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Giver, by Mike Aono Boyd, immediately evokes the feeling of a metaphorical image, but it is up to the viewer to decide just what that metaphor is. Is the large orb in the foreground the moon? Or is it more→an egg about to hatch as an allegory of life? This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Black.
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Simple, yet compelling. The NW Art Retro Rhythm I by Vanna Lam features an array of colors in a unique way. Taking the idea of a rainbow and turning it on its head, the lines take deep curves and turn more→s, evocative of a road or freeway. The subdued grey background offers a great complement, allowing the bright colors to come to the forefront. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The Wooden Rowboats III is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is more→an intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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The NW Art Retro Rhythm IV takes something found in nature and turns it into a work of fine art. Colorful lines evocative of a rainbow adorn a subdued background, the bright colors popping against the more→earth tone. The one twist are the abnormal and nearly whimsical turns and curves the lines take, which seem to go on to infinity. Color: Multicolor.
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The NW Art Retro Rhythm II presents a modern and minimal composition that is still eye catching and compelling. Something as common as a simple rainbow has been put into a whole new light and turned o more→n its head. The sharp curves and angles in the colorful lines give the piece a little edge, portraying the idea of a meteorological phenomenon through an artistic lens. Color: Multicolor.
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The NW Art Retro Rhythm III takes a meteorological phenomenon and translates it into a work of modern art. The multi-colored parallel lines take innovative turns and curves, evocative of a curvy road. more→The subdued background allows the array of colors to come to the forefront as well as complements the entire color spectrum. Color: Multicolor.
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Simple, yet compelling. The NW Art Retro Rhythm I by Vanna Lam features an array of colors in a unique way. Taking the idea of a rainbow and turning it on its head, the lines take deep curves and turn more→s, evocative of a road or freeway. The subdued grey background offers a great complement, allowing the bright colors to come to the forefront. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
420.18Buy!
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The Wooden Rowboats III is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is more→an intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
420.18Buy!
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The NW Art Retro Rhythm IV takes something found in nature and turns it into a work of fine art. Colorful lines evocative of a rainbow adorn a subdued background, the bright colors popping against the more→earth tone. The one twist are the abnormal and nearly whimsical turns and curves the lines take, which seem to go on to infinity. Color: Multicolor.
420.18Buy!
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The Wooden Rowboats II is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is a more→n intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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Symbol Imprint II by June Erica Vess is shattered to the point of no return, and we like it that way. Abstract in every sense of the word, this fine-art print is a sure-fire way to add contrasting dra more→ma to a space, and given that there is an absence of anything figurative, invites the viewer to project any interpretation they want on the image’s meaning. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
420.18Buy!
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The Wooden Rowboats II is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is a more→n intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
420.18Buy!
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Symbol Imprint II by June Erica Vess is shattered to the point of no return, and we like it that way. Abstract in every sense of the word, this fine-art print is a sure-fire way to add contrasting dra more→ma to a space, and given that there is an absence of anything figurative, invites the viewer to project any interpretation they want on the image’s meaning. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
420.18Buy!
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Giver, by Mike Aono Boyd, immediately evokes the feeling of a metaphorical image, but it is up to the viewer to decide just what that metaphor is. Is the large orb in the foreground the moon? Or is it more→an egg about to hatch as an allegory of life? This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Black.
420.18Buy!
$
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Delivery: in USA
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The NW Art Retro Rhythm II presents a modern and minimal composition that is still eye catching and compelling. Something as common as a simple rainbow has been put into a whole new light and turned o more→n its head. The sharp curves and angles in the colorful lines give the piece a little edge, portraying the idea of a meteorological phenomenon through an artistic lens. Color: Multicolor.
420.75Buy!
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Marquise II, by Grace Popp, is a charcoal-toned image that depicts white geometric shapes against a dark background. The shapes are subtle, yet add geometric depth to the two-dimensional surface. This more→fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.
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Modular Tiles I by James Burghardt is a kaleidoscope of yellow tones in generous interlocking layers. This is a great piece to add if a space needs a pop of color, or if you need art to match an exist more→ing color scheme for your home’s interior. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Brown.
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The NW Art Woodland Motif I is a Modern Botanical piece with a series of leaves against a dark background. Each drawn leaf has its own unique pattern, true to their natural counterparts. Simple yet ca more→ptivating, hang this anywhere for that cozy Autumn feel all year round. Color: Brown.
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The NW Art Woodland Motif II combines a grid layout with nature-inspired shapes. Each hand drawn leaf has a subtle difference, true to their natural counterparts. The collection of earth tones with wa more→rm yellows and browns has a warm and cozy Autumn feel that is great for all year round. Color: Brown.
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The NW Art Woodland Motif III strikes an interesting juxtaposition with a strict grid layout featuring natural and organic elements. A series of fall leaves are arranged in perfect rows, each containi more→ng its own unique pattern. The collection of warm browns and yellows gives a crisp Autumn vibe, great for adding a fall air to any space all year round. Color: Brown.
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The NW Art Woodland Motif IV combines a logical grid with naturally derived forms. A series of hand drawn leaves are arranged in neat rows, each having its own unique pattern. An interesting juxtaposi more→tion and concept in itself, the mixture of a mathematical grid with organic shapes found in nature. Color: Brown.
421.74Buy!
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In the Skies I, by Martin Henson, make us (the onlooker) the subject of a bird’s-eye-view. This print is of an original black and white photograph which depicts birds in flight, becoming dark silhouet more→tes against the brightness of the sky. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Shadow, by Martin Henson, takes a dramatic perspective on a manmade monument. This print is of an original black and white photograph, capturing how a stormy, yet light filled sky has created a broad more→stroke of shadow against the ocean. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Seen up-close like this, the structural foundation of a bridge feels like organized chaos—made especially more dramatic in black and white. Structural Details IX is a print is of an original photograp more→h by Jeff Pica, and is printed with inkjet printers using pigment-based archival inks. Color: Black.
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