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Comparison Sony KD-65XE9005 65 " vs Sony KD-65XD7505 65 "

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Sony KD-65XE9005 65 "
Sony KD-65XD7505 65 "
Sony KD-65XE9005 65 "Sony KD-65XD7505 65 "
from $2,056.67 up to $2,736.36
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from $1,325.33 up to $2,399.96
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Size65 "65 "
Operating systemAndroid TVAndroid TV
Display
Screen surfaceglossy (anti-glare)glossy (anti-glare)
Resolution3840x2160 px
3840x2160 px /Ultra HD/
Brightness900 cd/m²
Static contrast4 700:1
Frame rate100 Hz100 Hz
HDR supportHDR10HDR10
Multimedia
Sound power20 W20 W
Number of speakers22
Digital tuner
DVB-T2 (terrestrial)
DVB-C (cable)
DVB-S (satellite)
DVB-S2 (satellite)
DVB-T2 (terrestrial)
DVB-C (cable)
DVB-S (satellite)
DVB-S2 (satellite)
Features
Features
Wi-Fi
Miracast
Chromecast
Bluetooth v 4.1
voice control
multimedia (air mouse remote)
Amazon Alexa
Google Assistant
Wi-Fi
Miracast
Chromecast
Bluetooth v 4.1
voice control
multimedia (air mouse remote)
Amazon Alexa
Google Assistant
Connectors
HDMI44
Additional inputs
USB
LAN
composite AV input
USB
LAN
composite AV input
Outputs
mini-Jack (3.5 mm) headphones
subwoofer
coaxial (SPDIF)
 
mini-Jack (3.5 mm) headphones
 
 
optical
General
Wall mountVESA 300x300 mm
Power consumption230 W
206 W /0.5W standby/
Dimensions (WxHxD)1447x895x259 mm
1463x901x295 mm /with stand/
Dimensions without stand (WxHxD)1447x830x60 mm1463x852x80 mm
Weight
23.2 kg /with stand/
22.7 kg /with stand/
Color
Added to E-Catalogmarch 2017august 2016

Brightness

The maximum brightness of the image provided by the TV screen.

The image on the screen should be bright enough so that you do not have to strain your eyes unnecessarily to view it. However, too high brightness is undesirable — it will also lead to fatigue. The optimal brightness level depends on the surrounding conditions: the more intense the ambient light, the brighter the TV screen should be. So, on a sunny day, the screen may have to be “turned up” to the maximum, and in the evening, in dimmed light, a relatively dim image will be more comfortable. In addition note that large screens require higher brightness, since they are designed for a greater distance from the viewer.

Thus, the higher the number in this paragraph, the greater the margin of brightness this model has, the better it will show itself in intense ambient light. The lowest indicator sufficient for more or less comfortable viewing in any conditions is 300 cd/m² for models with a diagonal of up to 32", 400 cd/m² for models in the range of 32 – 55" and 600 cd/m² for large screens of 60" and more. In this case, the brightness margin anyway will not be superfluous. But with lower indicators, you may have to darken the room somewhat for comfortable viewing.

Static contrast

The level of static contrast provided by the TV screen.

Contrast in a general sense is the ratio in brightness between the brightest whites and the darkest blacks that the screen can produce. Other things being equal, the higher the screen contrast, the better the quality of colour reproduction and detail, the lower the likelihood that it will be impossible to see details in too bright or too dark areas of the image. Static contrast, on the other hand, describes the maximum difference in brightness that can be achieved within one frame without changing the brightness of the image — this is its difference from dynamic contrast (see below).

The values of static contrast are much lower than those of dynamic, but this characteristic is the most "honest". It is on it that the properties of the image seen on the screen at a particular moment depend, it is describes the basic properties of the screen, without taking into account the software tricks provided by the manufacturer in the hardware of the TV.

Outputs

Coaxial (S/P-DIF). An interface for transmitting audio in digital format, which allows to transmit multi-channel audio via a single cable with an RCA connector (“tulip”). In terms of resistance to interference, this standard is somewhat inferior to the optical one (see below) — this is due to the fundamental differences between these interfaces. On the other hand, electrical cable is more reliable than optical fibre and is not as sensitive to pressure and bending.

Optical. An output for transmission of a digital audio signal on a fibre optic cable; allows the transmission of multi-channel audio. Notable for its complete insensitivity to electromagnetic interference. On the other hand, fibre optic cable is quite fragile, it must be protected from bending and strong pressure.

Mini-Jack (3.5 mm) for headphones. Standard 3.5mm headphone jack. Headphones can come in handy if you need to keep quiet and you can’t use the TV speakers – for example, at a later time of the day; or vice versa, if the environment is noisy and the sound of the TV is hard to hear. Most modern "ears" use a mini-Jack plug, so this connector is the standard headphone output in TVs. And in some models, this output can also be used as a linear output — for example, to connect individual speakers, a sound recording device, etc.

— Subwoofer. A separate output for connectin...g a subwoofer to a TV is a speaker for reproducing low and ultra-low frequencies. Audio systems without subwoofers usually reproduce these frequencies quite poorly. The use of subwoofer allows you to achieve the most deep and rich sound, which is especially important when watching movies with a lot of special effects or high-quality recordings from concerts. At the same time, it is worth noting that such outputs are quite rare in TVs: it is assumed that a full-format external audio system is more suitable for a demanding listener than a separate subwoofer.

— Line. Standard analogue audio interface; usually, provides the transmission of two-channel stereo. It is used primarily to connect active speakers and other audio equipment (for example, audio receivers or power amplifiers) to TVs. It can use different types of connectors, but most often it provides either a 3.5 mm mini-Jack or a pair of RCA jacks for tulip cables. Note that it is a separate line output that is meant here; in some models, this function can be performed by a 3.5 mm headphone jack (see above), but for them the presence of a line-out is not indicated.

Wall mount

Most TVs have a VESA wall mount which may vary in size. The basis for such mount is a rectangular plate with four holes for screws in the corners. The main characteristic of such a mount is the distance between the holes — it is measured along the sides of the rectangle and is expressed in two numbers. The original VESA format is 100x100, these mounts are used for most medium-sized LCD TVs. For small screens, 75x75 mounts are provided, for large ones — 200x200 and more (up to 800x400).

However, there are also models that are equipped with a standard (proprietary) mount from the manufacturer. Mostly these are either ultra-thin TVs or designer lines. Anyway, the mount in the kit is suitable only for the selected model.

Power consumption

The electrical power normally consumed by the TV. This parameter strongly depends on the screen size and sound power (see above), however, it can be determined by other parameters — primarily additional features and technologies implemented in the design. It is worth noting that most modern LCD TVs are quite economical, and most often this parameter does not play a significant role — in most cases, power consumption is about several tens of watts. And even large models with a diagonal of 70 – 90" consume about 200 – 300 W — this can be compared with the system unit of a low-power desktop PC.
Sony KD-65XE9005 often compared
Sony KD-65XD7505 often compared