Comparison JBL Tune 205 vs Apple EarPods with Remote and Mic

The design of the plug provided in the headphones. This parameter is relevant primarily for models with a mini-Jack interface (see "Connection") — the rest of the plugs are made straight in most cases, exceptions are extremely rare.

— Direct. The traditional, most simple and unpretentious option is plugs that do not have any bends. Usually, they are compatible without restrictions with stationary audio equipment, PCs, laptops, etc. But for smartphones and other portable gadgets, this option is not always optimal — it all depends on how the gadget is located in your pocket or case. In some cases — for example, when carrying a smartphone in a regular pants pocket — such a wire can be strongly bent around the plug, which quickly becomes unusable; in such cases it is worth paying attention to L-shaped or curved plugs (see below).

— L-shaped. Plugs angled at 90° in the shape of the letter L. Designed primarily for use with smartphones and other handheld devices: such devices, when worn, can be positioned in such a way that a bent plug is more convenient than a straight one. However, the L-shaped design may also be the best choice for stationary equipment, where the headphone wire approaches the connector at a right angle — for example, this situation is often found in computers and laptops.

— At an angle of 45°. A variation of the L-shaped plug...described above, bent not at a straight line, but at a smaller angle (not necessarily exactly 45 °). It is also designed primarily for pocket equipment, and with such an application, such plugs are considered even more convenient and reliable than traditional L-shaped ones. But for stationary devices, it hardly makes sense to specifically look for a model with a similar connector (although such an application is technically quite possible).

The type of cable provided in the design or delivery of the headphones. Note that this parameter is relevant both for wired or combined models (see “Connection type”), and for some wireless models - in particular, earbuds and in-ear headphones without a mount, where a wire connects one earphone to another.

- Round. The classic round wire is straight, without braiding or other additional accessories. It is inexpensive and in most cases quite practical, which is why it is found in most modern headphones. The disadvantage is that if the thickness is small, the round wire is prone to tangling; therefore, this option is considered not very convenient for compact headphones, such as in-ear or in-ear (see “Design”), which often have to be carried in a pocket or bag.

- Flat. The main advantage of a flat cable is that it does not get tangled as much as a round cable, and if something happens it is much easier to untangle. This is especially important for earbuds and in-ear headphones, which are often rolled up for storage or transport. However, larger overhead models can also be equipped with a flat wire.

— Round, braided. A round wire with an outer braid, usually fabric. See above for details on round wire. And the presence of a braid gives such a cable a number of advantages over the classic one with “bare” insula...tion. Thus, the wire turns out to be more durable, reliable and resistant to kinks and pressure, tangles less, has a solid appearance, and in some models the braiding also provides shielding from external interference. The downside of these advantages is the increased price.

— Spiral. A round cable, coiled into a spring. The main advantages of a spiral wire are that it practically does not tangle and can significantly stretch relative to its original length. The latter is very convenient if, as you use your ears, you have to change the distance to the signal source. The disadvantages of spiral cable are bulkiness and relatively high cost. Therefore, it is often used in mid-range and top-end headphones (including professional models).

- Round, braided. A cable in the form of two wires twisted into a spiral. This option should not be confused with a spiral wire - in this case we are not talking about a spring. This cable is notable primarily for its unusual appearance; For greater originality, the wiring can be made in different colors. It is also somewhat more tangle-resistant than the classic round one, although a lot depends on the thickness. At the same time, individual wires can be noticeably thinner than a solid round wire, which somewhat reduces reliability.

Impedance refers to the headphone's nominal resistance to AC current, such as an audio signal.

Other things being equal, a higher impedance reduces distortion, but requires a more powerful amplifier — otherwise the headphones simply will not be able to produce sufficient volume. Thus, the choice of resistance depends primarily on which signal source you plan to connect the "ears". So, for a portable gadget (smartphone, pocket player), an indicator of 16 ohms or less is considered optimal, 17 – 32 ohms is not bad. Higher values — 33 – 64 ohms and 65 – 96 ohms — will require quite powerful amplifiers, like those used in computers and televisions. And models with a resistance of 96 – 250 ohms and above are designed mainly for Hi-End audio equipment and professional use; for such cases, detailed recommendations for selection can be found in special sources.

