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A grid of gradient blues…that’s the Watercolor Bleed Pattern II by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern III by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary a more→long each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern IV by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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Giver, by Mike Aono Boyd, immediately evokes the feeling of a metaphorical image, but it is up to the viewer to decide just what that metaphor is. Is the large orb in the foreground the moon? Or is it more→an egg about to hatch as an allegory of life? This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Black.
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The NW Art Silk Ink V depicts a soft shape in a deep opaque black, against an off white background and black border. Either resembling a gauzy cloth, smoke cloud or mist over a dark pond, the energeti more→c shape and movement of the subject matter provokes a profound emotion, as varied as that may be. Color: Black.
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Put your hand over your left eye and read lines one through five. Now, put your hand over your right eye and read lines six through eleven. Clearly, you can read, but do you feel inspired? That’s exac more→tly how you should feel with the Eye Chart I by NW Art. This contemporary piece showcases our most treasured virtues and concepts in bold, gritty letters that run down the canvas like an old fashioned eye-test. In this way, we are reminded to check our sight as well as our principles on a regular basis. Color: White.
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Lithography I is a print of an original black and white photograph by Tang Ling. Taken with a shallow depth of field, beautiful words engulf the entire frame—some in focus and some fading on the edges more→. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Hazed Honeycomb II by Grace Popp is a bright snapshot of geometric goodness. The colorful honeycomb image is an almost perfect mirror image of Hazed Honeycomb I, and has a similar color scheme with co more→ol tones ranging from green to blue. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Inked Orbs I, by Niki Galapon is the perfect addition to any modern-themed interior. This print is a colorful mishmash of overlapping ovals and circles, blending each shade with tones of transparency more→and opaqueness. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Broadway Horizon II presents a cityscape in a monotone color pallet with a splash of contrasting red. The unique texture has a painterly quality to it, making the brushstrokes visible that more→adds a genuine fine art quality. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The Les Vertiges by NW Art offers a dizzying display of architectural symmetry and detailing. This piece features a unique perspective of Paris' crown jewel, the Eiffel Tower, where it is unclear whet more→her you are viewing it from above or below. The black and white coloring adds depth to the concentric geometric shapes and lines, giving the image a gritty urban edge that is hard to look away from. Color: Grey.
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How good is your eyesight? Don’t strain your eyes too much, but the message Eye Chart II by Andrea James is worth reading into: “Grow. Vision. Change. Passion. Respect. Destiny. Celebrate. Discover. I more→ntegrity. Commitment. Opportunity.” This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art Vertices II is a striking and energetic piece featuring many straight lines that criss-cross each other, forming a web of sorts. The dark background contrasts against the thin and thick whi more→te lines, the subtle texture in the background truly making the clean lines pop. Color: Grey.
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San Francisco Signs II by Sisa Jasper is a densely populated collage of street signs, giving the feeling of discovering a new city. The composition feels dynamic with the positioning of the signs and more→the multi-colored palette that defines it. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art Stamped Triangles I is a friendly abstract piece featuring layers of the three-sided geometric shape. A compelling take on the depiction of depth in a 2D image, the larger white shapes are more→pushed to the background while the colorful triangles are brought forward, giving the illusion of 3D space. Color: Multicolor.
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Tangerine I, by Naomi McCavvit, is a sweet, summery print that blends burned tones of coral and orange. This soft and painterly image is printed with inkjet printers using pigment-based archival inks, more→and is available with a variety of framed (and unframed) options. Color: Pink.
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San Francisco Signs I by Sisa Jasper is an abstract montage of street signs and intersections, recreating the feeling of getting acquainted with a new city. Perhaps you feel overwhelmed by the newness more→, or maybe you feel nostalgic of your hometown...all you have to do is follow the signs. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Hazed Honeycomb II by Grace Popp is geometric goodness in bright form. The color-scheme of this honeycomb has cool tones ranging from lime green to pale blue and forest green. This fine-art full color more→giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Urban Grid II features a collage and layering motif with an array of blues, oranges, browns and greys. This piece can read as either an aerial view of a city or a view of a single building more→made up of many different materials and colors. Perhaps a play on the uniformity of city buildings, this one in particular offers a variety of colors and textures to look at; contrary to most cityscapes. Color: Multicolor.
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Inked Orbs II, by Niki Galapon is the perfect addition to any modern-themed interior. This print is a colorful mishmash of overlapping ovals and circles, blending each shade with tones of transparency more→and opaqueness. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art Without Leaves is a fine art photographic print with a somber aesthetic. The twisted tree in the center is one without any leaves, the dark silhouette having a somewhat spooky and mysteriou more→s ambiance. The fog in the rolling hills in the background depicts a cold weather atmosphere, with grey clouds above that look ripe for some rain. Color: Grey.
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It may surround us, but sometimes it takes a bird’s-eye-view to appreciate the beauty and complexity of the landscape around us. Elevated II by Grace Popp takes to the skies to map out the rivers, roa more→ds and property lines that trace rural landscapes. The color scheme is on the cooler end of the spectrum, featuring a range of deep greens and light blues to make up this composition. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Green.
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It’s as if you are standing beneath the Gateway Arch yourself. Sky Sculpture II, originally photographed by Tang Ling, gives us a first-person view of the famous landmark in St. Louis, and makes it al more→l the more dramatic in black and white. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The Magic Hour II by Jodi Fuchs captures that time of day when the world seems filled with saturated color. The painting is a blend of vibrant oranges and deeper tones of blue and green. This fine art more→print is a companion piece to The Magic Hour I, and the two would pair nicely together in a diptych-type wall composition. This full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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