USA
Catalog   /   Photo   /   Camera Lenses

Comparison Sigma 35mm f/1.4 Art DG DN vs Sigma 35mm f/1.4 Art HSM DG

Add to comparison
Sigma 35mm f/1.4 Art DG DN
Sigma 35mm f/1.4 Art HSM DG
Sigma 35mm f/1.4 Art DG DNSigma 35mm f/1.4 Art HSM DG
Compare prices 18Compare prices 43
TOP sellers
Lens typefixfix
System
 
 
 
 
 
Sony
Leica
Canon
Nikon
Minolta
Pentax
Sigma
Sony
 
Mount
 
 
Leica TL
 
 
 
 
Sony E
Canon EF-S
Canon EF
 
Nikon F
Pentax K
Sigma SA
Sony A
 
Specs
Focal length35 mm35 mm
Aperture valuef/1.4f/1.4
Viewing angles63.4°63.4°
Min. diaphragm1616
Minimum focus distance0.3 m0.3 m
Design
Sensor sizefull frame/APS-Cfull frame/APS-C
Autofocus driveultrasonic drive motorultrasonic drive motor
Design (elements/groups)15 elements in 11 groups13 elements in 11 groups
Number of diaphragm blades119
Filter diameter67 mm67 mm
Dimensions (diameter/length)75.5х109.5 mm77х94 mm
Weight645 g665 g
Added to E-Catalogoctober 2021november 2012

System

The system indicates which brand of cameras this lens is designed for. Manufacturers of photographic equipment often use original mounting systems in their cameras that are not always compatible with each other; therefore, for normal use, the lens must be originally designed for the corresponding system. At the same time, note that the actual compatibility will also depend on the mount (see "Bayonet (mount)"). At the same time, one system often includes several mounts (for example, Canon and Nikon); it happens vice versa — one mount can be used in several systems at once (for example, Micro 4/3 is used by both Olympus and Panasonic). In general, the optimal selection order is as follows: first clarify the compatibility of the lens with the system, then with a specific mount.

Also note that third-party manufacturers (who do not produce cameras and deal only with lenses) often produce models designed for several different systems at once. Such compatibility can be achieved both through a set of adapters (included in the package or sold separately), and through the release of different modifications of the same lens, differing only in mounts. The features of each such model should be specified separately.

Mount

The type of mount used to connect the lens to the camera. The name comes from the English "bayonet", meaning "bayonet" and a bayonet-type connection. Bayonet mounts are used in the vast majority of modern digital cameras due to their reliability and ease of use.

Full compatibility of the lens with the camera is guaranteed only if the types of their mounts match. Some mounts are compatible with each other via adapters, but such a connection can limit the capabilities of the lens (for example, it will make it impossible to use autofocus) and is generally not considered optimal. It is worth considering that within the same system (see above) different mounts are often used, which are also incompatible with each other.

So, the manufacturer Canon has mounts EF-M, EF-S, EF, RF, RF-S. Leica has Leica M, Leica SL, Leica TL. Nikon has Nikon 1, Nikon F, Nikon Z in its arsenal. Pentax optics are equipped with Pentax 645, Pentax K, Pentax Q. Samsung uses NX-M and NX mounts. Sony models include Sony A and Sony E. In addition, there are other types of mounts on the market - both branded ( Fujifilm G, Fujifilm X, Hasselblad H, Sigma SA) and universal ( Four Thirds (4/3), Micro 4/3).

Note that there are lenses that are declared compatible with several mounts at once. This “omnivorousness” can be realized in different ways. For example, some models have a non-standard mount on the lens body, and compatibility with various mounts is ensured through the use of adapters; These adapters can be included in the delivery set or purchased separately. Another option is that the lens is available in several separate modifications, each for its own mount. These details should be clarified before purchasing.

Design (elements/groups)

The number of elements (in fact, the number of lenses) included in the design of the lens, as well as the number of groups in which these elements are combined. Usually, the more elements provided in the design, the better the lens handles with distortions (aberrations) when light passes through it. On the other hand, numerous lenses increases the dimensions and weight of the optics, reduces light transmission (for more details, see "Aperture") and also puts forward increased requirements for the quality of processing, which affects the cost of the lens.

Number of diaphragm blades

The number of blades provided in the design of the diaphragm (for details, see "Minimum aperture"). In fact, this parameter is important when shooting scenes with pronounced bokeh (blurred background) and a small depth of field: the more petals the aperture has, the smoother the glare from out-of-focus objects will turn out, while with a small number of petals they can look like polygons. The number of aperture blades has almost no effect on other shooting parameters. Modern lenses have an average of 7-9 petals; the smoothing provided by them in most cases is considered quite sufficient.
Sigma 35mm f/1.4 Art DG DN often compared
Sigma 35mm f/1.4 Art HSM DG often compared