Plug
The design of the plug provided in the headphones. This parameter is relevant primarily for models with a mini-Jack interface (see "Connection") — the rest of the plugs are made straight in most cases, exceptions are extremely rare.
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Direct. The traditional, most simple and unpretentious option is plugs that do not have any bends. Usually, they are compatible without restrictions with stationary audio equipment, PCs, laptops, etc. But for smartphones and other portable gadgets, this option is not always optimal — it all depends on how the gadget is located in your pocket or case. In some cases — for example, when carrying a smartphone in a regular pants pocket — such a wire can be strongly bent around the plug, which quickly becomes unusable; in such cases it is worth paying attention to L-shaped or curved plugs (see below).
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L-shaped. Plugs angled at 90° in the shape of the letter L. Designed primarily for use with smartphones and other handheld devices: such devices, when worn, can be positioned in such a way that a bent plug is more convenient than a straight one. However, the L-shaped design may also be the best choice for stationary equipment, where the headphone wire approaches the connector at a right angle — for example, this situation is often found in computers and laptops.
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At an angle of 45°. A variation of the L-shaped plug
...described above, bent not at a straight line, but at a smaller angle (not necessarily exactly 45 °). It is also designed primarily for pocket equipment, and with such an application, such plugs are considered even more convenient and reliable than traditional L-shaped ones. But for stationary devices, it hardly makes sense to specifically look for a model with a similar connector (although such an application is technically quite possible).Cable length
The length of the cable supplied with the headphones with the appropriate connectivity.
The optimal cable length depends on the planned format of the "ears". So, for pocket gadgets,
1 metre or less is often enough, for a computer it is already desirable to have a wire for
1 – 2 m, and preferably
2 – 3 m. And models with a longer cable length —
3 – 5 m or even
more — are mainly designed for specific tasks, such as connecting to a TV or using in recording studios.
Recall that in some models the cable is removable (see below) and can be replaced if necessary with a longer or shorter one. Also note that there are extension cables that allow you to increase the length of the main wire; such a cable may even be included in the delivery, this point (and the length of the additional cable) is usually specified in the notes.
Impedance
Impedance refers to the headphone's nominal resistance to AC current, such as an audio signal.
Other things being equal, a higher impedance reduces distortion, but requires a more powerful amplifier — otherwise the headphones simply will not be able to produce sufficient volume. Thus, the choice of resistance depends primarily on which signal source you plan to connect the "ears". So, for a portable gadget (smartphone, pocket player), an indicator of
16 ohms or less is considered optimal,
17 – 32 ohms is not bad. Higher values —
33 – 64 ohms and
65 – 96 ohms — will require quite powerful amplifiers, like those used in computers and televisions. And models with a resistance of
96 – 250 ohms and
above are designed mainly for Hi-End audio equipment and professional use; for such cases, detailed recommendations for selection can be found in special sources.
Frequency range
The range of audio frequencies that headphones can reproduce.
The wider this range — the more fully the headphones reproduce the spectrum of sound frequencies, the lower the likelihood that too low or too high frequencies will be inaccessible. However, some nuances should be taken into account here. First of all, we recall that the range of perception of the human ear is on average from 16 Hz to 22 kHz, and for the full picture it is enough that the headphones cover this range. However, modern models can noticeably go beyond these limits: in many devices, the lower threshold
does not exceed 15 Hz, or even
10 Hz, and the upper limit can reach
25 kHz,
30 kHz, and even
more. Such extensive ranges in themselves do not provide practical advantages, but they usually indicate a high class of headphones, and sometimes they are only given for promotional purposes.
The second important point is that an extensive frequency range in itself is not a guarantee of good sound: the sound quality also depends on a number of parameters, primarily the frequency response of the headphones.
Weight
The total weight of the headphones; for true wireless models (see "Cable Type"), the weight of each individual earbud is listed.
This parameter is directly related to the design (see above) and some features of the functionality. Thus, the mentioned true wireless devices are very light, their weight
does not exceed 25 g. More traditional in-ears and in-ears can be noticeably heavier,
up to 50g for in-ears and up
to 100g for most in-ears. Overhead models, for the most part, are quite massive: among them there are many models weighing
200 – 250 g,
250 – 300 g and even
more than 300 g. It should be noted that a significant weight for false ears is often not a disadvantage, but an advantage: it allows them to stay on the head more securely, creates an impression of solidity and reliability, and most often does not create significant inconvenience.
