Coil cutoff
The ability
to disable one of the coils in a humbucking pickup.
Pickups with this feature are, in fact, universal modules that can operate in both humbucking and single-coil modes. See "Pickup Diagram" for details on both. And the ability to switch between these modes allows the musician to change the colour of the sound without resorting to external gadgets or changing instruments. For example, for a dynamic composition with rich overdrive, it is more convenient to use a classic humbucker, and for a slow, lyrical melody, just move the switch and you can enjoy all the advantages of a single-coil.
Material
The material from which the body of an electric guitar is made. For models with cutouts (semi-acoustic, see "Type"), in this case, only the material of the back deck and sides can be taken into account, and data on the top deck is given separately (for more details, see "Deck Cover Material").
Now on the market there are cases of such trees:
red,
maple,
agatis,
ash,
alder.
It makes no sense to dwell on each of the materials found in modern electric guitars. Their variety is very large, however, unlike acoustic guitars, the body in this case does not play such a significant role in shaping the sound, and its material has a relatively small effect on the acoustic properties of the instrument (although the exact degree of such influence is a moot point). If you wish, you can find detailed data on a particular material in special sources, but in fact it makes sense to look primarily at the appearance of the instrument and its price category.
Body top
The material from which the soundboard cover is made is an additional overlay on the upper soundboard, which primarily plays a decorative role and gives the instrument a pleasant appearance. Do not confuse such a cover with a protective overlay (see above about it). And in semi-acoustic instruments with a hollow body (see "Type"), this paragraph may indicate the material of the upper soundboard, and a separate cover as such may be absent.
In general, the value of this parameter is similar to the material of the body (see above) — adjusted for the fact that the deck cover also directly determines the appearance of the electric guitar, and in semi-acoustic models it affects the sound more than the rest of the body. However, the main criterion for choosing this parameter may well be the aesthetic preferences of the musician.
Nut width
The width of the fretboard of an electric guitar at the nut. Closer to the body, the neck may expand somewhat, but this is not necessary, and the expansion angle may be different. Therefore, the main size is considered to be the width in the region of the nut.
This parameter has two meanings. On the one hand, a wide neck is inconvenient for musicians with small hands and short fingers — it can be difficult to reach the far strings in such cases. On the other hand, a larger width means a greater distance between the individual strings, which reduces the likelihood of hitting an adjacent string when pressed incorrectly and can make playing easier (especially if the guitarist has large fat fingers). However, these moments are not absolute, and the convenience of playing is a very subjective matter, depending on many features of the musician and the technique he uses. Also, don't forget that necks can have different profiles (see above), and instruments with different neck profiles will feel differently in the hands even with the same width at the nut. Therefore, the most reliable method of selection is to try out the necks of different sizes and profiles “live”, decide on the best option and choose based on this.
The smallest neck width at the nut in modern electric guitars is about 39 mm. This size is found mainly in bass guitars (see “Type”), which have 4 strings and a neck that widens noticeably towards the body (due to which it can be made rather narr...ow from above, especially since when playing bass, notes are rarely clamped near the neck itself) . Electric guitars (including semi-acoustic) are somewhat wider — from 41 mm, an indicator of 43 – 48 mm is considered average, and in the largest instruments, the neck can be up to 55 mm wide (however, such dimensions are typical mainly for instruments with more than 6 strings) .
