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The NW Art Structural Details IV features the iconic columns found commonly in architecture throughout ancient Greece. The style known as the Doric order is depicted in this photographic print, which more→is one of the simplest varieties. Although uncomplicated, the use of repetition combined with the beams of light on the columns makes this piece an instant classic and will uplift a number of spaces with a timeless aesthetic. Color: White.
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It’s as if you are standing beneath the Gateway Arch yourself. Sky Sculpture II, originally photographed by Tang Ling, gives us a first-person view of the famous landmark in St. Louis, and makes it al more→l the more dramatic in black and white. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Grey Slate III, by Nikki Galapon, is a study in grayscale laid out in a nice grid. Pools of light to dark greys are layered together to create depth, even with the absence of color. This fine-art gicl more→ee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Put your hand over your left eye and read lines one through five. Now, put your hand over your right eye and read lines six through eleven. Clearly, you can read, but do you feel inspired? That’s exac more→tly how you should feel with the Eye Chart I by NW Art. This contemporary piece showcases our most treasured virtues and concepts in bold, gritty letters that run down the canvas like an old fashioned eye-test. In this way, we are reminded to check our sight as well as our principles on a regular basis. Color: White.
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The Grey Slate IV by NW Art features a grey-scale study in a grid-like composition. Like an array of snowflakes, each pool of grey has its own unique shape and the darker grey on top of the lighter cr more→eates an intriguing sense of depth that transforms this simple pattern. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Grey.
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In the Skies I, by Martin Henson, make us (the onlooker) the subject of a bird’s-eye-view. This print is of an original black and white photograph which depicts birds in flight, becoming dark silhouet more→tes against the brightness of the sky. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Shadow, by Martin Henson, takes a dramatic perspective on a manmade monument. This print is of an original black and white photograph, capturing how a stormy, yet light filled sky has created a broad more→stroke of shadow against the ocean. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Hazed Honeycomb II by Grace Popp is a bright snapshot of geometric goodness. The colorful honeycomb image is an almost perfect mirror image of Hazed Honeycomb I, and has a similar color scheme with co more→ol tones ranging from green to blue. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: White.
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Dispersed 5 by Robert Moya is a dynamic composition of bright colors, created with thick layers of acrylic. If you look closely, each piece has its own microcosm of texture and color that is entirely more→unique from any other. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. The print is digitally signed by the artist. Color: Metallics.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern II by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern III by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary a more→long each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern IV by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern I by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary alo more→ng each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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Giver, by Mike Aono Boyd, immediately evokes the feeling of a metaphorical image, but it is up to the viewer to decide just what that metaphor is. Is the large orb in the foreground the moon? Or is it more→an egg about to hatch as an allegory of life? This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Black.
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The NW Art Orbe Aura I is an abstract piece featuring colored shapes layered with paint splatters. A portion of the artwork extends beyond the frame, implying what we are seeing is a small snapshot of more→what appears to be a whimsical world filled with colorful orbs bouncing about in space. Color: Multicolor.
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The NW Art Orbe Aura III is a bright and eye-catching piece featuring colored ovals floating in space. Each orb is filled with a solid color yet also has contrasting swirls and splatters that uplift t more→he simple shape. The background is in an off-white, allowing the bright colorful shapes to come forward visually. Color: Multicolor.
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The NW Art Black and White Palms I is a fine art photographic print superimposing on a tropical plant. From the stark contrast of the white background to the way the light highlights the individual le more→aves, it reads almost metallic with silver hues. Open to interpretation, this piece can also be viewed as an abstract with repeated shapes in an array of grey tones. Color: Grey.
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River Worn II, by Grace Popp, depicts smooth stones that are just perfect for skipping rocks. Nine pebbles shaped by river currents are laid out in a nice grid, each portraying different lines and tex more→tures that have individually shaped them over time. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Metallics.
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Get a closer look on life with the Cellular Division I by NW Art. This piece features a minimalist interpretation of the complicated and oftentimes mysterious process of cells division, where four cel more→ls with distinct properties have nearly split, but not quite. A thought-provoking addition to a variety of settings including living rooms, bedrooms, and offices. Color: Metallics.
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Cellular Division II, by June Erica Vess, is a minimalistic image that gives us a rare glimpse into a microscopic process. The four ovals interact and overlap to create new instances of pattern, yet w more→ith each replication, the color palette remains subtle and without high contrast. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Metallics.
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The NW Art Orbe Aura II presents a composition of colorful egg-shaped forms, against an off white background. The smooth round shapes are complemented with energetic paint splatters, providing an intr more→iguing juxtaposition. Amusing and fun, this abstract piece will add a friendly air to any room it graces. Color: Multicolor.
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The NW Art Orbe Aura IV is like a view into another world where floating colorful shapes are the norm. This abstract piece features ovals in all different colors and tones, some solid and opaque while more→the others are multi colored with energetic splatters. The shapes extend beyond the border of the piece, implying that this work is a small window into another realm of whimsical shapes and colors. Color: Multicolor.
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River Worn I, by Grace Popp, depicts smooth stones that are just perfect for skipping rocks. Nine pebbles shaped by river currents are laid out in a nice grid, each portraying different lines and text more→ures that have individually shaped them over time. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Grey.
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Elliptical 6, by Greg Gioiosa, is an abstract vision of floating ellipses and orbs set against irregular brush strokes. The way the geometric shapes float against the composition have an almost Magrit more→te-like quality about them, and seem to exist separately from the background as if in suspended animation. This exclusive fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally printed by the artist. Color: Multicolor.
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