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The NW Art Woodland Motif IV combines a logical grid with naturally derived forms. A series of hand drawn leaves are arranged in neat rows, each having its own unique pattern. An interesting juxtaposi more→tion and concept in itself, the mixture of a mathematical grid with organic shapes found in nature. Color: Brown.
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The NW Art Woodland Motif I is a Modern Botanical piece with a series of leaves against a dark background. Each drawn leaf has its own unique pattern, true to their natural counterparts. Simple yet ca more→ptivating, hang this anywhere for that cozy Autumn feel all year round. Color: Brown.
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The NW Art Woodland Motif II combines a grid layout with nature-inspired shapes. Each hand drawn leaf has a subtle difference, true to their natural counterparts. The collection of earth tones with wa more→rm yellows and browns has a warm and cozy Autumn feel that is great for all year round. Color: Brown.
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The NW Art Woodland Motif III strikes an interesting juxtaposition with a strict grid layout featuring natural and organic elements. A series of fall leaves are arranged in perfect rows, each containi more→ng its own unique pattern. The collection of warm browns and yellows gives a crisp Autumn vibe, great for adding a fall air to any space all year round. Color: Brown.
278.01Buy!
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The NW Art Woodland Motif IV combines a logical grid with naturally derived forms. A series of hand drawn leaves are arranged in neat rows, each having its own unique pattern. An interesting juxtaposi more→tion and concept in itself, the mixture of a mathematical grid with organic shapes found in nature. Color: Brown.
278.01Buy!
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The NW Art Woodland Motif I is a Modern Botanical piece with a series of leaves against a dark background. Each drawn leaf has its own unique pattern, true to their natural counterparts. Simple yet ca more→ptivating, hang this anywhere for that cozy Autumn feel all year round. Color: Brown.
279.00Buy!
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Dispersed 1 by Robert Moya features a grid of textured squares made of acrylic paint. Each piece in the collage is first made by layering thick layers of the paint, then cut out and applied to the gre more→yish background. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. As an exclusive to Lumens, this print is also digitally signed by the artist. Color: Metallics.
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Stippled with a variety of bright colors, Go As Far As You Can by Mika Aono Boyd traces a beautifully scattered pattern throughout its rectangular perimeter. The image is surrounded with a cream borde more→r, and when paired with a white matte (framed paper only), the image becomes a solitary presence inside the frame. This full color fine art giclee is also available as a canvas (either unframed or with a floater frame) and chromaprint (no frame), and is digitally signed by the artist. Color: Black.
279.51Buy!
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Stippled with a variety of bright colors, Go As Far As You Can by Mika Aono Boyd traces a beautifully scattered pattern throughout its rectangular perimeter. The image is surrounded with a cream borde more→r, and when paired with a white matte (framed paper only), the image becomes a solitary presence inside the frame. This full color fine art giclee is also available as a canvas (either unframed or with a floater frame) and chromaprint (no frame), and is digitally signed by the artist. Color: White.
279.66Buy!
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Stippled with a variety of bright colors, Go As Far As You Can by Mika Aono Boyd traces a beautifully scattered pattern throughout its rectangular perimeter. The image is surrounded with a cream borde more→r, and when paired with a white matte (framed paper only), the image becomes a solitary presence inside the frame. This full color fine art giclee is also available as a canvas (either unframed or with a floater frame) and chromaprint (no frame), and is digitally signed by the artist. Color: Metallics.
279.93Buy!
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Torn I is a print of an original work by Jodi Fuchs, featuring a stark, black and white image of dynamic hatch marks with a strong visual impact. This fine-art giclee is printed with inkjet printers u more→sing pigment-based archival inks and is digitally signed by the artist. Color: Black.
280.59Buy!
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Tree Ring Abstract I by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we rare more→ly get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Tree Ring Abstract III by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we ra more→rely get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black. Additional Color: Black and White.
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Tree Ring Abstract II by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we rar more→ely get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black. Additional Color: Black and White.
280.59Buy!
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Tree Ring Abstract IV by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we rar more→ely get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
280.62Buy!
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Tree Ring Abstract III by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we ra more→rely get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black. Additional Color: Black and White.
280.62Buy!
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Tree Ring Abstract II by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we rar more→ely get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black. Additional Color: Black and White.
280.62Buy!
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Tree Ring Abstract IV by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we rar more→ely get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
280.62Buy!
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Tree Ring Abstract I by Ethan Harper, printed in black and white, is a snapshot of a tree’s thumbprint with instances of heavy and light brushstrokes. This abstract view of nature is something we rare more→ly get to see, and almost humanizes the cross-section of a tree with this emotional image. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
280.65Buy!
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The NW Art Molecular Motion I combines seemingly simple lines and shapes into a complex composition. The mixture of bright colors against the off white background truly makes the different tones pop, more→and the intelligent layout of the shapes allow the eye to travel all throughout the piece with ease. Color: Multicolor.
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The NW Art Molecular Motion III has an air of whimsy and imagination with multi-colored shapes and a layered look. Evocative of a molecular structure with an artistic spin, each section is painted in more→a different color which adds a certain complexity to this otherwise simple composition. Color: Multicolor.
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Gradient Indigo I by Nikki Galapon features a grid of miniature greyscale portraits. They each have their own trajectory from dark to light, creating larger composition that is full of depth and contr more→ast. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Metallics.
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An homage to a time when film cameras were not vintage relics, the NW Art Camera Collection I features the classic Brownie camera framed in a stylish vignette. Introduced in 1957, this simple twin len more→s reflex camera was instantly popular and was able to shoot both color and black and white photos. Self referencing of course, one can't help but wonder what type of modern digital camera was used to shoot this keepsake. Color: Multicolor.
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Remembering back to a simpler time, the NW Art Camera Collection II features the classic Kodak Brownie camera in all it's glory. The boxy plastic body with script letting on the front reads quaint by more→today's standards, where large and monochromatic DSLRs are commonplace. The film camera is centered with a vignetting, which frames this vintage item nicely with dark feathered edges. Color: Multicolor.
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