The range of sound frequencies that headphones can reproduce.

The wider this range, the more fully the headphones reproduce the spectrum of sound frequencies, the lower the likelihood that too low or too high frequencies will be inaccessible. However, there are some nuances to consider here. First of all, let us remind you that the perceptual range of the human ear is on average from 16 Hz to 22 kHz, and for the complete picture it is enough for headphones to cover this range. However, modern models can significantly exceed these boundaries: in many devices the lower threshold does not exceed 15 Hz, or even 10 Hz, and the upper limit can reach 25 kHz, 30 kHz and even more. Such wide ranges in themselves do not provide practical advantages, but they usually indicate a high class of headphones, and are sometimes given only for advertising purposes.

The second important point is that a wide frequency range in itself is not a guarantee of good sound: sound quality also depends on a number of parameters, primarily the amplitude-frequency response of the headphones.

Rated headphone sensitivity. Technically, this is the volume at which they sound when a certain standard signal from the amplifier is connected to them. Thus, sensitivity is one of the parameters that determine the overall volume of the headphones: the higher it is, the louder the sound will be with the same input signal level and other things being equal. However, we must not forget that the volume level also depends on the resistance (impedance, see above); moreover, it is worth choosing “ears” for a specific device first by impedance, and only then by sensitivity. In this case, one parameter can be compensated for by another: for example, a model with high resistance and high sensitivity can work even on a relatively weak amplifier.

As for specific figures, headphones with indicators of 100 dB or less are designed mainly for use in a quiet environment (in some similar models, the sensitivity does not exceed 90 dB). For use on the street, in transport and other similar conditions, it is desirable to have more sensitive headphones — about 101 – 105 dB, or even 110 dB. And in some models, this figure can reach 116 – 120 dB. and even more.

It is also worth noting that this parameter is relevant only for a wired connection according to the analogue standard — for example, via a 3.5 mm mini-...jack. When using digital interfaces like USB and wireless channels like Bluetooth, the sound is processed in the built-in headphone converter, and if you plan to mainly use this kind of application, you can not pay much attention to sensitivity.

The diameter of the speaker installed in the headphones; models with multiple drivers (see "Number of drivers"), usually, the size of the largest speaker is taken into account, other dimensions can be specified in the notes.

In general, this parameter is relevant primarily for over-ear headphones (see "Design"). In them, emitters can have different sizes; the larger it is, the more saturated the sound is and the better the speaker reproduces the bass, however, large emitters have a corresponding effect on the dimensions, weight and price of the headphones. But in-ear "ears" and earbuds, by definition, have very small speakers, and rich bass in them is achieved due to other design features.

The headphones have their own volume control. Such a regulator can be placed both on the wire and on one of the cups (the latter is typical for wireless models). Anyway, this function allows you to easily adjust the volume: for this you do not need to go into the computer settings, press the buttons on the player or smartphone, etc., just use the control at hand. On the other hand, additional equipment complicates and increases the cost of the design, and also increases the likelihood of distortion. In light of the latter, volume control is almost never found in professional headphones.

The total weight of the headphones; for true wireless models (see "Cable Type"), the weight of each individual earbud is listed.

This parameter is directly related to the design (see above) and some features of the functionality. Thus, the mentioned true wireless devices are very light, their weight does not exceed 25 g. More traditional in-ears and in-ears can be noticeably heavier, up to 50g for in-ears and up to 100g for most in-ears. Overhead models, for the most part, are quite massive: among them there are many models weighing 200 – 250 g, 250 – 300 g and even more than 300 g. It should be noted that a significant weight for false ears is often not a disadvantage, but an advantage: it allows them to stay on the head more securely, creates an impression of solidity and reliability, and most often does not create significant inconvenience.

Among the equipment, it is worth highlighting silicone and polyurethane tips, relevant for in-ear headphones, additional fixation nozzles and behind-the- ear arms for better attachment in the ear, interchangeable ear pads, additional cable, dongle, aircraft adapter, case / case and docking station. There are also other accessories. More details about them:

- Silicone tips. Replaceable silicone tips used in in-ear headphones. Usually, several nozzles of different sizes are supplied in the kit, which allows you to adjust the headphones to a specific user. The practical advantages of silicone are softness, durability, general convenience and at the same time low cost.

