Nikon 18-140mm f/3.5-5.6G VR AF-S ED DX Nikkor
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Nikon 18-140mm f/3.5-5.6G VR AF-S ED DX Nikkor | |||||||||||||||||||||||||||||||||||
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. Nikon 18-140mm is a lens with a wide range of focal lengths — 18-140mm — which makes it significantly beyond the mid-range models with a zoom lens. Mounted on Nikon F mount, standard type of matrix — APS-C. Autofocus drive — ultrasonic. The 7-blade aperture has a minimum value of 38. Separately, it is worth noting the image stabilizer.
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Buy Nikon 18-140mm f/3.5-5.6G VR AF-S ED DX Nikkor
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A station wagon from the arena of "native" optics for a Nikon APS-C mirror system covers the lion's share of the needs of an ordinary amateur photographer. In one face, the lens replaces a whole arsenal of optics for landscape and portrait shooting, street photography and long-range photography.
Quality build
Nikon AF-S DX Nikkor 18-140mm f / 3.5-5.6G ED VR is assembled in a sturdy plastic case with a metal docking “module” wrapped with a rubber seal. From the controls on the "body" of the lens, there are the usual zoom and focus rings, as well as a manual and auto focus mode switch, along with a control slider for the built-in image stabilization system.
Effective stabilization
According to the "passport" data, the stub in the assets of the model can compensate up to 4 stops of exposure when shooting handheld or in low light conditions. This means that the user has the right to count on obtaining a high-quality result when shooting at shutter speeds up to 1/15 s. And here we are talking about the telezoom position. Against the backdrop of a modest "floating" aperture, it looks like a breath of fresh air in the hot summer heat.
Hooked and forgotten
With the sharpness of the lens, things are on the "five with a minus": in the centre of the frame everything is fine with an open aperture, and over the entire field of the frame, the best result can be obtained at f / 5.6-11 aperture values. Taking into account the universality of focal lengths, it was not possible to do without flaws in the model. Vignetting at open apertures and visible distortion at a wide angle are classified as such. However, giving preference to the lens, you get a solution from the category of "hooked and forgotten". No need to change optics and capturing the most diverse scenes in the field of view — these two points completely level the negative side of the coin, exposing the zoom lens in the light of the preferred version of the universal lens for every day.
- A/M button (auto/manual focus)