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Comparison Tamron 150-600mm f/5-6.3 SP VC USD Di G2 vs Tamron 150-600mm f/5.0-6.3 VC USD Di

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Tamron 150-600mm f/5-6.3 SP VC USD Di G2
Tamron 150-600mm f/5.0-6.3 VC USD Di
Tamron 150-600mm f/5-6.3 SP VC USD Di G2Tamron 150-600mm f/5.0-6.3 VC USD Di
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Main
Impressive range of focal lengths. High sharpness in the centre of the frame throughout the entire zoom range. Optical image stabilization. It tolerates backlight well. Focus range limiter.
Lens typetelephoto lenstelephoto lens
DxOMark rating22
System
Canon
Nikon
Minolta
Sony
Canon
Nikon
Minolta
Sony
Mount
Canon EF-S
Canon EF
Nikon F
Sony A
Canon EF-S
 
Nikon F
Sony A
Specs
Focal length150 - 600 mm150 - 600 mm
Aperture valuef/5.0 - f/6.3f/5.0 - f/6.3
Min. diaphragm32
32 /32-40/
Minimum focus distance2.7 m2.7 m
Maximum zoom0.2
Design
Sensor sizefull frame/APS-Cfull frame/APS-C
Autofocus driveultrasonic drive motorultrasonic drive motor
Design (elements/groups)21 elements in 13 groups20 elements in 13 groups
Number of diaphragm blades99
Filter diameter95 mm95 mm
Dimensions (diameter/length)106x258 mm106х258 mm
Weight2010 g1951 g
Added to E-Catalogseptember 2016november 2013

DxOMark rating

The result shown by the lens in the DxOMark rating.

DxOMark is one of the most popular and authoritative resources for expert testing of photography devices. According to the test results, the lens receives a certain number of points; The more points, the higher the final score.

Mount

The type of mount used to connect the lens to the camera. The name comes from the English "bayonet", meaning "bayonet" and a bayonet-type connection. Bayonet mounts are used in the vast majority of modern digital cameras due to their reliability and ease of use.

Full compatibility of the lens with the camera is guaranteed only if the types of their mounts match. Some mounts are compatible with each other via adapters, but such a connection can limit the capabilities of the lens (for example, it will make it impossible to use autofocus) and is generally not considered optimal. It is worth considering that within the same system (see above) different mounts are often used, which are also incompatible with each other.

So, the manufacturer Canon has mounts EF-M, EF-S, EF, RF, RF-S. Leica has Leica M, Leica SL, Leica TL. Nikon has Nikon 1, Nikon F, Nikon Z in its arsenal. Pentax optics are equipped with Pentax 645, Pentax K, Pentax Q. Samsung uses NX-M and NX mounts. Sony models include Sony A and Sony E. In addition, there are other types of mounts on the market - both branded ( Fujifilm G, Fujifilm X, Hasselblad H, Sigma SA) and universal ( Four Thirds (4/3), Micro 4/3).

Note that there are lenses that are declared compatible with several mounts at once. This “omnivorousness” can be realized in different ways. For example, some models have a non-standard mount on the lens body, and compatibility with various mounts is ensured through the use of adapters; These adapters can be included in the delivery set or purchased separately. Another option is that the lens is available in several separate modifications, each for its own mount. These details should be clarified before purchasing.

Maximum zoom

The degree of magnification of the object being shot when using a lens for macro shooting (that is, shooting small objects at the maximum possible approximation, when the distance to the subject is measured in millimetres). The degree of magnification in this case means the ratio of the size of the image of the object obtained on the matrix of the camera to the actual size of the object being shot. For example, with an object size of 15 mm and a magnification factor of 0.3, the image of this object on the matrix will have a size of 15x0.3=4.5 mm. With the same matrix size, the larger the magnification factor, the larger the image size of the object on the matrix, the more pixels fall on this object, respectively, the clearer the resulting image, the more details it can convey and the better the lens is suitable for macro photography. It is believed that in order to obtain macro shots of relatively acceptable quality, the magnification factor should be at least 0.25 – 0.3.

Design (elements/groups)

The number of elements (in fact, the number of lenses) included in the design of the lens, as well as the number of groups in which these elements are combined. Usually, the more elements provided in the design, the better the lens handles with distortions (aberrations) when light passes through it. On the other hand, numerous lenses increases the dimensions and weight of the optics, reduces light transmission (for more details, see "Aperture") and also puts forward increased requirements for the quality of processing, which affects the cost of the lens.
Tamron 150-600mm f/5.0-6.3 VC USD Di often compared