Chairs Knoll

The Muecke Side/Arm Chair from Knoll expresses designer Jonathan Muecke’s sculptural approach to furniture through a refined study of form, structure, and material. Muecke, whose background lies in th more→e world of sculpture, brings an artistic sensitivity that highlights the way wood behaves and connects. The chair’s rounded dowels and gently curved back emphasize clarity and honesty in construction. As the designer explains, “You can understand the piece of wood. It's not disguised. It's there for you to understand again and again.” The result is a chair that feels open, balanced, and beautifully direct. Color: Black. Additional Color: Ebonized Ash.

The Muecke Side/Arm Chair from Knoll expresses designer Jonathan Muecke’s sculptural approach to furniture through a refined study of form, structure, and material. Muecke, whose background lies in th more→e world of sculpture, brings an artistic sensitivity that highlights the way wood behaves and connects. The chair’s rounded dowels and gently curved back emphasize clarity and honesty in construction. As the designer explains, “You can understand the piece of wood. It's not disguised. It's there for you to understand again and again.” The result is a chair that feels open, balanced, and beautifully direct. Color: Brown. Additional Color: Walnut.

The Muecke Side/Arm Chair from Knoll expresses designer Jonathan Muecke’s sculptural approach to furniture through a refined study of form, structure, and material. Muecke, whose background lies in th more→e world of sculpture, brings an artistic sensitivity that highlights the way wood behaves and connects. The chair’s rounded dowels and gently curved back emphasize clarity and honesty in construction. As the designer explains, “You can understand the piece of wood. It's not disguised. It's there for you to understand again and again.” The result is a chair that feels open, balanced, and beautifully direct. Color: Beige. Additional Color: Oak.

The Muecke Side/Arm Chair from Knoll expresses designer Jonathan Muecke’s sculptural approach to furniture through a refined study of form, structure, and material. Muecke, whose background lies in th more→e world of sculpture, brings an artistic sensitivity that highlights the way wood behaves and connects. The chair’s rounded dowels and gently curved back emphasize clarity and honesty in construction. As the designer explains, “You can understand the piece of wood. It's not disguised. It's there for you to understand again and again.” The result is a chair that feels open, balanced, and beautifully direct. Color: Black. Additional Color: Ebonized Ash.

The Muecke Side/Arm Chair from Knoll expresses designer Jonathan Muecke’s sculptural approach to furniture through a refined study of form, structure, and material. Muecke, whose background lies in th more→e world of sculpture, brings an artistic sensitivity that highlights the way wood behaves and connects. The chair’s rounded dowels and gently curved back emphasize clarity and honesty in construction. As the designer explains, “You can understand the piece of wood. It's not disguised. It's there for you to understand again and again.” The result is a chair that feels open, balanced, and beautifully direct. Color: Brown. Additional Color: Walnut.

The Muecke Side/Arm Chair from Knoll expresses designer Jonathan Muecke’s sculptural approach to furniture through a refined study of form, structure, and material. Muecke, whose background lies in th more→e world of sculpture, brings an artistic sensitivity that highlights the way wood behaves and connects. The chair’s rounded dowels and gently curved back emphasize clarity and honesty in construction. As the designer explains, “You can understand the piece of wood. It's not disguised. It's there for you to understand again and again.” The result is a chair that feels open, balanced, and beautifully direct. Color: Beige. Additional Color: Oak.

In a Santa Monica workshop established by Knoll in 1989, Frank Gehry began experimenting with a new approach to material and structure. Three years later, Gehry's groundbreaking collection of laminate more→d maple chairs and tables was previewed at The Museum of Modern Art in New York. Inspired by the woven construction of apple crates he had played on as a child, Gehry began to weave thin strips of wood into lightweight fluid forms. The ribbon-like designs transcend the conventions of style by focusing on the essential challenge of integrating material and structure. During assembly, all wood grains are placed in the same direction for resilience. Designed for ergonomic movement and flexibility.

In a Santa Monica workshop established by Knoll in 1989, Frank Gehry began experimenting with a new approach to material and structure. Three years later, Gehry's groundbreaking collection of laminate more→d maple chairs and tables was previewed at The Museum of Modern Art in New York. Inspired by the woven construction of apple crates he had played on as a child, Gehry began to weave thin strips of wood into lightweight fluid forms. The ribbon-like designs transcend the conventions of style by focusing on the essential challenge of integrating material and structure. During assembly, all wood grains are placed in the same direction for resilience. Designed for ergonomic movement and flexibility.

