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Comparison Canon EOS M50 Mark II kit 15-45 vs Canon EOS 800D 18-55

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Canon EOS M50 Mark II  kit 15-45
Canon EOS 800D  18-55
Canon EOS M50 Mark II kit 15-45Canon EOS 800D 18-55
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Main
Autofocus system Dual Pixel CMOS AF. 4K video recording. High rate of fire in burst mode. Touch rotary screen. Complete set of wireless communications. Compact size and light weight.
Dual Pixel CMOS AF technology. Confident work at high ISO. Large memory buffer. Educational menu interface for beginner photographers. Touch rotary display.
Camera type"mirrorless" (MILC)digital mirror
Sensor
SensorCMOS (CMOS)
CMOS (CMOS) /22.5x15 mm/
Sensor size
APS-C (23x15.5 mm) /22.3х14.9 mm/
APS-C (23x15.5 mm) /dIGIC 7 processor/
Total MP25.825.8
Effective MP number24.124.2
Maximum image size6000x4000 px6000x4000 px
Light sensitivity (ISO)100-51200
100-25600 /hardware ISO up to 51200/
Sensor cleaning
RAW format recording
Lens
Mount (bayonet)Canon EF-MCanon EF-S, Canon EF
Kit lens
Aperturef/3.5 - f/6.3f/3.5 - f/5.6
Focal length15 - 45 mm18 - 55 mm
Optical zoom33
Manual focus
Image stabilizationis absentis absent
Photo shooting
HDR
White balance measuring
Exposure compensation
± 3 EV, in 1/3 EV steps /± 2 (3 frames in 1/3 EV increments)/
± 5 EV, in 1/2 or 1/3 EV steps
Auto bracketing
 /± 3 (3 frames at 1/3 EV, 1/2 EV steps)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 60 fps1920x1080 px 60 fps
Ultra HD (4K)3840x2160 px 25 fps
Video scene modes1
File recording formatsMP4 (H.264)MPEG-4, H.264
Manual video focus
Maximum video length
time limit
memory limit
 
 
Connection ports
HDMI v 1.4
microphone Jack
HDMI v 1.4
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
one shot
tracking
in face
Focus points143 шт45 шт
Touch focus
Contour enhancement
Viewfinder and shutter
Viewfinderelectronicoptical (mirror)
Viewfinder crop0.82 x
Frame coverage100 %95 %
Shutter speed30-1/4000 с30-1/4000 с
Continuous shooting10 fps6 fps
Shutter typemechanical
Screen
Screen size3 ''3 ''
Screen resolution1040 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Memory and communications
Memory cards types
SD, SDHC, SDXC /Eye-Fi, UHS-I/
SD, SDHC, SDXC /UHS-I/
Communications
Wi-Fi
Bluetooth
 
smartphone control
Wi-Fi 4 (802.11n)
Bluetooth
NFC
smartphone control
Flash
Built-in flash
Guide number12
Application range5 m
External flash connect
flash X-sync1/200 с
Power source
Power source
battery
battery
Battery modelLP-E12LP-E17
Shots per charge305 шт600 шт
General
Materialmagnesium alloy
aluminium / plastic /aluminium and polycarbonate polymer with fibreglass/
Dimensions (WxHxD)116.3х88х58.7 mm131х100х76 mm
Weight387 g737 g
Color
Added to E-Catalogjune 2021february 2017

Camera type

— Digital compact. This term refers to the simplest variety of modern digital cameras — those that are often called "soap dishes" in everyday life. As the name implies, these models are small in size, so most of them can be carried even in your pocket. Other specific features include a small sensor (see "Sensor Size"), a fixed lens, and a high degree of automation — digital compacts with full manual shooting options are the exception rather than the rule. In general, this type of camera is designed mainly for amateur shooting — in most cases, the image quality is quite sufficient for domestic purposes, but such devices are usually unsuitable for professional photography.

— “Mirrorless” cameras MILC (Mirrorless Interchangeable Lens Camera — literally “mirrorless cameras with interchangeable lenses”) are compact cameras that are a kind of hybrid between compact digital cameras and “DSLRs”. They are not equipped with a system of mirrors, the viewfinder (if any) is made electronic or optical (see below), which allows you to minimize the weight and dimensions of the camera. On the other hand, such devices use matrices of the same class as in SLR cameras, which ensures high quality shooting with a minimum of noise. As the name suggests, MILC cameras also typically work with interchangeable lenses.

