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Comparison Nikon D810 body vs Nikon D800 body

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Nikon D810  body
Nikon D800  body
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Camera typedigital mirrordigital mirror
DxOMark rating9795
Sensor
Sensor
CMOS (CMOS) /expeed 4 processor/
CMOS (CMOS) /processor Expeed/
Sensor sizefull framefull frame
Total MP37.0936.8
Effective MP number36.336.3
Maximum image size7360х4912 px7360х4912 px
Light sensitivity (ISO)
64-12800 /hardware expansion of the ISO range up to 32-51200 is possible/
100-6400 /in steps of 1/3, 1/2 or 1.0 EV/
Sensor cleaning
RAW format recording
 /NEF, 12 or 14 bit (RAW uncompressed, compressed or lossless)/
 /NEF, 12 or 14 bit (RAW uncompressed, compressed or lossless)/
No AA filter
Lens
Mount (bayonet)
Nikon F /1x crop factor/
Nikon F /1x crop factor/
Manual focus
Image stabilizationis absentis absent
AF drive (screw driven)
Photo shooting
Frames per series (JPEG)20 шт21 шт
Frames per series (RAW)9 шт15 шт
Frames per series (JPEG RAW)8 шт14 шт
HDR
White balance measuring
 /12 presets + 6 manual settings, WB bracketing/
 /12 presets + 5 manual settings, WB bracketing/
Exposure compensation± 5 EV, in steps of 1/2, 1/3 or 1 EV± 5 EV, in steps of 1/2, 1/3 or 1 EV
Auto bracketing
 /2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV increments/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 pix 60 fps1920x1080 pix 30 fps
File recording formatsMPEG4, H.264MPEG4, H.264
Manual video focus
Maximum video length
 
time limit
Connection ports
mini HDMI v 1.4
microphone Jack
mini HDMI v 1.4
microphone Jack
Focus
Autofocus modes
one shot
AI focus
tracking
in face
one shot
AI focus
tracking
in face
Focus points51 шт51 шт
Viewfinder and shutter
Viewfinderoptical (pentaprism)optical (pentaprism)
Viewfinder crop0.7 x0.72 x
Frame coverage100 %100 %
Shutter speed
30 - 1/8000 sec /resource 200,000 frames/
30 - 1/8000 sec
Continuous shooting
5 fps /in DX format up to 7 fps/
4.6 fps
Shutter typemechanicalmechanical
Screen
Screen size3.2 ''3.2 ''
Screen resolution1229 thousand pixels921 thousand pixels
Additional screen
Memory and communications
2 card slots
Memory cards typesSD, SDHC, SDXC, CompactFlashSD, SDHC, SDXC, CompactFlash
Flash
Built-in flash
Guide number1212
Application range12 m
External flash connect
 /compatible with Nikon SpeedLights and i-TTL Creative Lighting System/
 /compatible with Nikon SpeedLights and i-TTL Creative Lighting System/
Power source
Power source
battery
battery
Battery modelEN-EL15EN-EL15, MB-D12
General
Case/case modelCF-DC4
Charger modelMH-25MH-25
Underwater box modelWP-S10WP-S10
Materialmagnesium alloymagnesium alloy
Protectiondustproof, waterproofdustproof, waterproof
Dimensions (WxHxD)146х123х82 mm146x123x82 mm
Weight980 g900 g
Color
Added to E-Catalogjune 2014february 2012

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

No AA filter

No AA filter in camera design.

The AA filter is responsible for "anti-aliasing" — the elimination of the moiré effect. This effect can occur when shooting objects with a lot of thin horizontal or near-horizontal lines (for example, a brick wall at a great distance, or a suit made of a certain type of fabric). It leads to the appearance of a characteristic pattern in the picture, which, usually, is inappropriate; to eliminate this phenomenon, an AA filter is provided. At the same time, this feature is said to reduce the overall sharpness of the image; therefore, it may not be available in some cameras. These are mainly professional models: the absence of an AA filter gives the photographer additional features, but puts forward increased requirements for shooting skills.

Frames per series (JPEG)

The highest number of shots a camera can capture “in one go” in JPEG continuous shooting.

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

JPEG, the most popular digital photography format today, is smaller and requires less processing power than RAW (see "Recording in RAW Format"). Therefore, in a JPEG series, as a rule, more frames are available to the photographer. However, in some models that have two separate buffers (for RAW and JPEG), it may be the other way around.

Frames per series (RAW)

The highest number of shots the camera can capture “in one shot” when shooting in RAW format continuously (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be transferred to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may be more than stated in the specifications.

RAW images take up more space and require more processing power than "finished" JPEGs. Therefore, the number of frames in a series of this format is usually lower than that of JPEG. However, there are exceptions — usually these are cameras that have two separate buffers (for RAW and JPEG).

Frames per series (JPEG RAW)

The highest number of frames a camera can capture “in one go” in continuous shooting mode, where the same frame is saved in both JPEG and RAW format at the same time (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

Shooting JPEG and RAW at the same time requires a lot of resources, and the materials themselves take up a lot of space. Therefore, the possibility of such shooting itself is available mainly in premium cameras, and the number of frames in a JPEG RAW series is usually less (at best, the same) than in any of these formats separately.

Full HD (1080)

The maximum resolution and frame rate of video captured by the camera in Full HD (1080p).

The traditional Full HD video resolution in this case is 1920x1080; other options are more specific and practically do not occur in modern cameras. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.

Maximum video length

Restrictions on the length of the recorded video provided in the design of the camera. In some models, the recording time is limited in time (for example, 30 minutes) — thus, to record a longer video, it will have to be split into separate clips. In others, the duration depends only on the amount of free memory — you can record as long as there is enough space. There is also a combination of these options; in such models, video recording stops as soon as either of the two limits is reached.
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