In a Santa Monica workshop established by Knoll in 1989, Frank Gehry began experimenting with a new approach to material and structure. Three years later, Gehry's groundbreaking collection of laminate more→d maple chairs and tables was previewed at The Museum of Modern Art in New York. Inspired by the woven construction of apple crates he had played on as a child, Gehry began to weave thin strips of wood into lightweight fluid forms. The ribbon-like designs transcend the conventions of style by focusing on the essential challenge of integrating material and structure. During assembly, all wood grains are placed in the same direction for resilience. Designed for ergonomic movement and flexibility.

In a Santa Monica workshop established by Knoll in 1989, Frank Gehry began experimenting with a new approach to material and structure. Three years later, Gehry's groundbreaking collection of laminate more→d maple chairs and tables was previewed at The Museum of Modern Art in New York. Inspired by the woven construction of apple crates he had played on as a child, Gehry began to weave thin strips of wood into lightweight fluid forms. The ribbon-like designs transcend the conventions of style by focusing on the essential challenge of integrating material and structure. During assembly, all wood grains are placed in the same direction for resilience. Designed for ergonomic movement and flexibility.

In a Santa Monica workshop established by Knoll in 1989, Frank Gehry began experimenting with a new approach to material and structure. Three years later, Gehry's groundbreaking collection of laminate more→d maple chairs and tables was previewed at The Museum of Modern Art in New York. Inspired by the woven construction of apple crates he had played on as a child, Gehry began to weave thin strips of wood into lightweight fluid forms. The ribbon-like designs transcend the conventions of style by focusing on the essential challenge of integrating material and structure. During assembly, all wood grains are placed in the same direction for resilience. Designed for ergonomic movement and flexibility.

In a Santa Monica workshop established by Knoll in 1989, Frank Gehry began experimenting with a new approach to material and structure. Three years later, Gehry's groundbreaking collection of laminate more→d maple chairs and tables was previewed at The Museum of Modern Art in New York. Inspired by the woven construction of apple crates he had played on as a child, Gehry began to weave thin strips of wood into lightweight fluid forms. The ribbon-like designs transcend the conventions of style by focusing on the essential challenge of integrating material and structure. During assembly, all wood grains are placed in the same direction for resilience. Designed for ergonomic movement and flexibility.

In a Santa Monica workshop established by Knoll in 1989, Frank Gehry began experimenting with a new approach to material and structure. Three years later, Gehry's groundbreaking collection of laminate more→d maple chairs and tables was previewed at The Museum of Modern Art in New York. Inspired by the woven construction of apple crates he had played on as a child, Gehry began to weave thin strips of wood into lightweight fluid forms. The ribbon-like designs transcend the conventions of style by focusing on the essential challenge of integrating material and structure. During assembly, all wood grains are placed in the same direction for resilience. Designed for ergonomic movement and flexibility.

Inspired by the woven construction of apple crates he played on as a child, renowned architect Frank Gehry designed a seating collection of wood woven into lightweight fluid forms. The ribbon-like des more→igns, including the tall High Sticking Chair, transcend the conventions of style by focusing on the essential challenge of integrating material and structure. A recipient of numerous awards, the ribbon-like design of the high-back High Sticking Chair is made of interwoven maple strips. The chair features a built-in lumbar curve for enhanced back support. The seat weaves are engineered to flex in unison for spring-like comfort. The chair comes without arms. Includes clear plastic glides with a

The Gigi Stools raise the Gigi flexible back design to new heights. Offered in Bar and Counter heights, and available in 6 vivid colors, this design suits tall workspaces and dining settings alike. Th more→e sturdy stool features a colored polypropylene frame with chrome-plated base. Finish: Black.

The Gigi Stools raise the Gigi flexible back design to new heights. Offered in Bar and Counter heights, and available in 6 vivid colors, this design suits tall workspaces and dining settings alike. Th more→e sturdy stool features a colored polypropylene frame with chrome-plated base. Color: Black. Finish: Navy.

The Gigi Stools raise the Gigi flexible back design to new heights. Offered in Bar and Counter heights, and available in 6 vivid colors, this design suits tall workspaces and dining settings alike. Th more→e sturdy stool features a colored polypropylene frame with chrome-plated base. Finish: Red.

The Gigi Stools raise the Gigi flexible back design to new heights. Offered in Bar and Counter heights, and available in 6 vivid colors, this design suits tall workspaces and dining settings alike. Th more→e sturdy stool features a colored polypropylene frame with chrome-plated base. Color: Black. Finish: Mango.