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Comparison Canon EOS 800D 18-55 vs Canon EOS 650D kit 18-55

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Canon EOS 800D  18-55
Canon EOS 650D  kit 18-55
Canon EOS 800D 18-55Canon EOS 650D kit 18-55
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Main
Dual Pixel CMOS AF technology. Confident work at high ISO. Large memory buffer. Educational menu interface for beginner photographers. Touch rotary display.
Camera typedigital mirrordigital mirror
DxOMark rating62
Sensor
Sensor
CMOS (CMOS) /22.5x15 mm/
CMOS (CMOS) /22.3x14.9 mm/
Sensor size
APS-C (23x15.5 mm) /dIGIC 7 processor/
APS-C (23x15.5 mm)
Total MP25.818.5
Effective MP number24.218
Maximum image size6000x4000 px5184x3456 px
Light sensitivity (ISO)
100-25600 /hardware ISO up to 51200/
100-12800 /hardware supported ISO 25600/
Sensor cleaning
RAW format recording
Lens
Mount (bayonet)Canon EF-S, Canon EFCanon EF-S, Canon EF
Kit lens
Aperturef/3.5 - f/5.6f/3.5 - f/5.6
Focal length18 - 55 mm18 - 55 mm
Optical zoom33
Manual focus
Image stabilizationis absentis absent
Photo shooting
Number of scene programs7
Frames per series (JPEG)12 шт
Frames per series (RAW)6 шт
Frames per series (JPEG RAW)3 шт
HDR
White balance measuring
Exposure compensation± 5 EV, in 1/2 or 1/3 EV steps± 5 EV, in 1/2 or 1/3 EV steps
Auto bracketing
 /± 3 (3 frames at 1/3 EV, 1/2 EV steps)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 60 fps1920x1080 px 30 fps
Video scene modes1
File recording formatsMPEG-4, H.264H.264
Manual video focus
Maximum video length
 
 
time limit /30 min/
memory limit /4 GB/
Connection ports
HDMI v 1.4
 
microphone Jack
mini HDMI v 1.4
headphone Jack
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
one shot
tracking
in face
Focus points45 шт9 шт
Touch focus
Viewfinder and shutter
Viewfinderoptical (mirror)optical (mirror)
Viewfinder crop0.82 x0.85 x
Frame coverage95 %95 %
Shutter speed30-1/4000 с30 - 1/4000 с
Continuous shooting6 fps5 fps
Shutter typemechanicalmechanical
Screen
Screen size3 ''3 ''
Screen resolution1040 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Memory and communications
Memory cards types
SD, SDHC, SDXC /UHS-I/
SD, SDHC, SDXC
Communications
Wi-Fi 4 (802.11n)
Bluetooth
NFC
smartphone control
 
 
 
 
Flash
Built-in flash
Guide number1213
External flash connect
Power source
Power source
battery
battery
Battery modelLP-E17LP-E8, MK-650D
Shots per charge600 шт440 шт
General
Underwater box modelWP-S10, WP-S5
Console/synchronizer modelST-E2
Material
aluminium / plastic /aluminium and polycarbonate polymer with fibreglass/
aluminium / plastic /stainless steel and polycarbonate polymer with fibreglass/
Dimensions (WxHxD)131х100х76 mm133x100x79 mm
Weight737 g780 g
Color
Added to E-Catalogfebruary 2017june 2012

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Maximum image size

The maximum size of photos taken by the camera in normal (non-panoramic) mode. In fact, this paragraph indicates the highest resolution of photography — in pixels vertically and horizontally, for example, 3000x4000. This indicator directly depends on the resolution of the matrix: the number of dots in the image cannot exceed the effective number of megapixels (see above). For example, for the same 3000x4000, the matrix must have an effective resolution of at least 3000*4000 = 12 million dots, that is, 12 MP.

Theoretically, the larger the size of the photo, the more detailed the image, the more small details can be conveyed on it. At the same time, the overall image quality (including the visibility of fine details) depends not only on resolution, but also on a number of other technical and software factors; see "Effective MP number" for more details.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Number of scene programs

The number of scene programs provided in the camera design.

Scene programs are preset settings for some of the most common shooting scenes - for example, Portrait, Landscape, Sports, Sunset, etc. In addition to these presets, this list may include special effects and creative tools (such as color swap or fisheye), as well as exposure modes (see below). The presence of scene programs is especially useful for beginners and non-professional photographers, as it eliminates the need to tinker with each setting separately - just select the most suitable program, and all the necessary settings will be set automatically. The more scene programs the camera design provides, the wider its automatic adjustment capabilities.

Frames per series (JPEG)

The highest number of shots a camera can capture “in one go” in JPEG continuous shooting.

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

JPEG, the most popular digital photography format today, is smaller and requires less processing power than RAW (see "Recording in RAW Format"). Therefore, in a JPEG series, as a rule, more frames are available to the photographer. However, in some models that have two separate buffers (for RAW and JPEG), it may be the other way around.

Frames per series (RAW)

The highest number of shots the camera can capture “in one shot” when shooting in RAW format continuously (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be transferred to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may be more than stated in the specifications.

RAW images take up more space and require more processing power than "finished" JPEGs. Therefore, the number of frames in a series of this format is usually lower than that of JPEG. However, there are exceptions — usually these are cameras that have two separate buffers (for RAW and JPEG).

Frames per series (JPEG RAW)

The highest number of frames a camera can capture “in one go” in continuous shooting mode, where the same frame is saved in both JPEG and RAW format at the same time (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

Shooting JPEG and RAW at the same time requires a lot of resources, and the materials themselves take up a lot of space. Therefore, the possibility of such shooting itself is available mainly in premium cameras, and the number of frames in a JPEG RAW series is usually less (at best, the same) than in any of these formats separately.
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