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The NW Art Retro Rhythm IV takes something found in nature and turns it into a work of fine art. Colorful lines evocative of a rainbow adorn a subdued background, the bright colors popping against the more→earth tone. The one twist are the abnormal and nearly whimsical turns and curves the lines take, which seem to go on to infinity. Color: Multicolor.
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The Wooden Rowboats II is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is a more→n intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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Simple, yet compelling. The NW Art Retro Rhythm I by Vanna Lam features an array of colors in a unique way. Taking the idea of a rainbow and turning it on its head, the lines take deep curves and turn more→s, evocative of a road or freeway. The subdued grey background offers a great complement, allowing the bright colors to come to the forefront. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Retro Rhythm IV takes something found in nature and turns it into a work of fine art. Colorful lines evocative of a rainbow adorn a subdued background, the bright colors popping against the more→earth tone. The one twist are the abnormal and nearly whimsical turns and curves the lines take, which seem to go on to infinity. Color: Multicolor.
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The Wooden Rowboats III is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is more→an intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
407.94Buy!
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The Wooden Rowboats II is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is a more→n intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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The NW Art Retro Rhythm II presents a modern and minimal composition that is still eye catching and compelling. Something as common as a simple rainbow has been put into a whole new light and turned o more→n its head. The sharp curves and angles in the colorful lines give the piece a little edge, portraying the idea of a meteorological phenomenon through an artistic lens. Color: Multicolor.
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The NW Art Retro Rhythm III takes a meteorological phenomenon and translates it into a work of modern art. The multi-colored parallel lines take innovative turns and curves, evocative of a curvy road. more→The subdued background allows the array of colors to come to the forefront as well as complements the entire color spectrum. Color: Multicolor.
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Torn I is a print of an original work by Jodi Fuchs, featuring a stark, black and white image of dynamic hatch marks with a strong visual impact. This fine-art giclee is printed with inkjet printers u more→sing pigment-based archival inks and is digitally signed by the artist. Color: Black.
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Circularity III by Jodi Fuchs is an abstract yet calming composition made with soft, buttery strokes and geometric shapes. The composition has a close-up quality that give us, the viewer, the ability more→to decide what we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Circularity I by Jodi Fuchs is an abstract yet calming composition made with soft, buttery strokes and geometric shapes. The composition has a close-up quality that give us, the viewer, the ability to more→discern whatever we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Circularity II by Jodi Fuchs is a soft, geometric composition made with painterly strokes and a subdued color palette. The composition has a close-up quality that give us, the viewer, the ability to d more→ecide what we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: White.
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Colorlines I by Jodi Fuchs lays out a whole lot of color in serene horizontal lines. Without risking too much perfection, the colors appear in vertical strokes and slightly bleed together, creating ne more→w tonal mixtures throughout the composition. This full color fine art giclee is available as an unframed or framed paper print, a canvas print (either unframed or with a floater frame) and as a chromaprint (no frame), and is digitally signed by the artist. Color: White.
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Circularity IV by Jodi Fuchs is a soft, geometric composition made with painterly strokes and a subdued color palette. The composition has a close-up quality that give us, the viewer, the ability to d more→ecide what we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Giver, by Mike Aono Boyd, immediately evokes the feeling of a metaphorical image, but it is up to the viewer to decide just what that metaphor is. Is the large orb in the foreground the moon? Or is it more→an egg about to hatch as an allegory of life? This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Black.
408.99Buy!
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Giver, by Mike Aono Boyd, immediately evokes the feeling of a metaphorical image, but it is up to the viewer to decide just what that metaphor is. Is the large orb in the foreground the moon? Or is it more→an egg about to hatch as an allegory of life? This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Black.
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Bask in the elaborate and extensive beauty of 18th century architecture with the NW Art Plan & Elevation for a Roman Villa by J. Wilkes. This piece provides a detailed sketch as well as a blueprint fo more→r a Roman Villa planned for construction in the Revolutionary era. The subtle detailing, alphabetically labeled rooms, and elegant penmanship blend beautifully together, bringing a rustic authenticity to this captivating work of art. Color: Beige.
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The NW Art Water Tower Abstract depicts an iconic structure superimposed against a multicolored background. The eye is immediately drawn to the bold yellow block at the top, which contrasts yet comple more→ments the mainly blue background. On top of the blue is a little added texture, evocative of clouds in the distance. The slight distortion of the view of the water tower and offbeat background gives a surreal vibe to this artwork. Color: Multicolor.
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The NW Art Water Tower Abstract depicts an iconic structure superimposed against a multicolored background. The eye is immediately drawn to the bold yellow block at the top, which contrasts yet comple more→ments the mainly blue background. On top of the blue is a little added texture, evocative of clouds in the distance. The slight distortion of the view of the water tower and offbeat background gives a surreal vibe to this artwork. Color: Multicolor.
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A familiar structure with a dramatic perspective…that’s the Windmill Abstract by Sisa Jasper. A rich background in stormy blues and greens supports the windmill in the foreground, but is surprisingly more→color blocked with solid ocher above, drawing the eye to the eponymous turning sails at the top. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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A familiar structure with a dramatic perspective…that’s the Windmill Abstract by Sisa Jasper. A rich background in stormy blues and greens supports the windmill in the foreground, but is surprisingly more→color blocked with solid ocher above, drawing the eye to the eponymous turning sails at the top. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
412.17Buy!
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Circularity I by Jodi Fuchs is an abstract yet calming composition made with soft, buttery strokes and geometric shapes. The composition has a close-up quality that give us, the viewer, the ability to more→discern whatever we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
412.17Buy!
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Circularity II by Jodi Fuchs is a soft, geometric composition made with painterly strokes and a subdued color palette. The composition has a close-up quality that give us, the viewer, the ability to d more→ecide what we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Circularity III by Jodi Fuchs is an abstract yet calming composition made with soft, buttery strokes and geometric shapes. The composition has a close-up quality that give us, the viewer, the ability more→to decide what we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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