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In the Skies I, by Martin Henson, make us (the onlooker) the subject of a bird’s-eye-view. This print is of an original black and white photograph which depicts birds in flight, becoming dark silhouet more→tes against the brightness of the sky. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Hazed Honeycomb II by Grace Popp is geometric goodness in bright form. The color-scheme of this honeycomb has cool tones ranging from lime green to pale blue and forest green. This fine-art full color more→giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Without Leaves is a fine art photographic print with a somber aesthetic. The twisted tree in the center is one without any leaves, the dark silhouette having a somewhat spooky and mysteriou more→s ambiance. The fog in the rolling hills in the background depicts a cold weather atmosphere, with grey clouds above that look ripe for some rain. Color: Grey.
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Shadow, by Martin Henson, takes a dramatic perspective on a manmade monument. This print is of an original black and white photograph, capturing how a stormy, yet light filled sky has created a broad more→stroke of shadow against the ocean. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Seen up-close like this, the structural foundation of a bridge feels like organized chaos—made especially more dramatic in black and white. Structural Details IX is a print is of an original photograp more→h by Jeff Pica, and is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The Grey Slate IV by NW Art features a grey-scale study in a grid-like composition. Like an array of snowflakes, each pool of grey has its own unique shape and the darker grey on top of the lighter cr more→eates an intriguing sense of depth that transforms this simple pattern. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Grey.
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How good is your eyesight? Don’t strain your eyes too much, but the message Eye Chart II by Andrea James is worth reading into: “Grow. Vision. Change. Passion. Respect. Destiny. Celebrate. Discover. I more→ntegrity. Commitment. Opportunity.” This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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It’s as if you are standing beneath the Gateway Arch yourself. Sky Sculpture II, originally photographed by Tang Ling, gives us a first-person view of the famous landmark in St. Louis, and makes it al more→l the more dramatic in black and white. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Put your hand over your left eye and read lines one through five. Now, put your hand over your right eye and read lines six through eleven. Clearly, you can read, but do you feel inspired? That’s exac more→tly how you should feel with the Eye Chart I by NW Art. This contemporary piece showcases our most treasured virtues and concepts in bold, gritty letters that run down the canvas like an old fashioned eye-test. In this way, we are reminded to check our sight as well as our principles on a regular basis. Color: White.
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The NW Art Structural Details III is a print of an original photograph by Jeff Pica. Depicting classical Greek architecture in the Ionic order, the repeated columns showcase slender, fluted pillars wi more→th decorative scrolls on top. The black and white with tones of grey gives the print a dramatic edge, and illustrates how the classics are still relevant in modern times. Color: White.
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Symbol Imprint II by June Erica Vess is shattered to the point of no return, and we like it that way. Abstract in every sense of the word, this fine-art print is a sure-fire way to add contrasting dra more→ma to a space, and given that there is an absence of anything figurative, invites the viewer to project any interpretation they want on the image’s meaning. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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Grey Slate III, by Nikki Galapon, is a study in grayscale laid out in a nice grid. Pools of light to dark greys are layered together to create depth, even with the absence of color. This fine-art gicl more→ee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art Structural Details IV features the iconic columns found commonly in architecture throughout ancient Greece. The style known as the Doric order is depicted in this photographic print, which more→is one of the simplest varieties. Although uncomplicated, the use of repetition combined with the beams of light on the columns makes this piece an instant classic and will uplift a number of spaces with a timeless aesthetic. Color: White.
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Simple, yet compelling. The NW Art Retro Rhythm I by Vanna Lam features an array of colors in a unique way. Taking the idea of a rainbow and turning it on its head, the lines take deep curves and turn more→s, evocative of a road or freeway. The subdued grey background offers a great complement, allowing the bright colors to come to the forefront. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Retro Rhythm IV takes something found in nature and turns it into a work of fine art. Colorful lines evocative of a rainbow adorn a subdued background, the bright colors popping against the more→earth tone. The one twist are the abnormal and nearly whimsical turns and curves the lines take, which seem to go on to infinity. Color: Multicolor.
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The NW Art Retro Rhythm II presents a modern and minimal composition that is still eye catching and compelling. Something as common as a simple rainbow has been put into a whole new light and turned o more→n its head. The sharp curves and angles in the colorful lines give the piece a little edge, portraying the idea of a meteorological phenomenon through an artistic lens. Color: Multicolor.
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The NW Art Retro Rhythm III takes a meteorological phenomenon and translates it into a work of modern art. The multi-colored parallel lines take innovative turns and curves, evocative of a curvy road. more→The subdued background allows the array of colors to come to the forefront as well as complements the entire color spectrum. Color: Multicolor.
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For those who don’t have the time or the means to take a nice long stroll in Manhattan, Reflections of NYC I by NW Art can be a refreshing alternative. This piece focuses in on an iconic corner buildi more→ng that commonly towers over the streets of New York. The image’s high level of detail as well as its artistic use of black and white coloring brings a mesmerizing urban aesthetic to your interior décor no matter where you live. Color: Grey.
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In the Skies I, by Martin Henson, make us (the onlooker) the subject of a bird’s-eye-view. This print is of an original black and white photograph which depicts birds in flight, becoming dark silhouet more→tes against the brightness of the sky. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
234.93Buy!
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Hazed Honeycomb II by Grace Popp is geometric goodness in bright form. The color-scheme of this honeycomb has cool tones ranging from lime green to pale blue and forest green. This fine-art full color more→giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
234.93Buy!
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Symbol Imprint II by June Erica Vess is shattered to the point of no return, and we like it that way. Abstract in every sense of the word, this fine-art print is a sure-fire way to add contrasting dra more→ma to a space, and given that there is an absence of anything figurative, invites the viewer to project any interpretation they want on the image’s meaning. This fine-art black and white giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
234.93Buy!
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Shadow, by Martin Henson, takes a dramatic perspective on a manmade monument. This print is of an original black and white photograph, capturing how a stormy, yet light filled sky has created a broad more→stroke of shadow against the ocean. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Black.
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The NW Art Without Leaves is a fine art photographic print with a somber aesthetic. The twisted tree in the center is one without any leaves, the dark silhouette having a somewhat spooky and mysteriou more→s ambiance. The fog in the rolling hills in the background depicts a cold weather atmosphere, with grey clouds above that look ripe for some rain. Color: Grey.
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Seen up-close like this, the structural foundation of a bridge feels like organized chaos—made especially more dramatic in black and white. Structural Details IX is a print is of an original photograp more→h by Jeff Pica, and is printed with inkjet printers using pigment-based archival inks. Color: Black.
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