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A grid of gradient blues…that’s the Watercolor Bleed Pattern IV by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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Giver, by Mike Aono Boyd, immediately evokes the feeling of a metaphorical image, but it is up to the viewer to decide just what that metaphor is. Is the large orb in the foreground the moon? Or is it more→an egg about to hatch as an allegory of life? This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Black.
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For those who don’t have the time or the means to take a nice long stroll in Manhattan, Reflections of NYC I by NW Art can be a refreshing alternative. This piece focuses in on an iconic corner buildi more→ng that commonly towers over the streets of New York. The image’s high level of detail as well as its artistic use of black and white coloring brings a mesmerizing urban aesthetic to your interior décor no matter where you live. Color: Grey.
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In the Skies I, by Martin Henson, make us (the onlooker) the subject of a bird’s-eye-view. This print is of an original black and white photograph which depicts birds in flight, becoming dark silhouet more→tes against the brightness of the sky. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Hazed Honeycomb II by Grace Popp is geometric goodness in bright form. The color-scheme of this honeycomb has cool tones ranging from lime green to pale blue and forest green. This fine-art full color more→giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Shadow, by Martin Henson, takes a dramatic perspective on a manmade monument. This print is of an original black and white photograph, capturing how a stormy, yet light filled sky has created a broad more→stroke of shadow against the ocean. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Seen up-close like this, the structural foundation of a bridge feels like organized chaos—made especially more dramatic in black and white. Structural Details IX is a print is of an original photograp more→h by Jeff Pica, and is printed with inkjet printers using pigment-based archival inks. Color: Black.
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How good is your eyesight? Don’t strain your eyes too much, but the message Eye Chart II by Andrea James is worth reading into: “Grow. Vision. Change. Passion. Respect. Destiny. Celebrate. Discover. I more→ntegrity. Commitment. Opportunity.” This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Put your hand over your left eye and read lines one through five. Now, put your hand over your right eye and read lines six through eleven. Clearly, you can read, but do you feel inspired? That’s exac more→tly how you should feel with the Eye Chart I by NW Art. This contemporary piece showcases our most treasured virtues and concepts in bold, gritty letters that run down the canvas like an old fashioned eye-test. In this way, we are reminded to check our sight as well as our principles on a regular basis. Color: White.
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Grey Slate III, by Nikki Galapon, is a study in grayscale laid out in a nice grid. Pools of light to dark greys are layered together to create depth, even with the absence of color. This fine-art gicl more→ee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art Without Leaves is a fine art photographic print with a somber aesthetic. The twisted tree in the center is one without any leaves, the dark silhouette having a somewhat spooky and mysteriou more→s ambiance. The fog in the rolling hills in the background depicts a cold weather atmosphere, with grey clouds above that look ripe for some rain. Color: Grey.
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The NW Art Structural Details III is a print of an original photograph by Jeff Pica. Depicting classical Greek architecture in the Ionic order, the repeated columns showcase slender, fluted pillars wi more→th decorative scrolls on top. The black and white with tones of grey gives the print a dramatic edge, and illustrates how the classics are still relevant in modern times. Color: White.
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The NW Art Structural Details IV features the iconic columns found commonly in architecture throughout ancient Greece. The style known as the Doric order is depicted in this photographic print, which more→is one of the simplest varieties. Although uncomplicated, the use of repetition combined with the beams of light on the columns makes this piece an instant classic and will uplift a number of spaces with a timeless aesthetic. Color: White.
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The NW Art Black and White Palms I is a fine art photographic print superimposing on a tropical plant. From the stark contrast of the white background to the way the light highlights the individual le more→aves, it reads almost metallic with silver hues. Open to interpretation, this piece can also be viewed as an abstract with repeated shapes in an array of grey tones. Color: Grey.
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The NW Art Black and White Palms I is a fine art photographic print superimposing on a tropical plant. From the stark contrast of the white background to the way the light highlights the individual le more→aves, it reads almost metallic with silver hues. Open to interpretation, this piece can also be viewed as an abstract with repeated shapes in an array of grey tones. Color: Grey.
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Lifeline, by Mike Aono Boyd, is an exclusive print characterized by an abstract representation of human experience through the years. A loosely coiled, trailing line is punctuated with hollow or solid more→points, and is set against a light beige background. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. As an exclusive to Lumens, this print is also digitally signed by the artist. Color: Clear.
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Dandelion Garden I by Alicia Ludwig is the ghostly image of a dandelion against a solid black background. This sketch has a free form nature to the lines of the flower, seeming to blow in the wind as more→the seeds fly from the flower. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Dandelion Garden II by Alicia Ludwig is the ghostly image of a dandelion against a solid black background. This sketch has a freeform nature to the lines of the flower, seeming to blow in the wind as more→the seeds fly from the flower. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Dandelion Garden I by Alicia Ludwig is the ghostly image of a dandelion against a solid black background. This sketch has a free form nature to the lines of the flower, seeming to blow in the wind as more→the seeds fly from the flower. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Dandelion Garden II by Alicia Ludwig is the ghostly image of a dandelion against a solid black background. This sketch has a freeform nature to the lines of the flower, seeming to blow in the wind as more→the seeds fly from the flower. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Elliptical 6, by Greg Gioiosa, is an abstract vision of floating ellipses and orbs set against irregular brush strokes. The way the geometric shapes float against the composition have an almost Magrit more→te-like quality about them, and seem to exist separately from the background as if in suspended animation. This exclusive fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally printed by the artist. Color: Multicolor.
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The NW Art Meadow Light I features a calming pallet of greens and blues with repeated geometric shapes. The multicolored background has that watercolor-blended quality, while the bold shapes in front more→are more stark and opaque. The shapes in the foreground are connected with thin black lines, becoming one large shape set in front of what appears to be a stained glass window. Color: Green.
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The NW Art White Caps II is an interesting take on the collage concept. Cut-outs containing layers of whites and dark blues are all pulled together, like a cubist's interpretation of crashing waves in more→the ocean. From large cut-outs to small pieces, each individual part comes together to create one complete image. Color: Multicolor.
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The NW Art Meadow Light II features features a relaxing array of blues and greens with simple geometric shapes layered in the foreground. The watercolor-esque background is contrasted against bold sha more→pes drawn with thin black lines and filled with a nearly opaque off-white. Color: Green.
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