Paintings

NW Art Orbe Aura I - Color: Multicolor - Size: 20" x 20" - 92657Z-21 92657

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The NW Art Orbe Aura IV is like a view into another world where floating colorful shapes are the norm. This abstract piece features ovals in all different colors and tones, some solid and opaque while more→the others are multi colored with energetic splatters. The shapes extend beyond the border of the piece, implying that this work is a small window into another realm of whimsical shapes and colors. Color: Multicolor.

NW Art Orbe Aura III - Color: Multicolor - Size: 20" x 20" - 92659Z-21 926

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The NW Art Orbe Aura I is an abstract piece featuring colored shapes layered with paint splatters. A portion of the artwork extends beyond the frame, implying what we are seeing is a small snapshot of more→what appears to be a whimsical world filled with colorful orbs bouncing about in space. Color: Multicolor.

NW Art Black and White Palms I - Color: Grey - Size: 20" x 20" - 56802Z-18

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The NW Art Orbe Aura III is a bright and eye-catching piece featuring colored ovals floating in space. Each orb is filled with a solid color yet also has contrasting swirls and splatters that uplift t more→he simple shape. The background is in an off-white, allowing the bright colorful shapes to come forward visually. Color: Multicolor.

NW Art River Worn II - Color: Clear - Size: 20" x 20" - 152918Z-17 152918Z

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The NW Art Black and White Palms I is a fine art photographic print superimposing on a tropical plant. From the stark contrast of the white background to the way the light highlights the individual le more→aves, it reads almost metallic with silver hues. Open to interpretation, this piece can also be viewed as an abstract with repeated shapes in an array of grey tones. Color: Grey.

NW Art Cellular Division I - Color: Clear - Size: 20" x 20" - 153119Z-17 1

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River Worn II, by Grace Popp, depicts smooth stones that are just perfect for skipping rocks. Nine pebbles shaped by river currents are laid out in a nice grid, each portraying different lines and tex more→tures that have individually shaped them over time. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.

NW Art Cellular Division II - Color: Clear - Size: 20" x 20" - 153120Z-17

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Get a closer look on life with the Cellular Division I by NW Art. This piece features a minimalist interpretation of the complicated and oftentimes mysterious process of cells division, where four cel more→ls with distinct properties have nearly split, but not quite. A thought-provoking addition to a variety of settings including living rooms, bedrooms, and offices. Color: Clear.

NW Art Torn I - Color: Black - Size: 12" x 12" - Torn I-1 Torn I-1

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Cellular Division II, by June Erica Vess, is a minimalistic image that gives us a rare glimpse into a microscopic process. The four ovals interact and overlap to create new instances of pattern, yet w more→ith each replication, the color palette remains subtle and without high contrast. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.

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NW Art Colorlines I - Color: Clear - Size: 12" x 12" - Colorlines I-1 Colo

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Torn I is a print of an original work by Jodi Fuchs, featuring a stark, black and white image of dynamic hatch marks with a strong visual impact. This fine-art giclee is printed with inkjet printers u more→sing pigment-based archival inks and is digitally signed by the artist. Color: Black.

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NW Art San Francisco Signs II - Color: Clear - Size: 18" x 24" - 153164Z-1

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Colorlines I by Jodi Fuchs lays out a whole lot of color in serene horizontal lines. Without risking too much perfection, the colors appear in vertical strokes and slightly bleed together, creating ne more→w tonal mixtures throughout the composition. This full color fine art giclee is available as an unframed or framed paper print, a canvas print (either unframed or with a floater frame) and as a chromaprint (no frame), and is digitally signed by the artist. Color: Clear.

NW Art Urban Grid II - Color: Multicolor - Size: 18" x 24" - 85107FN-21 85

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San Francisco Signs II by Sisa Jasper is a densely populated collage of street signs, giving the feeling of discovering a new city. The composition feels dynamic with the positioning of the signs and more→the multi-colored palette that defines it. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.

NW Art San Francisco Signs I - Color: Multicolor - Size: 18" x 24" - 15316

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The NW Art Urban Grid II features a collage and layering motif with an array of blues, oranges, browns and greys. This piece can read as either an aerial view of a city or a view of a single building more→made up of many different materials and colors. Perhaps a play on the uniformity of city buildings, this one in particular offers a variety of colors and textures to look at; contrary to most cityscapes. Color: Multicolor.

