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The NW Art Modern Dance III features a flowing shape with colors that all seem to melt together. How the colors seamlessly blend along with the shape of the streaming lines depicts a sense of movement more→, evocative of a group of dancers all dancing in unison. The many different colors are reminiscent of the range of skin tones, portraying a sense of unity among a diverse group. Color: Multicolor.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern I by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary alo more→ng each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern II by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Modern Dance II features a mirrored image of converging lines that are exactly alike, save for the colors used. The flowing and converging lines depict dynamic movement, as well as two sepa more→rate color pallets merging into one. The deep colors truly pop against the subdued background, which features a very subtle texture. Color: Multicolor.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern III by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary a more→long each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern IV by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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Modern Crush I is a print of an original painting by Jodi Fuchs, debuting an abstract explosion of color. The imperfection is the most compelling part of this image, where even the splatters of color more→are left on the background. This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Multicolor.
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Symbol Imprint II by June Erica Vess is shattered to the point of no return, and we like it that way. Abstract in every sense of the word, this fine-art print is a sure-fire way to add contrasting dra more→ma to a space, and given that there is an absence of anything figurative, invites the viewer to project any interpretation they want on the image’s meaning. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Modern Crush II is a print of an original painting by Jodi Fuchs, displaying an abstract collage of vibrant colors. The imperfection is the most compelling part of this image, where even the splatters more→of color are left on the background. This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Multicolor.
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The Wooden Rowboats II is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is a more→n intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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The NW Art Retro Rhythm II presents a modern and minimal composition that is still eye catching and compelling. Something as common as a simple rainbow has been put into a whole new light and turned o more→n its head. The sharp curves and angles in the colorful lines give the piece a little edge, portraying the idea of a meteorological phenomenon through an artistic lens. Color: Multicolor.
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The NW Art Retro Rhythm III takes a meteorological phenomenon and translates it into a work of modern art. The multi-colored parallel lines take innovative turns and curves, evocative of a curvy road. more→The subdued background allows the array of colors to come to the forefront as well as complements the entire color spectrum. Color: Multicolor.
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Simple, yet compelling. The NW Art Retro Rhythm I by Vanna Lam features an array of colors in a unique way. Taking the idea of a rainbow and turning it on its head, the lines take deep curves and turn more→s, evocative of a road or freeway. The subdued grey background offers a great complement, allowing the bright colors to come to the forefront. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Retro Rhythm IV takes something found in nature and turns it into a work of fine art. Colorful lines evocative of a rainbow adorn a subdued background, the bright colors popping against the more→earth tone. The one twist are the abnormal and nearly whimsical turns and curves the lines take, which seem to go on to infinity. Color: Multicolor.
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The Wooden Rowboats III is a print of an original photograph by Rachel Perry that prominently shows the bow of a small boat, seeming to float against a solid black background. This void of context is more→an intriguing contrast to the brightness of the rowboat, which seems to be lit with light that is hidden from the viewer. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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Shadow, by Martin Henson, takes a dramatic perspective on a manmade monument. This print is of an original black and white photograph, capturing how a stormy, yet light filled sky has created a broad more→stroke of shadow against the ocean. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Seen up-close like this, the structural foundation of a bridge feels like organized chaos—made especially more dramatic in black and white. Structural Details IX is a print is of an original photograp more→h by Jeff Pica, and is printed with inkjet printers using pigment-based archival inks. Color: Black.
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In the Skies I, by Martin Henson, make us (the onlooker) the subject of a bird’s-eye-view. This print is of an original black and white photograph which depicts birds in flight, becoming dark silhouet more→tes against the brightness of the sky. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art NY Scenes III finds the beauty in the concrete jungle known as New York City. Depicting the textured apartment buildings complete with fire escape ladders; the combination of repetition, ge more→ometry and different tones of greys gives this piece urban charm. Both gritty and alluring all at once. Color: Grey.
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The versatile geometric design of the Cobblestones wall art makes it perfect for any contemporary setting. It looks equally good installed vertically or horizontally and can be wall-mounted or used to more→add a screen element to a low wall or bench. Available in Charcoal color only.
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Known for her technical drawing abilities, The NW Art Stagger Start IV by Jennifer Goldberger portrays a simple idea with a soft color pallet. The collection of thick and thin white lines resemble bar more→codes and are grouped together to make a single shape. The negative space between the lines take on their own shapes as well, providing a contrast and mimicking the repeated rectangles. Color: Grey.
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Complex and compelling, the NW Art Stagger Start III is a technical abstract piece with a muted color pallet. Created by Jennifer Goldberger, she is known for her drawing abilities that have a mechani more→cal vibe which adds a certain sophistication to basic shapes and lines. Resembling a weave or perhaps barcodes, the collection of thick and thin white lines all function as separate elements yet come together to make one uniform design. Color: Grey.
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Enjoy the thrill of the modern design hunt with the Bend Goods Gazelle Trophy Head. This surprisingly realistic depiction of a horned gazelle is made entirely out of bent iron wire, and measures an im more→pressive 40 inches tall. Galvanizing and powder coating protect the wire and add a fun pop of color. Color: Metallics. Finish: Gold.
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The NW Art Silk Ink III is deceptively simple yet offers plenty for the eye to feast upon. Created by artist Tang Ling, she mainly works in charcoal and is driven by the impermanence of urban spaces a more→s communicators of life's stories. This work features an energetic stroke of deep black, forming the shape of what appears to be a human foot yet is left open to interpretation. Color: Black.
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