- Polyurethane nozzles. Replacement tips for in-ear headphones made of foamed polyurethane. This material is somewhat more expensive than silicone, it requires regular cleaning and has a shorter service life - including due to deformation as it wears. On the other hand, polyurethane is ideal in terms of acoustics; it is these tips that are considered the best choice for lovers of in-ear “ears” with high-quality sound.

- Ear hooks. Removable devic...es designed to additionally secure each earpiece to the ear. Note that such devices should not be confused with behind-the-ear mounts (see above). The main difference is that the arms are used exclusively in some models of in-ear headphones and earbuds as an additional option. In other words, you can wear such headphones without a bow, while the behind-the-ear mount is usually made non-removable and, in principle, you can’t do without it.

— Nozzles of additional fixation. Auxiliary caps for a tighter fit of the in-ear headphones. They are used to provide better fixation of headphones during sports or provide additional volume to users with a large auricle.

- Replaceable ear pads. Comes with interchangeable ear tips. In general, the ear pads are the part with which the headphones come into contact with the listener's ears. In full-size and on-ear headphones, they are soft pads on the inside of the cups.

— Case (case) / cover. Covers are usually called soft rag bags, they protect the "ears" mainly from pollution and take up a minimum of space. Cases are made of hard materials, they are a little more bulky, but they protect well from shock, pressure and contact with sharp objects. In any case, the complete case or case is optimally suited for the headphones and is more convenient than an impromptu protective casing.

- Charging case. Case - a case made of hard material - simultaneously playing the role of a charger. This feature is very popular on true wireless models (see "Cable Type"). The charging case usually has its own battery and the headphones are already charged from this battery; this design provides additional convenience in several moments at once. Firstly, the case, in fact, also performs the function of a power bank - an autonomous power source; the capacity of such a “power bank” may be different, but it is usually enough for several full charges of the “ears” (for more details, see “Capacity of the case”). Secondly, the ability to charge the headphones directly in the case reduces the risk of losing them. Thirdly, the charging procedure itself is quite convenient - just connect the cable to the case.

- Dock station. Stationary stand with the possibility of placing headphones and contacts for charging them. Also, docking stations are often used to transfer the sound track to headphones - they are connected directly to the sound source via a wire, and the sound is transmitted to the ears wirelessly within a certain radius of action.

— Clip for carrying. A clip designed to fasten the wire to a pocket, collar, lapel of clothing, etc. It provides additional convenience: thanks to the clip, the wire does not hang out, the likelihood of touching it with careless movement or catching on the surrounding object is reduced.

- Additional cable. An additional cable provided in addition to the main one may have different features and specializations. So, complete cables can vary in length, connector type, wire type, additional equipment (microphone, volume control), etc. These details should be specified separately in each case. Here, we note that almost all headphones with this configuration have a detachable cable (it makes sense to supplement a non-detachable wire with an extension cable, and it is considered a separate accessory - see below).

- Extension. A type of additional cable designed solely to increase the overall length of the wire. Due to the extension cord, you can adjust the headphones to the specifics of the situation: for example, “build up” the cable if you need to switch from a laptop to a TV or a stationary audio system.

— Airplane adapter. Dedicated headphone adapter for use with modern airliner entertainment systems. In such systems, a special way of connecting headphones is used - through two 3.5 mm jacks (and we are talking about classic "ears", without a microphone). Models with a traditional single 3.5 mm plug can only be connected to this output through an adapter; such adapters may initially be included in the delivery.

- Windproof microphone. Devices in the form of a foam rubber or "shaggy" lining on the headphone microphone capsule. Cut off unnecessary ambient noise and minimize the effect of direct exposure to air currents on the microphone, which can cause interference in speech transmission.

— Dongle. The dongle is used to simplify the organization of connecting wireless headphones to other devices. In fact, this is a radio transmitter (less often a Bluetooth transmitter) that non-contactly broadcasts sound to headphones from a connected device.

This list is not exhaustive and may include other optional items.