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The NW Art Design for a Chapel presents an elaborate and highly detailed drawing of a place of worship from the 18th century. Two sketches are shown, one of the outside with Greek style columns and st more→aircase and the other exhibiting the beautiful engravings on the inside. The Baroque-style decoration and elaborate sculptures showcase a true dedication to the traditional style that is still used as inspiration and reference in architecture today. Color: White.
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Perfectly abstract with some cubist tendencies, Grey Sunshine I by Sharon Chandler is a modern artist’s dream. The scene is set with the eponymous grey background, then in the foreground jagged figure more→s in pink and coral or supported with a floating green orb. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Pink.
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The NW Art Peacock Be-bop II provides an intriguing close-up of the beautiful bird it is named after. Like taking a single feather and looking at it under a microscope, the shapes and array of blues a more→nd greens combined with the brown provide an intriguing contrast that reads both abstract and realistic. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Peacock Be-Bop I, by June Erica Vess, displays the graphic beauty of a peacock’s blueish plumage. Viewed this close, the feathers become an abstract image with a calming light blue and lime green colo more→r palette. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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Marquise II, by Grace Popp, is a charcoal-toned image that depicts white geometric shapes against a dark background. The shapes are subtle, yet add geometric depth to the two-dimensional surface. This more→fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art Camera Collection III has notes of nostalgia of a simpler time, before digital cameras were the norm. Known as the Kodak Tourist, this obsolete item features bellows, a small viewfinder wit more→h plastic lens and manual knobs and buttons. Film cameras are coming back in fashion perhaps ironically, or perhaps to relive the days of analog technology. Either way they have a certain quaint quality that is captivating and charming. Color: Multicolor.
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Marquise I, by Grace Popp, has the charcoal tone of a chalkboard, and even depicts its subject as if drawn on one. Diamond shapes pop against the dark background in white, adding a nice geometric dept more→h to the two-dimensional surface. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Modular Tiles II is an abstract and graphic piece featuring tones of greens and blues in interlocking layers. Ideal for adding a bold pop of color to any space, or for the more adventurous more→art collectors who appreciate a daring color scheme combined with softened geometric shapes. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Green.
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Modular Tiles I by James Burghardt is a kaleidoscope of yellow tones in generous interlocking layers. This is a great piece to add if a space needs a pop of color, or if you need art to match an exist more→ing color scheme for your home’s interior. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Brown.
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The NW Art Modular Tiles III delivers a lot of color with rounded geometric shapes in intriguing layers. Although a relatively simple concept, the repetition and layering makes it complex and fun to l more→ook at - the viewer always discovering something new. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Modular Tiles IV is a graphic and modern piece that emphasizes different hues and softened shapes. The artist, James Burghardt comes from a background of graphic design and digital art, and more→is able to combine traditional ideas in a contemporary light. This piece depicts shades of pinks complemented with tones of brown in dozens of layered rectangles that plays with the idea of depth and space in a 2D image. Color: Pink.
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The NW Art Nautilus Twin I features a marine mollusk in a form rarely seen. The large shiny shell stands in front of an inky black background, the grey tones hinting at silvers and pure whites. An int more→eresting take on the beauty of seashells, this photographic print gives a detailed and full view of a part of nature one might only run into momentarily on the coast. Color: Black.
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An homage to a time when film cameras were not vintage relics, the NW Art Camera Collection I features the classic Brownie camera framed in a stylish vignette. Introduced in 1957, this simple twin len more→s reflex camera was instantly popular and was able to shoot both color and black and white photos. Self referencing of course, one can't help but wonder what type of modern digital camera was used to shoot this keepsake. Color: Multicolor.
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Remembering back to a simpler time, the NW Art Camera Collection II features the classic Kodak Brownie camera in all it's glory. The boxy plastic body with script letting on the front reads quaint by more→today's standards, where large and monochromatic DSLRs are commonplace. The film camera is centered with a vignetting, which frames this vintage item nicely with dark feathered edges. Color: Multicolor.
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The NW Art Camera Collection IV portrays a classic of film photography, the Kodak Brownie Hawkeye. Widely popular in the 1950s, the black plastic Bakelite body, carrying handle and manual knobs all en more→compass a time before the popularity of digital cameras and the certain charming quality that is exclusive to the film medium. Color: Multicolor.
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The NW Art City Map I appears like an abstract painting yet the title of the work changes the context. Like a view of a city from above, the square-shaped blotches of paint paired with straight lines more→reads like buildings and streets, although viewing it as an abstract is appropriate too. Color: Multicolor.
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An interesting take on a cityscape, The NW Art City Map I appears like an abstract painting yet the title of the work changes the context. A series of white and colored squares are set in front of pai more→nted vertical lines, the dynamic and energetic presence of the piece evocative of the hustle and bustle of a busy city. Color: Multicolor.
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The NW Art White Caps II is an interesting take on the collage concept. Cut-outs containing layers of whites and dark blues are all pulled together, like a cubist's interpretation of crashing waves in more→the ocean. From large cut-outs to small pieces, each individual part comes together to create one complete image. Color: Multicolor.
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The NW Art Meadow Light II features features a relaxing array of blues and greens with simple geometric shapes layered in the foreground. The watercolor-esque background is contrasted against bold sha more→pes drawn with thin black lines and filled with a nearly opaque off-white. Color: Green.
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The NW Art White Caps I features bold cut outs of blues and whites arranged in a compelling collage. Either a dark blue ocean with cresting waves or a snow covered mountain in the dark of night, the f more→inal interpretation is open to the viewer. Color: Multicolor.
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The NW Art Meadow Light I features a calming pallet of greens and blues with repeated geometric shapes. The multicolored background has that watercolor-blended quality, while the bold shapes in front more→are more stark and opaque. The shapes in the foreground are connected with thin black lines, becoming one large shape set in front of what appears to be a stained glass window. Color: Green.
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Mid-century modern character emerges through the textured vision of Navi Canvas Art from Renwil. Abstract hand-painted navy textures accented by gold foil create layered, serene depth. Framed in warm, more→dark brown wood, the cotton canvas balances arresting embellishments with calm curves, lending artisanal intrigue and contemporary directness to indoor walls. Shape: Rectangular. Additional Color: Dark Brown.
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Modern Crush II is a print of an original painting by Jodi Fuchs, displaying an abstract collage of vibrant colors. The imperfection is the most compelling part of this image, where even the splatters more→of color are left on the background. This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Multicolor.
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Modern Crush II is a print of an original painting by Jodi Fuchs, displaying an abstract collage of vibrant colors. The imperfection is the most compelling part of this image, where even the splatters more→of color are left on the background. This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Multicolor.
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