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Comparison Casio Compact CDP-S100 vs Casio Compact CDP-130

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Casio Compact CDP-S100
Casio Compact CDP-130
Casio Compact CDP-S100Casio Compact CDP-130
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from $436.00 up to $551.00
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Bodyportableportable
Keys
Number of keys88 шт88 шт
Sizefull sizefull size
Mechanicsmalleusmalleus
Sensitivity adjustment
 /3 types, off/
Rigidityweightedweighted
Specs
Polyphony64 voices48 voices
Built-in timbres10 шт10 шт
Tempo change20 – 25530 – 255
Metronome
Built-in compositions
Effects and control
Timbres layering
Reverberation
 /4 types/
 /10/
Chorus
 /4 types/
 /5/
Transposition
Pitch controller
Fine tuning
 /415.5 – 465.9 Гц/
More featuresHall
Connectors
Inputs
Mini-jack (linear)
 
Connectable pedals1 шт1 шт
Outputs
USB to host (type B)
USB to host (type B)
Headphone outputs
1 шт /combined with linear/
1 шт /combined with linear/
Linear outputs1 шт1 шт
General
Built-in acoustics16 W16 W
Number of bands11
Power consumption8 W18 W
Autonomous power supply
aA batteries /x6/
Operating hours13 h
Dimensions (WxHxD)1322x99x232 mm1322x129x286 mm
Weight10.5 kg11.4 kg
In box
music stand
pedal
PSU
music stand
pedal
PSU
Color
Added to E-Catalogjuly 2019november 2016

Polyphony

The number of voices supported by the digital piano — more precisely, the maximum number of voices that the instrument can play at the same time.

This parameter should not be confused with the number of notes that can be played simultaneously on the keyboard. The fact is that in many timbres, several voices (tone generators) are used for each note at once — this is the only way to achieve a more or less reliable sound. Thus, the required number of voices can be many times higher than the number of notes — for example, the simplest chord of 3 notes may require 9 or even 12 voices. In addition, tone generators are used to play auto accompaniment parts and built-in songs (see below), and here the number of voices can already be measured in tens.

In light of all this, polyphony of less than 90 voices is typical mainly for relatively simple and inexpensive instruments that are not designed for complex tasks. The smallest number found in modern digital pianos is 32 voices. It is desirable for a more or less solid instrument to have at least 96 voices, and in top models this figure can reach 256.

Tempo change

The range over which the tempo of the sound played by the instrument can change. It can be either a built-in melody or a part recorded on a sequencer, or an auto accompaniment, a tutorial or a metronome. For more information on all of these features, see the corresponding glossary entries. Here we note that a change in tempo is often required in fact — for example, to speed up an initially "sluggish" accompaniment or slow down a training programme that is difficult to master at the original tempo.

Tempo is traditionally indicated in beats per minute. The classical, "academic" range covers options from 40 bpm ("grave", "very slow") to 208 bpm ("prestissimo", "very fast"), however, in modern digital pianos, the working range of tempos is often significantly wider.

Pitch controller

The presence of a pitch controller(Pitch Bend) in the design of a digital piano.

Such a controller allows you to smoothly change the pitch of the note being played within a small range (usually up to a semitone up or down). In this case, control is carried out using a wheel, a lever, or another similar element that allows the musician to manually adjust the speed and limits of frequency change (including creating the effect of a note “trembling” in frequency). This function allows you to simulate the playing techniques of some instruments (for example, tightening the strings on a guitar) and gives an unusual sound to timbres that were not originally intended to have such effects.

More features

Additional features and sound customization options provided by the instrument in addition to those listed above. In this paragraph, usually, various original proprietary technologies and solutions are indicated; the specific meaning of these functions is best specified in the documentation for the tool.

