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Lifeline, by Mike Aono Boyd, is an exclusive print characterized by an abstract representation of human experience through the years. A loosely coiled, trailing line is punctuated with hollow or solid more→points, and is set against a light beige background. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. As an exclusive to Lumens, this print is also digitally signed by the artist. Color: Black.
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It may surround us, but sometimes it takes a bird’s-eye-view to appreciate the beauty and complexity of the landscape around us. Elevated I by Grace Popp takes to the skies to map out the rivers, road more→s and property lines that trace rural landscapes. The color scheme is on the cooler end of the spectrum, featuring a range of deep greens and light blues to make up this composition. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Green.
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How good is your eyesight? Don’t strain your eyes too much, but the message Eye Chart II by Andrea James is worth reading into: “Grow. Vision. Change. Passion. Respect. Destiny. Celebrate. Discover. I more→ntegrity. Commitment. Opportunity.” This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Put your hand over your left eye and read lines one through five. Now, put your hand over your right eye and read lines six through eleven. Clearly, you can read, but do you feel inspired? That’s exac more→tly how you should feel with the Eye Chart I by NW Art. This contemporary piece showcases our most treasured virtues and concepts in bold, gritty letters that run down the canvas like an old fashioned eye-test. In this way, we are reminded to check our sight as well as our principles on a regular basis. Color: White.
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San Francisco Signs II by Sisa Jasper is a densely populated collage of street signs, giving the feeling of discovering a new city. The composition feels dynamic with the positioning of the signs and more→the multi-colored palette that defines it. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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The Magic Hour II by Jodi Fuchs captures that time of day when the world seems filled with saturated color. The painting is a blend of vibrant oranges and deeper tones of blue and green. This fine art more→print is a companion piece to The Magic Hour I, and the two would pair nicely together in a diptych-type wall composition. This full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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Tangerine I, by Naomi McCavvit, is a sweet, summery print that blends burned tones of coral and orange. This soft and painterly image is printed with inkjet printers using pigment-based archival inks, more→and is available with a variety of framed (and unframed) options. Color: Pink.
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The NW Art Urban Grid II features a collage and layering motif with an array of blues, oranges, browns and greys. This piece can read as either an aerial view of a city or a view of a single building more→made up of many different materials and colors. Perhaps a play on the uniformity of city buildings, this one in particular offers a variety of colors and textures to look at; contrary to most cityscapes. Color: Multicolor.
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San Francisco Signs I by Sisa Jasper is an abstract montage of street signs and intersections, recreating the feeling of getting acquainted with a new city. Perhaps you feel overwhelmed by the newness more→, or maybe you feel nostalgic of your hometown...all you have to do is follow the signs. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Hazed Honeycomb II by Grace Popp is geometric goodness in bright form. The color-scheme of this honeycomb has cool tones ranging from lime green to pale blue and forest green. This fine-art full color more→giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Vertices I is a modern and abstract piece with white lines against a grey background. The complex array of thin and thick lines topped with small circles is quite intriguing, especially cou more→pled with a contrasting background with a subtle texture. Intelligent and nearly mathematic, this piece nearly reads like a star constellation in a dark night sky. Color: Grey.
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The NW Art Stamped Triangles II takes a simple shape and turns it into fine art. The layers and calming color pallet against a grey background has a friendly and peaceful vibe, making this piece appro more→priate for a multitude of spaces from a living room to a child's bedroom. Color: Multicolor.
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The NW Art Without Leaves is a fine art photographic print with a somber aesthetic. The twisted tree in the center is one without any leaves, the dark silhouette having a somewhat spooky and mysteriou more→s ambiance. The fog in the rolling hills in the background depicts a cold weather atmosphere, with grey clouds above that look ripe for some rain. Color: Grey.
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Inked Orbs II, by Niki Galapon is the perfect addition to any modern-themed interior. This print is a colorful mishmash of overlapping ovals and circles, blending each shade with tones of transparency more→and opaqueness. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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Hazed Honeycomb II by Grace Popp is a bright snapshot of geometric goodness. The colorful honeycomb image is an almost perfect mirror image of Hazed Honeycomb I, and has a similar color scheme with co more→ol tones ranging from green to blue. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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It may surround us, but sometimes it takes a bird’s-eye-view to appreciate the beauty and complexity of the landscape around us. Elevated I by Grace Popp takes to the skies to map out the rivers, road more→s and property lines that trace rural landscapes. The color scheme is on the cooler end of the spectrum, featuring a range of deep greens and light blues to make up this composition. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Green.
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The Magic Hour I by Jodi Fuchs blends the lines between the sky and earth, capturing that time of day when the world seems filled with saturated color. The painting starts with vibrant oranges, and as more→it descends, changes to deeper tones of blue and green. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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How good is your eyesight? Don’t strain your eyes too much, but the message Eye Chart II by Andrea James is worth reading into: “Grow. Vision. Change. Passion. Respect. Destiny. Celebrate. Discover. I more→ntegrity. Commitment. Opportunity.” This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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San Francisco Signs II by Sisa Jasper is a densely populated collage of street signs, giving the feeling of discovering a new city. The composition feels dynamic with the positioning of the signs and more→the multi-colored palette that defines it. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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Whether you like warm sunsets, subtle brushstrokes, or the color orange, the Tangerine II by NW Art is the ideal decorative art piece for your interior décor. Available in a variety of frame colors, m more→aterials (including paper, canvas, and chromaprint), and sizes, this painting is sure to blend beautifully wherever a splash of color is needed. Color: Orange.
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The Magic Hour II by Jodi Fuchs captures that time of day when the world seems filled with saturated color. The painting is a blend of vibrant oranges and deeper tones of blue and green. This fine art more→print is a companion piece to The Magic Hour I, and the two would pair nicely together in a diptych-type wall composition. This full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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A lovely cityscape in blue. Broadway Horizon I by Vanna Lam gives a painterly texture to towering skyscrapers, making this view of a concrete jungle a peaceful one. This fine-art full color giclee is more→printed with inkjet printers using pigment-based archival inks. Color: Blue.
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San Francisco Signs I by Sisa Jasper is an abstract montage of street signs and intersections, recreating the feeling of getting acquainted with a new city. Perhaps you feel overwhelmed by the newness more→, or maybe you feel nostalgic of your hometown...all you have to do is follow the signs. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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It’s as if you are standing beneath the Gateway Arch yourself. Sky Sculpture II, originally photographed by Tang Ling, gives us a first-person view of the famous landmark in St. Louis, and makes it al more→l the more dramatic in black and white. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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