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Circularity II by Jodi Fuchs is a soft, geometric composition made with painterly strokes and a subdued color palette. The composition has a close-up quality that give us, the viewer, the ability to d more→ecide what we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Metallics.
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Circularity III by Jodi Fuchs is an abstract yet calming composition made with soft, buttery strokes and geometric shapes. The composition has a close-up quality that give us, the viewer, the ability more→to decide what we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Circularity IV by Jodi Fuchs is a soft, geometric composition made with painterly strokes and a subdued color palette. The composition has a close-up quality that give us, the viewer, the ability to d more→ecide what we want the image to be. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Modular Tiles I by James Burghardt is a kaleidoscope of yellow tones in generous interlocking layers. This is a great piece to add if a space needs a pop of color, or if you need art to match an exist more→ing color scheme for your home’s interior. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Brown.
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Bring a marvelous modern display to your walls with the delightful Domino Effect Wall Decor Set of 2 from Uttermost. A stylish set of Scandinavian-influenced square ceramic panels, their contrasting c more→olors are only further enhanced by the considered use of matte and gloss textures, which draw the eye whether arrayed vertically or horizontally as part of a larger arrangement. Shape: Square. Color: Black. Additional Color: Matte Ivory and Gloss Black.
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Peacock Be-Bop I, by June Erica Vess, displays the graphic beauty of a peacock’s blueish plumage. Viewed this close, the feathers become an abstract image with a calming light blue and lime green colo more→r palette. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Peacock Be-bop II provides an intriguing close-up of the beautiful bird it is named after. Like taking a single feather and looking at it under a microscope, the shapes and array of blues a more→nd greens combined with the brown provide an intriguing contrast that reads both abstract and realistic. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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Marquise II, by Grace Popp, is a charcoal-toned image that depicts white geometric shapes against a dark background. The shapes are subtle, yet add geometric depth to the two-dimensional surface. This more→fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Metallics.
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Marquise I, by Grace Popp, has the charcoal tone of a chalkboard, and even depicts its subject as if drawn on one. Diamond shapes pop against the dark background in white, adding a nice geometric dept more→h to the two-dimensional surface. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Modular Tiles II is an abstract and graphic piece featuring tones of greens and blues in interlocking layers. Ideal for adding a bold pop of color to any space, or for the more adventurous more→art collectors who appreciate a daring color scheme combined with softened geometric shapes. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Green.
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Modular Tiles I by James Burghardt is a kaleidoscope of yellow tones in generous interlocking layers. This is a great piece to add if a space needs a pop of color, or if you need art to match an exist more→ing color scheme for your home’s interior. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Brown.
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The NW Art Modular Tiles III delivers a lot of color with rounded geometric shapes in intriguing layers. Although a relatively simple concept, the repetition and layering makes it complex and fun to l more→ook at - the viewer always discovering something new. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Blue.
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The NW Art Camera Collection III has notes of nostalgia of a simpler time, before digital cameras were the norm. Known as the Kodak Tourist, this obsolete item features bellows, a small viewfinder wit more→h plastic lens and manual knobs and buttons. Film cameras are coming back in fashion perhaps ironically, or perhaps to relive the days of analog technology. Either way they have a certain quaint quality that is captivating and charming. Color: Multicolor.
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The NW Art Modular Tiles IV is a graphic and modern piece that emphasizes different hues and softened shapes. The artist, James Burghardt comes from a background of graphic design and digital art, and more→is able to combine traditional ideas in a contemporary light. This piece depicts shades of pinks complemented with tones of brown in dozens of layered rectangles that plays with the idea of depth and space in a 2D image. Color: Pink.
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The NW Art Nautilus Twin I features a marine mollusk in a form rarely seen. The large shiny shell stands in front of an inky black background, the grey tones hinting at silvers and pure whites. An int more→eresting take on the beauty of seashells, this photographic print gives a detailed and full view of a part of nature one might only run into momentarily on the coast. Color: Black.
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An homage to a time when film cameras were not vintage relics, the NW Art Camera Collection I features the classic Brownie camera framed in a stylish vignette. Introduced in 1957, this simple twin len more→s reflex camera was instantly popular and was able to shoot both color and black and white photos. Self referencing of course, one can't help but wonder what type of modern digital camera was used to shoot this keepsake. Color: Multicolor.
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Remembering back to a simpler time, the NW Art Camera Collection II features the classic Kodak Brownie camera in all it's glory. The boxy plastic body with script letting on the front reads quaint by more→today's standards, where large and monochromatic DSLRs are commonplace. The film camera is centered with a vignetting, which frames this vintage item nicely with dark feathered edges. Color: Multicolor.
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The NW Art Camera Collection IV portrays a classic of film photography, the Kodak Brownie Hawkeye. Widely popular in the 1950s, the black plastic Bakelite body, carrying handle and manual knobs all en more→compass a time before the popularity of digital cameras and the certain charming quality that is exclusive to the film medium. Color: Multicolor.
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The NW Art Entangled II has a dynamic quality that is a colorful feast for the eyes. A series of tangled scribbles are complemented with bright contrasting colors, with some of the shapes filled in. A more→large tilted triangle nearly splits the artwork in half, with a darker more subtle side on the left and a brighter side on the right. Color: Multicolor.
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The Peacock Trilogy I by June Erica Vess takes a natural element and portrays it in a nearly abstract fashion. Three peacock feathers are set against a deep rich brown background, the bright blues and more→oranges truly catching the eye. Whether it reminds one of a bird or abstract shapes and colors is up to the viewer. This fine-art giclee is printed with inkjet printers using pigment-based archival inks. Color: Multicolor.
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The NW Art Molecular Motion II is an abstract piece yet upon further inspection the image of a deconstructed molecule comes to mind. Like chemistry as seen through an artist's eyes, the layering of sh more→apes and lines with different colors makes this a compelling piece with whimsical flair. Color: Multicolor.
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The NW Art Molecular Motion IV is like a combination of fine art and chemistry. The elongated shapes and thin lines are evocative of a molecular structure, although with an abstract and colorful spin. more→Against an off-white background, the thin lines split the round shapes into sections, with each painted a different color. Color: Multicolor.
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Gradient Indigo II by Nikki Galapon features a grid of miniature greyscale portraits. They each have their own trajectory from dark to light, creating larger composition that is full of depth and cont more→rast. This fine-art full color giclee is printed with inkjet printers using pigment-based archival inks. Color: Clear.
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The NW Art Entangled I is an energetic and colorful abstract piece depicting tangled scribbles filled with bright colors. There is a striking dichotomy between the upper half and the lower, the lower more→half is very colorful and adventurous while the upper is more subdued and calm. Yet these two halves balance and complement each other, possibly a colorful play on yin and yang. Color: Multicolor.
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