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The NW Art Structural Details IV features the iconic columns found commonly in architecture throughout ancient Greece. The style known as the Doric order is depicted in this photographic print, which more→is one of the simplest varieties. Although uncomplicated, the use of repetition combined with the beams of light on the columns makes this piece an instant classic and will uplift a number of spaces with a timeless aesthetic. Color: White.
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The Magic Hour II by Jodi Fuchs captures that time of day when the world seems filled with saturated color. The painting is a blend of vibrant oranges and deeper tones of blue and green. This fine art more→print is a companion piece to The Magic Hour I, and the two would pair nicely together in a diptych-type wall composition. This full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Metallics.
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San Francisco Signs II by Sisa Jasper is a densely populated collage of street signs, giving the feeling of discovering a new city. The composition feels dynamic with the positioning of the signs and more→the multi-colored palette that defines it. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Metallics.
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The NW Art Vertices II is a striking and energetic piece featuring many straight lines that criss-cross each other, forming a web of sorts. The dark background contrasts against the thin and thick whi more→te lines, the subtle texture in the background truly making the clean lines pop. Color: Grey.
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Hazed Honeycomb II by Grace Popp is geometric goodness in bright form. The color-scheme of this honeycomb has cool tones ranging from lime green to pale blue and forest green. This fine-art full color more→giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Stamped Triangles I is a friendly abstract piece featuring layers of the three-sided geometric shape. A compelling take on the depiction of depth in a 2D image, the larger white shapes are more→pushed to the background while the colorful triangles are brought forward, giving the illusion of 3D space. Color: Multicolor.
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San Francisco Signs I by Sisa Jasper is an abstract montage of street signs and intersections, recreating the feeling of getting acquainted with a new city. Perhaps you feel overwhelmed by the newness more→, or maybe you feel nostalgic of your hometown...all you have to do is follow the signs. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The Magic Hour I by Jodi Fuchs blends the lines between the sky and earth, capturing that time of day when the world seems filled with saturated color. The painting starts with vibrant oranges, and as more→it descends, changes to deeper tones of blue and green. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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A lovely cityscape in blue. Broadway Horizon I by Vanna Lam gives a painterly texture to towering skyscrapers, making this view of a concrete jungle a peaceful one. This fine-art full color giclee is more→printed with inkjet printers using pigment-based archival inks. Color: Blue.
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Whether you like warm sunsets, subtle brushstrokes, or the color orange, the Tangerine II by NW Art is the ideal decorative art piece for your interior décor. Available in a variety of frame colors, m more→aterials (including paper, canvas, and chromaprint), and sizes, this painting is sure to blend beautifully wherever a splash of color is needed. Color: Orange.
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The NW Art Urban Grid I depicts a multi-color array of rectangles and squares that resembles windows in a large city building. A geometric interpretation of the tried and true collage, each 'floor' in more→the building is in its very own color with complementing windows. Possibly a play on the idea of large uniform buildings, this building in particular features a different external personality for each unit. Color: Multicolor.
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It’s as if you are standing beneath the Gateway Arch yourself. Sky Sculpture II, originally photographed by Tang Ling, gives us a first-person view of the famous landmark in St. Louis, and makes it al more→l the more dramatic in black and white. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Inked Orbs III, by Niki Galapon is a modern abstraction of colorful ovals and circles. As each shape overlaps the other, the result is a blend of transparency and opaqueness perfect for any modern-the more→med interior. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Metallics.
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Lithography I is a print of an original black and white photograph by Tang Ling. Taken with a shallow depth of field, beautiful words engulf the entire frame—some in focus and some fading on the edges more→. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Grey Slate III, by Nikki Galapon, is a study in grayscale laid out in a nice grid. Pools of light to dark greys are layered together to create depth, even with the absence of color. This fine-art gicl more→ee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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For those who don’t have the time or the means to take a nice long stroll in Manhattan, Reflections of NYC I by NW Art can be a refreshing alternative. This piece focuses in on an iconic corner buildi more→ng that commonly towers over the streets of New York. The image’s high level of detail as well as its artistic use of black and white coloring brings a mesmerizing urban aesthetic to your interior décor no matter where you live. Color: Grey.
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It may surround us, but sometimes it takes a bird’s-eye-view to appreciate the beauty and complexity of the landscape around us. Elevated II by Grace Popp takes to the skies to map out the rivers, roa more→ds and property lines that trace rural landscapes. The color scheme is on the cooler end of the spectrum, featuring a range of deep greens and light blues to make up this composition. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Green.
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The NW Art Vertices I is a modern and abstract piece with white lines against a grey background. The complex array of thin and thick lines topped with small circles is quite intriguing, especially cou more→pled with a contrasting background with a subtle texture. Intelligent and nearly mathematic, this piece nearly reads like a star constellation in a dark night sky. Color: Grey.
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Inked Orbs I, by Niki Galapon is the perfect addition to any modern-themed interior. This print is a colorful mishmash of overlapping ovals and circles, blending each shade with tones of transparency more→and opaqueness. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Broadway Horizon II presents a cityscape in a monotone color pallet with a splash of contrasting red. The unique texture has a painterly quality to it, making the brushstrokes visible that more→adds a genuine fine art quality. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Stamped Triangles II takes a simple shape and turns it into fine art. The layers and calming color pallet against a grey background has a friendly and peaceful vibe, making this piece appro more→priate for a multitude of spaces from a living room to a child's bedroom. Color: Multicolor.
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Elliptical 6, by Greg Gioiosa, is an abstract vision of floating ellipses and orbs set against irregular brush strokes. The way the geometric shapes float against the composition have an almost Magrit more→te-like quality about them, and seem to exist separately from the background as if in suspended animation. This exclusive fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally printed by the artist. Color: Multicolor.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern II by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern III by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary a more→long each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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