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Silk Ink IV by Tang Ling features a dramatic splash of black ink across a beige background, evoking a strong emotional feeling with dynamic fervor. The solitary subject is dark and thought-provoking, more→sure to capture any viewer in a deeply personal way. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art Silk Ink V depicts a soft shape in a deep opaque black, against an off white background and black border. Either resembling a gauzy cloth, smoke cloud or mist over a dark pond, the energeti more→c shape and movement of the subject matter provokes a profound emotion, as varied as that may be. Color: Black.
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Modern Crush I is a print of an original painting by Jodi Fuchs, debuting an abstract explosion of color. The imperfection is the most compelling part of this image, where even the splatters of color more→are left on the background. This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Multicolor.
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Modern Crush II is a print of an original painting by Jodi Fuchs, displaying an abstract collage of vibrant colors. The imperfection is the most compelling part of this image, where even the splatters more→of color are left on the background. This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Multicolor.
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Modern Crush II is a print of an original painting by Jodi Fuchs, displaying an abstract collage of vibrant colors. The imperfection is the most compelling part of this image, where even the splatters more→of color are left on the background. This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Multicolor.
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Modern Crush I is a print of an original painting by Jodi Fuchs, debuting an abstract explosion of color. The imperfection is the most compelling part of this image, where even the splatters of color more→are left on the background. This fine-art giclee is printed with inkjet printers using pigment-based archival inks and is digitally signed by the artist. Color: Multicolor.
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The Les Vertiges by NW Art offers a dizzying display of architectural symmetry and detailing. This piece features a unique perspective of Paris' crown jewel, the Eiffel Tower, where it is unclear whet more→her you are viewing it from above or below. The black and white coloring adds depth to the concentric geometric shapes and lines, giving the image a gritty urban edge that is hard to look away from. Color: Grey.
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The NW Art Stamped Triangles II takes a simple shape and turns it into fine art. The layers and calming color pallet against a grey background has a friendly and peaceful vibe, making this piece appro more→priate for a multitude of spaces from a living room to a child's bedroom. Color: Multicolor.
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The NW Art Urban Grid II features a collage and layering motif with an array of blues, oranges, browns and greys. This piece can read as either an aerial view of a city or a view of a single building more→made up of many different materials and colors. Perhaps a play on the uniformity of city buildings, this one in particular offers a variety of colors and textures to look at; contrary to most cityscapes. Color: Multicolor.
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The NW Art Stamped Triangles I is a friendly abstract piece featuring layers of the three-sided geometric shape. A compelling take on the depiction of depth in a 2D image, the larger white shapes are more→pushed to the background while the colorful triangles are brought forward, giving the illusion of 3D space. Color: Multicolor.
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The NW Art Urban Grid I depicts a multi-color array of rectangles and squares that resembles windows in a large city building. A geometric interpretation of the tried and true collage, each 'floor' in more→the building is in its very own color with complementing windows. Possibly a play on the idea of large uniform buildings, this building in particular features a different external personality for each unit. Color: Multicolor.
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The NW Art White Caps II is an interesting take on the collage concept. Cut-outs containing layers of whites and dark blues are all pulled together, like a cubist's interpretation of crashing waves in more→the ocean. From large cut-outs to small pieces, each individual part comes together to create one complete image. Color: Multicolor.
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The NW Art Meadow Light I features a calming pallet of greens and blues with repeated geometric shapes. The multicolored background has that watercolor-blended quality, while the bold shapes in front more→are more stark and opaque. The shapes in the foreground are connected with thin black lines, becoming one large shape set in front of what appears to be a stained glass window. Color: Green.
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The NW Art White Caps I features bold cut outs of blues and whites arranged in a compelling collage. Either a dark blue ocean with cresting waves or a snow covered mountain in the dark of night, the f more→inal interpretation is open to the viewer. Color: Multicolor.
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The NW Art Meadow Light II features features a relaxing array of blues and greens with simple geometric shapes layered in the foreground. The watercolor-esque background is contrasted against bold sha more→pes drawn with thin black lines and filled with a nearly opaque off-white. Color: Green.
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Stippled with a variety of bright colors, Go As Far As You Can by Mika Aono Boyd traces a beautifully scattered pattern throughout its rectangular perimeter. The image is surrounded with a cream borde more→r, and when paired with a white matte (framed paper only), the image becomes a solitary presence inside the frame. This full color fine art giclee is also available as a canvas (either unframed or with a floater frame) and chromaprint (no frame), and is digitally signed by the artist. Color: White.
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Summer Series by Robert Moya pops with burned tones and abstract shapes against a muted grey background. In the original painting, the meandering river of shapes is created with thick layers of acryli more→c that are cut out and arranged on a separate two-dimensional surface. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. The print is digitally signed by the artist. Color: Multicolor.
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For those who are partial to abstract expressionism, the Grey Sunshine II will fit the bill. The combination of a subdued grey background with bright colors strikes an intriguing juxtaposition, and th more→e semi transparent green orb gives a sense of depth. Modern and minimal, transform any space with a contemporary-chic piece of artwork. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Mod Geometry II, by Jarman Fagalde, pops with colorful hexagonal shapes, expressing a simple mid-century modern motif against a soft background. This color palette features ochre, black, turquoise and more→salmon pink, and the background has a hatched appearance like linen. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Whether hung as an homage to 18th century architecture or, perhaps, a plan for future accommodations, the NW Art Plan for a Mansion by J. Wilkes provides that rustic decorative presence that can enhan more→ce an entire living space. True to its name, this piece lays out blueprints of a mansion planned for construction in the Revolutionary era. The subtle detailing, listed dimensions, and elegant penmanship blend beautifully together, bringing an authenticity to this captivating work of art. Color: Beige.
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Bring the beauty and mystique of ancient architecture home with the NW Art Greek & Roman Architecture VIII by Thomas Kelly. This rustic piece features four distinct sketches of Grecian and Roman colum more→ns and archways, including an elaborate leaf and floral patterns that positively blooms from each image. These sketches along with the detailed measurements and labeling brings an unmistakable authenticity to this display, inviting yourself as well as others to stop and enjoy the scenery. Color: Beige.
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The Bridges of NYC I by NW Art offers a stunning perspective of the heart of New York City through the wires and beams of the Brooklyn Bridge. The black and white coloring wonderfully enhances the con more→trast between light and shadow, architecture and open space, creating a dramatic, gritty display that practically takes you there. Color: Grey.
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The NW Art Plan for a Chapel depicts the classical blueprint for a traditional building of worship. J. Wilkes is widely known for his technical abilities and this piece boasts perfect right angles, da more→shed lines and geometric shapes. All these elements combined with the calligraphy style penmanship make a pleasing work of art that will uplift a variety of spaces with a time-honored style. Color: White.
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The NW Art Poetry II is a dramatic fine art photograph depicting an organic form in tones of grays with a deep black background. Either a pile of flower petals or smokey portal to another realm, the i more→nterpretation is left up to the viewer. Color: Black.
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