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Colorlines I by Jodi Fuchs lays out a whole lot of color in serene horizontal lines. Without risking too much perfection, the colors appear in vertical strokes and slightly bleed together, creating ne more→w tonal mixtures throughout the composition. This full color fine art giclee is available as an unframed or framed paper print, a canvas print (either unframed or with a floater frame) and as a chromaprint (no frame), and is digitally signed by the artist. Color: Black.
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Circularity IV by Jodi Fuchs is a soft, geometric composition made with painterly strokes and a subdued color palette. The composition has a close-up quality that give us, the viewer, the ability to d more→ecide what we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Torn I is a print of an original work by Jodi Fuchs, featuring a stark, black and white image of dynamic hatch marks with a strong visual impact. This fine-art giclee is printed with inkjet printers u more→sing pigment-based archival inks and is digitally signed by the artist. Color: Black.
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In the Skies I, by Martin Henson, make us (the onlooker) the subject of a bird’s-eye-view. This print is of an original black and white photograph which depicts birds in flight, becoming dark silhouet more→tes against the brightness of the sky. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Shadow, by Martin Henson, takes a dramatic perspective on a manmade monument. This print is of an original black and white photograph, capturing how a stormy, yet light filled sky has created a broad more→stroke of shadow against the ocean. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Seen up-close like this, the structural foundation of a bridge feels like organized chaos—made especially more dramatic in black and white. Structural Details IX is a print is of an original photograp more→h by Jeff Pica, and is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Seen up-close like this, the structural foundation of a bridge feels like organized chaos—made especially more dramatic in black and white. Structural Details IX is a print is of an original photograp more→h by Jeff Pica, and is printed with inkjet printers using pigment-based archival inks. Color: Black.
414.00Buy!
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In the Skies I, by Martin Henson, make us (the onlooker) the subject of a bird’s-eye-view. This print is of an original black and white photograph which depicts birds in flight, becoming dark silhouet more→tes against the brightness of the sky. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
414.00Buy!
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Shadow, by Martin Henson, takes a dramatic perspective on a manmade monument. This print is of an original black and white photograph, capturing how a stormy, yet light filled sky has created a broad more→stroke of shadow against the ocean. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
414.12Buy!
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The Wooden Rowboats II is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is a more→n intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
414.12Buy!
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Symbol Imprint II by June Erica Vess is shattered to the point of no return, and we like it that way. Abstract in every sense of the word, this fine-art print is a sure-fire way to add contrasting dra more→ma to a space, and given that there is an absence of anything figurative, invites the viewer to project any interpretation they want on the image’s meaning. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art Retro Rhythm II presents a modern and minimal composition that is still eye catching and compelling. Something as common as a simple rainbow has been put into a whole new light and turned o more→n its head. The sharp curves and angles in the colorful lines give the piece a little edge, portraying the idea of a meteorological phenomenon through an artistic lens. Color: Multicolor.
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The NW Art Retro Rhythm III takes a meteorological phenomenon and translates it into a work of modern art. The multi-colored parallel lines take innovative turns and curves, evocative of a curvy road. more→The subdued background allows the array of colors to come to the forefront as well as complements the entire color spectrum. Color: Multicolor.
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Simple, yet compelling. The NW Art Retro Rhythm I by Vanna Lam features an array of colors in a unique way. Taking the idea of a rainbow and turning it on its head, the lines take deep curves and turn more→s, evocative of a road or freeway. The subdued grey background offers a great complement, allowing the bright colors to come to the forefront. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Retro Rhythm IV takes something found in nature and turns it into a work of fine art. Colorful lines evocative of a rainbow adorn a subdued background, the bright colors popping against the more→earth tone. The one twist are the abnormal and nearly whimsical turns and curves the lines take, which seem to go on to infinity. Color: Multicolor.
414.12Buy!
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The Wooden Rowboats III is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is more→an intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
414.48Buy!
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Shadow, by Martin Henson, takes a dramatic perspective on a manmade monument. This print is of an original black and white photograph, capturing how a stormy, yet light filled sky has created a broad more→stroke of shadow against the ocean. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
414.48Buy!
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Seen up-close like this, the structural foundation of a bridge feels like organized chaos—made especially more dramatic in black and white. Structural Details IX is a print is of an original photograp more→h by Jeff Pica, and is printed with inkjet printers using pigment-based archival inks. Color: Black.
414.48Buy!
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In the Skies I, by Martin Henson, make us (the onlooker) the subject of a bird’s-eye-view. This print is of an original black and white photograph which depicts birds in flight, becoming dark silhouet more→tes against the brightness of the sky. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
414.78Buy!
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Giver, by Mike Aono Boyd, immediately evokes the feeling of a metaphorical image, but it is up to the viewer to decide just what that metaphor is. Is the large orb in the foreground the moon? Or is it more→an egg about to hatch as an allegory of life? This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Black.
418.14Buy!
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Modern Crush I is a print of an original painting by Jodi Fuchs, debuting an abstract explosion of color. The imperfection is the most compelling part of this image, where even the splatters of color more→are left on the background. This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Multicolor.
418.14Buy!
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Modern Crush II is a print of an original painting by Jodi Fuchs, displaying an abstract collage of vibrant colors. The imperfection is the most compelling part of this image, where even the splatters more→of color are left on the background. This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Multicolor.
420.18Buy!
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Symbol Imprint II by June Erica Vess is shattered to the point of no return, and we like it that way. Abstract in every sense of the word, this fine-art print is a sure-fire way to add contrasting dra more→ma to a space, and given that there is an absence of anything figurative, invites the viewer to project any interpretation they want on the image’s meaning. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
420.18Buy!
$
Lumens.com
Delivery: in USA
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Giver, by Mike Aono Boyd, immediately evokes the feeling of a metaphorical image, but it is up to the viewer to decide just what that metaphor is. Is the large orb in the foreground the moon? Or is it more→an egg about to hatch as an allegory of life? This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Black.
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