Inputs

— Mini-jack (linear). Any line input is designed to receive an audio signal in analogue format. Such an audio signal can be played back by the instrument itself through the built-in speakers, external speakers or headphones, switched to external equipment (for example, an amplifier or audio receiver), or recorded (if you have a sequencer, see above). In digital pianos, the most popular is the first option — playback; typically, the line-in sound either serves as an accompaniment to the main part or provides additional effects. As for the mini-Jack standard, this is a miniature plug, also called "3.5 mm" and known to many as a standard audio jack on a smartphone, laptop or computer. However, this standard is also very popular in digital pianos — among external signal sources, mini-Jack plugs are generally more common than full-size Jacks.

— Jack (linear). Line input using a Jack type connector (aka "6.35 mm"). In terms of purpose, such an input does not differ from the mini-Jack type input described above. As for the connector, it is almost 2 times larger than the mini-Jack in diameter — however, given the dimensions of digital pianos, this cannot be called a serious drawback. At the same time, the Jack socket provides a better and more reliable connection, with less likelihood of interference. At the same time, for a number of reasons, this type of connector is used somewhat less frequently in digital pianos.

— MIDI in. An...input that allows the Digital Piano to receive MIDI signals from external equipment. MIDI is a standard signal format in electronic musical instruments; such a signal (MIDI-event) is created for each keystroke and contains information about the note number, strength, speed and duration of pressing; these signals can then be recorded and/or played back in a specific tone. The ability to receive MIDI events from external devices can be useful, for example, when playing two keyboard instruments at once (to play all the music on one of them, with better sound quality), or to use the digital piano as an adapter for another instrument that does not having the desired tones. In addition, technically, a MIDI signal can be switched to other devices (see "Outputs — MIDI thru").

— USB to device (type A). USB connector that allows you to connect various external devices to the digital piano. However, most often the range of such devices is limited to "flash drives" and other drives. However, even this functionality can provide very extensive additional features: you can play backing melodies from a flash drive, update user timbres and auto-accompaniment styles (see above) or even instrument firmware, and copy materials recorded by a sequencer to a flash drive (or even write music directly). ), etc. Specific features in different models may be different, this point should be clarified separately.

— Card reader. A device for reading memory cards — usually, the popular SD format. By purpose, this function is similar to working with a USB flash drive (see above), adjusted for the fact that memory cards will be convenient primarily when exchanging data with a laptop — almost all modern laptops are equipped with card readers, which cannot be said about desktop PCs.

Power consumption

The power consumed by the tool during normal operation.

The cost of electricity, as well as connection requirements, depend on this indicator. At the same time, we note that digital pianos require relatively little energy — even in the most powerful and advanced models, consumption usually does not exceed 60 watts. So in fact, power consumption data is required mainly for specific cases — for example, to calculate the total load when connecting a tool to an autonomous generator along with other devices. In addition, this information may be useful when assessing the power of the built-in speaker, for more information, see "Built-in acoustics".

Autonomous power supply

The type of battery power provided by the Digital Piano.

Such power, as the name suggests, allows the tool to work without being plugged into an outlet; it can be useful both in the complete absence of sockets nearby, and in the event that it is difficult to connect to them or the presence of extra wires is undesirable. The operating time from an independent source, however, turns out to be limited, but it is usually quite enough for at least several compositions, and even for several performances (for more details, see "Working time").

However, the specificity of digital pianos is such that even portable models (see “Cabinet”) rarely have to be used in the absence of sockets. Therefore, there are few self-powered models among such tools. As a source, standard AA (“finger”) batteries are most often used — this is the most popular type of replaceable cells, available for sale almost everywhere where batteries are sold at all.

Operating hours

Operating time of the tool from an independent power source (see above). It is worth noting that most manufacturers indicate the maximum time: at a relatively low volume, minimal use of additional functions (or at all, provided that they are not included), etc. Also, keep in mind that most digital pianos use self- powered batteries such as AA batteries, and these batteries can vary in capacity and overall quality. However, in general, this indicator makes it possible to assess the battery life of the tool.
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