 bit (RAW uncompressed, compressed or lossless)/
No AA filter
Lens
Mount (bayonet)
Nikon F /1x crop factor/
Nikon F /1x crop factor/
Manual focus
Image stabilizationis absentis absent
AF drive (screw driven)
Photo shooting
Frames per series (JPEG)20 шт
Frames per series (RAW)
200 шт /with XQD card/
9 шт
Frames per series (JPEG RAW)8 шт
HDR
White balance measuring
 /+ 12 presets and 5 saved/
 /12 presets + 6 manual settings, WB bracketing/
Exposure compensation± 5 EV, in 1/2 or 1/3 EV steps± 5 EV, in 1/2, 1/3 or 1 EV steps
Auto bracketing
 /2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV increments/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 60 fps1920x1080 px 60 fps
Ultra HD (4K)3840x2160 px 30 fps
File recording formatsMPEG4, H.264MPEG4, H.264
Manual video focus
Connection ports
HDMI v 1.4
headphone Jack
microphone Jack
mini HDMI v 1.4
 
microphone Jack
Focus
Autofocus modes
one shot
AI focus
tracking
in face
one shot
AI focus
tracking
in face
Focus points153 шт51 шт
Touch focus
Front / back adjustment
Viewfinder and shutter
Viewfinderoptical (pentaprism)optical (pentaprism)
Viewfinder crop0.7 x
Frame coverage100 %100 %
Shutter speed30 - 1/8000 с
30 - 1/8000 с /resource 200,000 frames/
Continuous shooting10 fps
5 fps /in DX format up to 7 fps/
Shutter typemechanicalmechanical
Screen
Screen size3.2 ''3.2 ''
Screen resolution2359 thousand pixels1229 thousand pixels
Touch screen
Additional screen
Memory and communications
2 card slots?
Memory cards typesSD, SDHC, SDXC, XQDSD, SDHC, SDXC, CompactFlash
Communications
Wi-Fi 4 (802.11n)
Bluetooth
NFC
smartphone control
 
 
 
 
Flash
Built-in flash
Guide number12
Application range12 m
External flash connect
 /compatible with Nikon SpeedLights and i-TTL Creative Lighting System/
Power source
Power source
battery
battery
Battery modelEN-EL15EN-EL15
Shots per charge1240 шт
General
Charger modelMH-25
Underwater box modelWP-S10
Materialmagnesium alloymagnesium alloy
Protectiondustproof, waterproofdustproof, waterproof
Dimensions (WxHxD)147х115х81 mm146х123х82 mm
Weight860 g980 g
Color
Added to E-Catalogjanuary 2016june 2014

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Sensor size

The physical size of the photosensitive element of a camera. Measured diagonally, often indicated in fractions of an inch — for example, 1/2.3" or 1/1.8" (accordingly, the second matrix will be larger than the first). Note that in such designations it is not the “ordinary” inch (2.54 cm) that is used, but the so-called "Vidiconovsky", which is less than a third and is about 17 mm. This is partly a tribute to the tradition that comes from television tubes — “vidicons” (the forerunners of modern matrices), partly a marketing ploy that gives buyers the impression that the matrices are larger than they actually are.

Anyway, at equal resolution (see Number of megapixels), a larger sensor size means a larger size of each individual pixel; accordingly, on large sensors, more light enters each pixel, which means that such sensors have a higher photosensitivity (see Light sensitivity) and a lower noise level, especially when shooting in low light conditions.

Most often in modern cameras there are such options:

1/2.3" and 1/1.7". Small matrices, typical for models without interchangeable lenses — compacts and digital ultrazooms(see "Camera type").

4/3. A kind of "transitional option" between small sensors of compact devices and large, but at the same time expensive "SLR" APS-C. The size of such a matri...x is 18x13.5 mm, which gives a diagonal of 22.5 mm (approximately 4/3 of the "Vidicon" inch described above, hence the name). It is used in SLR and "mirrorless" cameras (see "Camera type"), mainly entry-level, with Four Thirds and Micro Four Thirds mounts, respectively.

— APS-C. The size of matrices of this type can vary from 20.7x13.8 mm to 25.1x16.7 mm, depending on the manufacturer. They are widely used in entry-level and mid-level SLRs, as well as "mirrorless" models.

— APS-H. Somewhat larger than the APS-C described above (the size is 28.1x18.7 mm), otherwise it is almost completely the same.

— Full frame (or APS). The size of such a matrix is equal to the frame size of a classic photographic film — 36x24 mm. It is usually equipped with professional-grade SLR cameras.

— Big frame. This category includes all types of matrices, the size of which exceeds 36x24 mm (full frame). Cameras with similar sensors belong to the so-called medium format class and are, usually, professional models of the premium level. Large matrices allow you to use a resolution of tens of megapixels, while maintaining high clarity and colour quality, however, such devices cost accordingly.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Maximum image size

The maximum size of photos taken by the camera in normal (non-panoramic) mode. In fact, this paragraph indicates the highest resolution of photography — in pixels vertically and horizontally, for example, 3000x4000. This indicator directly depends on the resolution of the matrix: the number of dots in the image cannot exceed the effective number of megapixels (see above). For example, for the same 3000x4000, the matrix must have an effective resolution of at least 3000*4000 = 12 million dots, that is, 12 MP.

Theoretically, the larger the size of the photo, the more detailed the image, the more small details can be conveyed on it. At the same time, the overall image quality (including the visibility of fine details) depends not only on resolution, but also on a number of other technical and software factors; see "Effective MP number" for more details.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

No AA filter

No AA filter in camera design.

The AA filter is responsible for "anti-aliasing" — the elimination of the moiré effect. This effect can occur when shooting objects with a lot of thin horizontal or near-horizontal lines (for example, a brick wall at a great distance, or a suit made of a certain type of fabric). It leads to the appearance of a characteristic pattern in the picture, which, usually, is inappropriate; to eliminate this phenomenon, an AA filter is provided. At the same time, this feature is said to reduce the overall sharpness of the image; therefore, it may not be available in some cameras. These are mainly professional models: the absence of an AA filter gives the photographer additional features, but puts forward increased requirements for shooting skills.

Frames per series (JPEG)

The highest number of shots a camera can capture “in one go” in JPEG continuous shooting.

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

JPEG, the most popular digital photography format today, is smaller and requires less processing power than RAW (see "Recording in RAW Format"). Therefore, in a JPEG series, as a rule, more frames are available to the photographer. However, in some models that have two separate buffers (for RAW and JPEG), it may be the other way around.

Frames per series (RAW)

The highest number of shots the camera can capture “in one shot” when shooting in RAW format continuously (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be transferred to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may be more than stated in the specifications.

RAW images take up more space and require more processing power than "finished" JPEGs. Therefore, the number of frames in a series of this format is usually lower than that of JPEG. However, there are exceptions — usually these are cameras that have two separate buffers (for RAW and JPEG).
Nikon D500 often compared
Nikon D810 often compared