NW Art Hazed Honeycomb II - Color: Multicolor - Size: 24" x 18" - 151471D-

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San Francisco Signs I by Sisa Jasper is an abstract montage of street signs and intersections, recreating the feeling of getting acquainted with a new city. Perhaps you feel overwhelmed by the newness more→, or maybe you feel nostalgic of your hometown...all you have to do is follow the signs. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.

NW Art The Magic Hour II - Color: Clear - Size: 24" x 18" - 152735GG-21 15

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Hazed Honeycomb II by Grace Popp is geometric goodness in bright form. The color-scheme of this honeycomb has cool tones ranging from lime green to pale blue and forest green. This fine-art full color more→giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.

NW Art Tangerine I - Color: Pink - Size: 24" x 18" - 153341GG-21 153341GG-

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The Magic Hour II by Jodi Fuchs captures that time of day when the world seems filled with saturated color. The painting is a blend of vibrant oranges and deeper tones of blue and green. This fine art more→print is a companion piece to The Magic Hour I, and the two would pair nicely together in a diptych-type wall composition. This full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.

NW Art Reflections of NYC I - Color: Grey - Size: 24" x 18" - 79364D-18 79

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Tangerine I, by Naomi McCavvit, is a sweet, summery print that blends burned tones of coral and orange. This soft and painterly image is printed with inkjet printers using pigment-based archival inks, more→and is available with a variety of framed (and unframed) options. Color: Pink.

NW Art Without Leaves - Color: Grey - Size: 24" x 18" - 110015D-18 110015D

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For those who don’t have the time or the means to take a nice long stroll in Manhattan, Reflections of NYC I by NW Art can be a refreshing alternative. This piece focuses in on an iconic corner buildi more→ng that commonly towers over the streets of New York. The image’s high level of detail as well as its artistic use of black and white coloring brings a mesmerizing urban aesthetic to your interior décor no matter where you live. Color: Grey.

NW Art Vertices I - Color: Grey - Size: 18" x 24" - 93611Z-21 93611Z-21

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The NW Art Without Leaves is a fine art photographic print with a somber aesthetic. The twisted tree in the center is one without any leaves, the dark silhouette having a somewhat spooky and mysteriou more→s ambiance. The fog in the rolling hills in the background depicts a cold weather atmosphere, with grey clouds above that look ripe for some rain. Color: Grey.

NW Art Stamped Triangles II - Color: Multicolor - Size: 18" x 24" - 98073Z

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The NW Art Vertices I is a modern and abstract piece with white lines against a grey background. The complex array of thin and thick lines topped with small circles is quite intriguing, especially cou more→pled with a contrasting background with a subtle texture. Intelligent and nearly mathematic, this piece nearly reads like a star constellation in a dark night sky. Color: Grey.

NW Art The Magic Hour I - Color: Multicolor - Size: 24" x 18" - 152734GG-2

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The NW Art Stamped Triangles II takes a simple shape and turns it into fine art. The layers and calming color pallet against a grey background has a friendly and peaceful vibe, making this piece appro more→priate for a multitude of spaces from a living room to a child's bedroom. Color: Multicolor.

NW Art Elevated I - Color: Green - Size: 24" x 18" - 154839Z-13 154839Z-13

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The Magic Hour I by Jodi Fuchs blends the lines between the sky and earth, capturing that time of day when the world seems filled with saturated color. The painting starts with vibrant oranges, and as more→it descends, changes to deeper tones of blue and green. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.

NW Art Les Vertiges - Color: Grey - Size: 18" x 24" - 156253GG-21 156253GG

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It may surround us, but sometimes it takes a bird’s-eye-view to appreciate the beauty and complexity of the landscape around us. Elevated I by Grace Popp takes to the skies to map out the rivers, road more→s and property lines that trace rural landscapes. The color scheme is on the cooler end of the spectrum, featuring a range of deep greens and light blues to make up this composition. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Green.

NW Art Sky Sculpture II - Color: Black - Size: 24" x 18" - 76727D-18 76727

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The Les Vertiges by NW Art offers a dizzying display of architectural symmetry and detailing. This piece features a unique perspective of Paris' crown jewel, the Eiffel Tower, where it is unclear whet more→her you are viewing it from above or below. The black and white coloring adds depth to the concentric geometric shapes and lines, giving the image a gritty urban edge that is hard to look away from. Color: Grey.

NW Art Eye Chart I - Color: White - Size: 24" x 18" - 77660D-18 77660D-18

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It’s as if you are standing beneath the Gateway Arch yourself. Sky Sculpture II, originally photographed by Tang Ling, gives us a first-person view of the famous landmark in St. Louis, and makes it al more→l the more dramatic in black and white. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.