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Dispersed 1 by Robert Moya features a grid of textured squares made of acrylic paint. Each piece in the collage is first made by layering thick layers of the paint, then cut out and applied to the gre more→yish background. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. As an exclusive to Lumens, this print is also digitally signed by the artist. Color: Metallics.
283.14Buy!
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Dispersed 1 by Robert Moya features a grid of textured squares made of acrylic paint. Each piece in the collage is first made by layering thick layers of the paint, then cut out and applied to the gre more→yish background. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. As an exclusive to Lumens, this print is also digitally signed by the artist. Color: Wood tones.
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Complex and compelling, the NW Art Stagger Start III is a technical abstract piece with a muted color pallet. Created by Jennifer Goldberger, she is known for her drawing abilities that have a mechani more→cal vibe which adds a certain sophistication to basic shapes and lines. Resembling a weave or perhaps barcodes, the collection of thick and thin white lines all function as separate elements yet come together to make one uniform design. Color: Grey.
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Architectural Heights by Ethan Harper is a tribute to the timeline of manmade achievements. Each building represents the strides in structural engineering over the years, finally ending with the Burj more→Khalifa in Dubai in 2010. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Grey.
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Known for her technical drawing abilities, The NW Art Stagger Start IV by Jennifer Goldberger portrays a simple idea with a soft color pallet. The collection of thick and thin white lines resemble bar more→codes and are grouped together to make a single shape. The negative space between the lines take on their own shapes as well, providing a contrast and mimicking the repeated rectangles. Color: Grey.
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Elliptical 6, by Greg Gioiosa, is an abstract vision of floating ellipses and orbs set against irregular brush strokes. The way the geometric shapes float against the composition have an almost Magrit more→te-like quality about them, and seem to exist separately from the background as if in suspended animation. This exclusive fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally printed by the artist. Color: Multicolor.
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Stippled with a variety of bright colors, Go As Far As You Can by Mika Aono Boyd traces a beautifully scattered pattern throughout its rectangular perimeter. The image is surrounded with a cream borde more→r, and when paired with a white matte (framed paper only), the image becomes a solitary presence inside the frame. This full color fine art giclee is also available as a canvas (either unframed or with a floater frame) and chromaprint (no frame), and is digitally signed by the artist. Color: Metallics.
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Tree Ring Abstract II by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we rar more→ely get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black. Additional Color: Black and White.
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Tree Ring Abstract IV by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we rar more→ely get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Tree Ring Abstract I by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we rare more→ly get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Tree Ring Abstract III by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we ra more→rely get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black. Additional Color: Black and White.
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Marquise II, by Grace Popp, is a charcoal-toned image that depicts white geometric shapes against a dark background. The shapes are subtle, yet add geometric depth to the two-dimensional surface. This more→fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Metallics.
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An homage to a time when film cameras were not vintage relics, the NW Art Camera Collection I features the classic Brownie camera framed in a stylish vignette. Introduced in 1957, this simple twin len more→s reflex camera was instantly popular and was able to shoot both color and black and white photos. Self referencing of course, one can't help but wonder what type of modern digital camera was used to shoot this keepsake. Color: Multicolor.
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The NW Art Molecular Motion II is an abstract piece yet upon further inspection the image of a deconstructed molecule comes to mind. Like chemistry as seen through an artist's eyes, the layering of sh more→apes and lines with different colors makes this a compelling piece with whimsical flair. Color: Multicolor.
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Marquise I, by Grace Popp, has the charcoal tone of a chalkboard, and even depicts its subject as if drawn on one. Diamond shapes pop against the dark background in white, adding a nice geometric dept more→h to the two-dimensional surface. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Molecular Motion IV is like a combination of fine art and chemistry. The elongated shapes and thin lines are evocative of a molecular structure, although with an abstract and colorful spin. more→Against an off-white background, the thin lines split the round shapes into sections, with each painted a different color. Color: Multicolor.
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Gradient Indigo I by Nikki Galapon features a grid of miniature greyscale portraits. They each have their own trajectory from dark to light, creating larger composition that is full of depth and contr more→ast. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Metallics.
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Remembering back to a simpler time, the NW Art Camera Collection II features the classic Kodak Brownie camera in all it's glory. The boxy plastic body with script letting on the front reads quaint by more→today's standards, where large and monochromatic DSLRs are commonplace. The film camera is centered with a vignetting, which frames this vintage item nicely with dark feathered edges. Color: Multicolor.
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The NW Art Modular Tiles II is an abstract and graphic piece featuring tones of greens and blues in interlocking layers. Ideal for adding a bold pop of color to any space, or for the more adventurous more→art collectors who appreciate a daring color scheme combined with softened geometric shapes. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Green.
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Modular Tiles I by James Burghardt is a kaleidoscope of yellow tones in generous interlocking layers. This is a great piece to add if a space needs a pop of color, or if you need art to match an exist more→ing color scheme for your home’s interior. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Brown.
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The NW Art Modular Tiles III delivers a lot of color with rounded geometric shapes in intriguing layers. Although a relatively simple concept, the repetition and layering makes it complex and fun to l more→ook at - the viewer always discovering something new. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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Peacock Trilogy II, by June Erica Vess, displays the graphic beauty of three peacock feathers. This up-close view is quite abstract, and paired with a rich chocolate color palette, works to highlight more→the various colors in the plumage. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Metallics.
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The NW Art Modular Tiles IV is a graphic and modern piece that emphasizes different hues and softened shapes. The artist, James Burghardt comes from a background of graphic design and digital art, and more→is able to combine traditional ideas in a contemporary light. This piece depicts shades of pinks complemented with tones of brown in dozens of layered rectangles that plays with the idea of depth and space in a 2D image. Color: Pink.
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The NW Art Camera Collection IV portrays a classic of film photography, the Kodak Brownie Hawkeye. Widely popular in the 1950s, the black plastic Bakelite body, carrying handle and manual knobs all en more→compass a time before the popularity of digital cameras and the certain charming quality that is exclusive to the film medium. Color: Multicolor.
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