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The NW Art Orbe Aura III is a bright and eye-catching piece featuring colored ovals floating in space. Each orb is filled with a solid color yet also has contrasting swirls and splatters that uplift t more→he simple shape. The background is in an off-white, allowing the bright colorful shapes to come forward visually. Color: Multicolor.
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River Worn II, by Grace Popp, depicts smooth stones that are just perfect for skipping rocks. Nine pebbles shaped by river currents are laid out in a nice grid, each portraying different lines and tex more→tures that have individually shaped them over time. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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The NW Art Black and White Palms I is a fine art photographic print superimposing on a tropical plant. From the stark contrast of the white background to the way the light highlights the individual le more→aves, it reads almost metallic with silver hues. Open to interpretation, this piece can also be viewed as an abstract with repeated shapes in an array of grey tones. Color: Grey.
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Get a closer look on life with the Cellular Division I by NW Art. This piece features a minimalist interpretation of the complicated and oftentimes mysterious process of cells division, where four cel more→ls with distinct properties have nearly split, but not quite. A thought-provoking addition to a variety of settings including living rooms, bedrooms, and offices. Color: Wood tones.
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The NW Art Orbe Aura II presents a composition of colorful egg-shaped forms, against an off white background. The smooth round shapes are complemented with energetic paint splatters, providing an intr more→iguing juxtaposition. Amusing and fun, this abstract piece will add a friendly air to any room it graces. Color: Multicolor.
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The NW Art Orbe Aura IV is like a view into another world where floating colorful shapes are the norm. This abstract piece features ovals in all different colors and tones, some solid and opaque while more→the others are multi colored with energetic splatters. The shapes extend beyond the border of the piece, implying that this work is a small window into another realm of whimsical shapes and colors. Color: Multicolor.
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Cellular Division II, by June Erica Vess, is a minimalistic image that gives us a rare glimpse into a microscopic process. The four ovals interact and overlap to create new instances of pattern, yet w more→ith each replication, the color palette remains subtle and without high contrast. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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River Worn I, by Grace Popp, depicts smooth stones that are just perfect for skipping rocks. Nine pebbles shaped by river currents are laid out in a nice grid, each portraying different lines and text more→ures that have individually shaped them over time. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Grey.
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The NW Art Meadow Light II features features a relaxing array of blues and greens with simple geometric shapes layered in the foreground. The watercolor-esque background is contrasted against bold sha more→pes drawn with thin black lines and filled with a nearly opaque off-white. Color: Green.
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The NW Art White Caps I features bold cut outs of blues and whites arranged in a compelling collage. Either a dark blue ocean with cresting waves or a snow covered mountain in the dark of night, the f more→inal interpretation is open to the viewer. Color: Multicolor.
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The NW Art Meadow Light I features a calming pallet of greens and blues with repeated geometric shapes. The multicolored background has that watercolor-blended quality, while the bold shapes in front more→are more stark and opaque. The shapes in the foreground are connected with thin black lines, becoming one large shape set in front of what appears to be a stained glass window. Color: Green.
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The NW Art White Caps II is an interesting take on the collage concept. Cut-outs containing layers of whites and dark blues are all pulled together, like a cubist's interpretation of crashing waves in more→the ocean. From large cut-outs to small pieces, each individual part comes together to create one complete image. Color: Multicolor.
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Elliptical 6, by Greg Gioiosa, is an abstract vision of floating ellipses and orbs set against irregular brush strokes. The way the geometric shapes float against the composition have an almost Magrit more→te-like quality about them, and seem to exist separately from the background as if in suspended animation. This exclusive fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally printed by the artist. Color: Multicolor.
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The NW Art State Pride Collection F is an homage to the great state of California, with notable cities mentioned in different typefaces. Great for those born and bred in the Golden State or for those more→who just appreciate its rich culture, beautiful landscapes and diversity. Print features a green background with an outline of California in black in the center, framed by two transparent copies. Color: Multicolor.
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An interesting take on a cityscape, The NW Art City Map I appears like an abstract painting yet the title of the work changes the context. A series of white and colored squares are set in front of pai more→nted vertical lines, the dynamic and energetic presence of the piece evocative of the hustle and bustle of a busy city. Color: Multicolor.
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The NW Art City Map I appears like an abstract painting yet the title of the work changes the context. Like a view of a city from above, the square-shaped blotches of paint paired with straight lines more→reads like buildings and streets, although viewing it as an abstract is appropriate too. Color: Multicolor.
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The NW Art City Map I appears like an abstract painting yet the title of the work changes the context. Like a view of a city from above, the square-shaped blotches of paint paired with straight lines more→reads like buildings and streets, although viewing it as an abstract is appropriate too. Color: Multicolor.
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An interesting take on a cityscape, The NW Art City Map I appears like an abstract painting yet the title of the work changes the context. A series of white and colored squares are set in front of pai more→nted vertical lines, the dynamic and energetic presence of the piece evocative of the hustle and bustle of a busy city. Color: Multicolor.
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Rhythm & Hues I by Jodi Fuchs is a dynamic piece characterized by broad strokes of color and asymmetric lines. The central row is where the colors really shine, and as your eye makes its way to the to more→p and bottom of the composition, the print exhibits a transition to greyscale. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Rhythm & Hues II by Jodi Fuchs is a dynamic piece characterized by broad strokes of color and asymmetric lines. The central row is where the colors really shine, and as your eye makes its way to the t more→op and bottom of the composition, the print exhibits a transition to grey scale. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: White.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern I by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary alo more→ng each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern II by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern III by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary a more→long each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern IV by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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