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Comparison Audio-Technica AT-LP1240-USB vs Audio-Technica AT-LP120-USB

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Audio-Technica AT-LP1240-USB
Audio-Technica AT-LP120-USB
Audio-Technica AT-LP1240-USBAudio-Technica AT-LP120-USB
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Main
Playback at 78 rpm Reverse. Backlight.
Pickup
ModelAT95E
TypeMM
Needle shapeelliptical
Output level3.5 mV
Downforce1.5 – 2.5 g
Tonearm
Typeradialradial
ShapeS-shapedS-shaped
Materialaluminiumaluminium
Tonearm effective length230 mm
Design
Drive unitstraightstraight
Speed controlelectronic (automatic)electronic (automatic)
Cover
Phono stageswitchableswitchable
Features
Features
adjustable counterweight
anti-skating
reverse playback
speed 78 rpm
adjustable counterweight
anti-skating
reverse playback
speed 78 rpm
Tempo adjustment± 10, ± 20, ± 50 %± 10, ± 20 %
Connection
USB B
USB B
Specs
ADC sampling rate48 kHz48 kHz
ADC bit depth16 bit16 bit
Frequency range20 – 20000 Hz20 – 20000 Hz
Signal to noise ratio55 dB50 dB
Knock ratio0.1 %0.2 %
General
Power consumption13 W11 W
Base materialaluminiumplastic
Platter materialaluminium
aluminium /aluminium/
Platter size332 mm
Dimensions (WxDxH)450х353х167 mm450х352х157 mm
Turntable weight12.5 kg10.7 kg
Color
Added to E-Catalogdecember 2015december 2015

Model

Model of the pickup (cartridge) supplied with the player. The pickup is one of the most important parts of any vinyl player, the quality of the received sound largely depends on its quality. Knowing the name of the model, you can find detailed data on it and determine how satisfied you are with this particular cartridge.

Type

The type of pickup (cartridge) supplied with the turntable.

- MM(with moving magnet). The most common type of cartridges nowadays. The electrical signal in such devices is created by the oscillation of a moving magnet connected to the pickup stylus between special coils. These cartridges give a good output level, making them compatible with the simplest phono stages, they are easy to set up, and the needles in many models can be replaced by the user himself.

- MC(moving coil). Pickups in which the magnets are made stationary, and the signal is created by a moving coil that vibrates from the vibrations of the needle. This design allows you to reduce the mass of moving parts (compared to MM), which has a positive effect on the accuracy and reliability of sound transmission: MC cartridges are capable of transmitting almost all the nuances of sound. On the other hand, their output signal level is low, which puts forward increased demands on the quality of phono stages and significantly affects the cost. So pickups of this type are typical mainly for high-end equipment.

- MI (with a movable iron element). Quite an exotic type of pickups: the coils and magnets in them are made stationary, and the vibration of the needle sets in motion a miniature piece of magnetic material (for example, iron), which moves between the coils and changes their inductance. Theoretically, such cartrid...ges can compete with MCs in terms of overall sound quality and detail, while MI technology allows you to achieve a high level of signal output, which does not require expensive phono stages. However, in fact, such pickups are rare for a number of reasons.

Anyway, for the normal operation of the player, a phono stage is required for the corresponding type of pickup; A phono stage may also be built-in (see “Characteristics”), however, if external equipment is used, it is necessary to know the type of pickup to select it.

Needle shape

The shape of the needle in the pickup (cartridge) that the player is equipped with.

Conical. It may also be called spherical. The simplest type of needles for vinyl players. Such needles are inexpensive, but the sound quality when using them is relatively low — due to the fact that the shape of the needle rather weakly matches the shape of the groove on the record.

Elliptical. Elliptical needles have a narrower shape than conical (spherical) needles, which improves contact and allows, in particular, more accurate reproduction of high frequencies, and also reduces record wear. Due to the good value for money, this option is very popular.

Linear. The most advanced variety: sharply sharpened needles of complex shape, following the contours of the grooves on the plate as accurately as possible and having the largest contact area among all types. The downside of this is the complexity in production and, accordingly, the high cost.

Output level

The signal level at the output of the pickup supplied with the player is, in fact, the power of the signal coming from the pickup to the phono stage. This parameter is necessary, first of all, in cases where the player is planned to be connected to an external phono stage: such equipment must be designed for the corresponding power of the signal coming from the pickup.

Downforce

The force of pressing the needle on the plate, which the complete pickup (cartridge) is designed for.

This force depends on the rigidity (compliance) of the needle: the greater the clamping force, the harder the cartridge, respectively, the less pliable it is. It is also believed that less pressing force wears out the record less, but it cannot be said that "light" cartridges are definitely better — there are many other nuances. So in fact, information about the pressing force of a complete pickup is needed mainly in case of its replacement. Usually, the pressing force provided by the arm of the turntable is regulated within these limits, so the new cartridge must also be rated for the same values of downforce — otherwise there is a chance that the turntable will not be able to correctly align.

Tonearm effective length

The effective length of a tonearm in set is the distance from the attachment point (axis of rotation) to the stylus.

This indicator is important primarily for rotary tonearms: the longer the length, the lower the angular error, the smaller the discrepancy between the direction of movement of the track and the longitudinal axis of the pickup (for more details, see “Type”) and the lower the level of corresponding distortion. In addition, a longer length reduces the resonant frequency and reduces the likelihood of distortion. On the other hand, a longer tonearm turns out to be heavier, which requires certain technical tricks and can also negatively affect the purity of the sound. Therefore, a large length is not always a guarantee of high quality – you should also pay attention to weight (see below).

Tempo adjustment

The presence in the player of an electronic module that allows you to change the tone of the sound being played, in other words, to make it higher or lower by a certain interval, in other words, change the playback speed. This feature is also known as a "pitch controller".. It is relevant primarily for DJ "turntables", as it allows you to mix tracks recorded in different keys. Some home players also have a tempo control, but its capabilities are much more modest, and a real need for such a function rarely arises.

Signal to noise ratio

The ratio between the useful signal and extraneous noise at the output of the player. It is also colloquially called "electrical noise" (although this is not entirely true).

The higher this indicator, the quieter the noise (it is impossible to completely eliminate them), the clearer the signal will be. In the case of turntables, the signal-to-noise ratio is considered to be at least 50 dB; and in the most high-end devices it can exceed 90 dB.

Note that this paragraph may additionally indicate the value of mechanical noise. Despite the similarity in name, this is a completely different indicator — it describes the volume of extraneous sounds produced by the motor, drive and other moving parts of the "turntable". Accordingly, for mechanical noise, the lower the decibels, the better. You can estimate its approximate level using special comparative tables.

Knock ratio

The maximum knock factor that the turntable is subject to under normal conditions.

Detonation in this case is called sound distortion associated with short-term periodic irregularities in the rotation of the disk. The lower the detonation coefficient, the lower the level of such distortions; it is believed that for audiophile-class equipment it should not exceed 0.2%, although in more modest models it may be higher.

Note that for different playback speeds, knock coefficients can also be different. Manufacturers in such cases may indicate the minimum value, despite the fact that it can be achieved not at the usual 33 rpm, but at 45 or even 78 rpm. Therefore, when choosing a high-end turntable, it's ok to clarify this point.
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