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The NW Art Modern Dance II features a mirrored image of converging lines that are exactly alike, save for the colors used. The flowing and converging lines depict dynamic movement, as well as two sepa more→rate color pallets merging into one. The deep colors truly pop against the subdued background, which features a very subtle texture. Color: Multicolor.
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The NW Art Modern Dance IV is a blend of traditional art concepts and modern ideas. Taking the infamous brush stroke with the help of software programs, two large fluid lines are pictured vertically, more→one in darker tones and the other in complementing neutrals. Either interpreted as an abstract or a group of dancers all dancing in unison, the final imagery is up to the viewer. Color: Multicolor.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern II by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern III by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary a more→long each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern IV by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary al more→ong each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Modern Dance I depicts a fluid shape that is symmetrical, except for the colors used. The majority of the color pallet used in this piece are evocative of skin tones, portraying a large gro more→up of people all dancing in unison. Like viewing a dance team through an artist's eyes, the abstract quality is engaging as well as open to interpretation. Color: Multicolor.
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The NW Art Modern Dance III features a flowing shape with colors that all seem to melt together. How the colors seamlessly blend along with the shape of the streaming lines depicts a sense of movement more→, evocative of a group of dancers all dancing in unison. The many different colors are reminiscent of the range of skin tones, portraying a sense of unity among a diverse group. Color: Multicolor.
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A grid of gradient blues…that’s the Watercolor Bleed Pattern I by Grace Popp. What is intriguing is that the grid is imperfect, just as the colors are imperfect and bleed together without boundary alo more→ng each line. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Retro Rhythm II presents a modern and minimal composition that is still eye catching and compelling. Something as common as a simple rainbow has been put into a whole new light and turned o more→n its head. The sharp curves and angles in the colorful lines give the piece a little edge, portraying the idea of a meteorological phenomenon through an artistic lens. Color: Multicolor.
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The NW Art Retro Rhythm III takes a meteorological phenomenon and translates it into a work of modern art. The multi-colored parallel lines take innovative turns and curves, evocative of a curvy road. more→The subdued background allows the array of colors to come to the forefront as well as complements the entire color spectrum. Color: Multicolor.
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The NW Art Retro Rhythm IV takes something found in nature and turns it into a work of fine art. Colorful lines evocative of a rainbow adorn a subdued background, the bright colors popping against the more→earth tone. The one twist are the abnormal and nearly whimsical turns and curves the lines take, which seem to go on to infinity. Color: Multicolor.
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Simple, yet compelling. The NW Art Retro Rhythm I by Vanna Lam features an array of colors in a unique way. Taking the idea of a rainbow and turning it on its head, the lines take deep curves and turn more→s, evocative of a road or freeway. The subdued grey background offers a great complement, allowing the bright colors to come to the forefront. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Retro Rhythm II presents a modern and minimal composition that is still eye catching and compelling. Something as common as a simple rainbow has been put into a whole new light and turned o more→n its head. The sharp curves and angles in the colorful lines give the piece a little edge, portraying the idea of a meteorological phenomenon through an artistic lens. Color: Multicolor.
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The NW Art Retro Rhythm III takes a meteorological phenomenon and translates it into a work of modern art. The multi-colored parallel lines take innovative turns and curves, evocative of a curvy road. more→The subdued background allows the array of colors to come to the forefront as well as complements the entire color spectrum. Color: Multicolor.
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The NW Art Retro Rhythm IV takes something found in nature and turns it into a work of fine art. Colorful lines evocative of a rainbow adorn a subdued background, the bright colors popping against the more→earth tone. The one twist are the abnormal and nearly whimsical turns and curves the lines take, which seem to go on to infinity. Color: Multicolor.
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Simple, yet compelling. The NW Art Retro Rhythm I by Vanna Lam features an array of colors in a unique way. Taking the idea of a rainbow and turning it on its head, the lines take deep curves and turn more→s, evocative of a road or freeway. The subdued grey background offers a great complement, allowing the bright colors to come to the forefront. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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In the Skies I, by Martin Henson, make us (the onlooker) the subject of a bird’s-eye-view. This print is of an original black and white photograph which depicts birds in flight, becoming dark silhouet more→tes against the brightness of the sky. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Hazed Honeycomb II by Grace Popp is geometric goodness in bright form. The color-scheme of this honeycomb has cool tones ranging from lime green to pale blue and forest green. This fine-art full color more→giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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For those who don’t have the time or the means to take a nice long stroll in Manhattan, Reflections of NYC I by NW Art can be a refreshing alternative. This piece focuses in on an iconic corner buildi more→ng that commonly towers over the streets of New York. The image’s high level of detail as well as its artistic use of black and white coloring brings a mesmerizing urban aesthetic to your interior décor no matter where you live. Color: Grey.
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Shadow, by Martin Henson, takes a dramatic perspective on a manmade monument. This print is of an original black and white photograph, capturing how a stormy, yet light filled sky has created a broad more→stroke of shadow against the ocean. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Hazed Honeycomb II by Grace Popp is a bright snapshot of geometric goodness. The colorful honeycomb image is an almost perfect mirror image of Hazed Honeycomb I, and has a similar color scheme with co more→ol tones ranging from green to blue. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Wood tones.
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Seen up-close like this, the structural foundation of a bridge feels like organized chaos—made especially more dramatic in black and white. Structural Details IX is a print is of an original photograp more→h by Jeff Pica, and is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art Without Leaves is a fine art photographic print with a somber aesthetic. The twisted tree in the center is one without any leaves, the dark silhouette having a somewhat spooky and mysteriou more→s ambiance. The fog in the rolling hills in the background depicts a cold weather atmosphere, with grey clouds above that look ripe for some rain. Color: Grey.
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It’s as if you are standing beneath the Gateway Arch yourself. Sky Sculpture II, originally photographed by Tang Ling, gives us a first-person view of the famous landmark in St. Louis, and makes it al more→l the more dramatic in black and white. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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