— Digital SLR cameras. The most technically advanced class of digital cameras. It got its name from the system of mirrors installed in the...camera body; thanks to these mirrors, light enters the viewfinder directly through the lens (and not through the auxiliary window, as on compact cameras). As a result, the photographer sees what will be shot in real time, with high-quality colour reproduction and high brightness. It is also important that the "SLR" matrix is closed from light most of the time — the light hits it only at the time of shooting, due to which it practically does not heat up and the noise in the resulting image is minimized. The lenses of such cameras are made interchangeable, and many settings, unlike conventional digital cameras, can be set manually.

— For a mobile phone. Cameras designed to be installed on a smartphone as an external accessory and not designed for stand-alone use. Outwardly, such a device resembles a lens with a mount on the phone case; however, inside this “lens” there is a full-fledged matrix, an image processor and a Wi-Fi or Bluetooth wireless module for connecting to a smartphone. The smartphone itself, when used, simultaneously plays the role of a screen and a control device, in addition, footage can be immediately transferred to it. Technically, a similar camera can be connected to another gadget — for example, a tablet: it's not a fact that it can be fixed on the case, but the connection itself is quite possible.

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Mount (bayonet)

The type of bayonet mount — mount for interchangeable lenses — provided in a SLR or MILC camera (see "Camera type"). Bayonets come in different sizes, and interchangeable lens specifications usually indicate which mount it is designed for. Most often, mounts of different types are not compatible with each other, but there are exceptions (sometimes directly, sometimes using adapters).

Also note that one brand can use different mounts for different classes of cameras — and vice versa, one mount can be used by several manufacturers. So, Canon releases cameras with mounts EF-M, EF-S, EF and Canon RF. Leica has Leica M, Leica SL, Leica TL. Nikon has in its arsenal Nikon 1, Nikon F, Nikon Z. Pentax — Pentax 645, Pentax K, Pentax Q. Samsung offers NX and NX-M mounts. Sony cameras have Sony A and Sony E, Fuji has Fujifilm G and Fujifilm X. And as an example of a mount used by different brands, one can cit...e Micro 4/3, which is widespread in Olympus and Panasonic cameras.

Aperture

Aperture of the lens installed in the camera or supplied with it in the kit (for models with detachable optics).

In a simplified way, this parameter can be described as the ability of the lens to transmit light - in other words, how much the light flux weakens when passing through the optics. It is believed that two main indicators affect the characteristics of light transmission: the size of the relative opening of the lens and its focal length. Aperture is the ratio of the first indicator to the second; in this case, the size of the active hole is taken as one and is generally omitted when recording, as a result, such a recording looks, for example, like this: f / 2.0. Accordingly, the larger the number after the fraction sign, the lower the aperture ratio, the less light the lens transmits.

Zoom lenses (zoom lenses), as a rule, have different aperture values for different focal lengths. For such optics, two values of this parameter are indicated in the characteristics, for the minimum and maximum focal lengths, for example, f / 2.8–4.5. There are also vario lenses that maintain a constant aperture over the entire range of focal lengths, but they are much more expensive than analogs with variable aperture.

The high light transmission of the lens is important if the camera is planned to be used for shooting in low light conditions or for shooting fast moving objects: high-aperture optics allow you to shoot at low sensor sensitivity (which...reduces the likelihood of noise) and at low shutter speeds (at which moving objects are less blurry) . This parameter also determines the depth of field of the imaged space: the higher the aperture ratio, the smaller the depth of field. Therefore, for shooting with artistic background blur (“bokeh”), it is recommended to use fast lenses.

Focal length

Focal length of the camera lens.

Focal length is such a distance between the camera matrix and the optical center of the lens, focused at infinity, at which a clear and sharp image is obtained on the matrix. For models with interchangeable lenses ( mirrorless cameras and MILC, see “Camera Type”), this parameter is indicated if the camera is supplied with a lens (“kit”); Let us recall that, if desired, optics with other characteristics can be installed on such a camera.

The longer the focal length, the smaller the viewing angle of the lens, the higher the degree of approximation and the larger the objects visible in the frame. Therefore, this parameter is one of the key for any lens and largely determines its application (specific examples are given below).

Most often in modern digital cameras, lenses with a variable focal length are used: such lenses are able to zoom in and out of the image (for more details, see "Optical Zoom"). For "DSLRs" and MILC, specialized optics with a constant focal length (fixed lenses) are produced. But in digital compacts, "fixes" are used extremely rarely, usually such a lens is a sign of a high-end model with specific characteristics.

It should be borne in mind that the actual focal length of the lens is usually given in the characteristics of the camera. And the viewing angles and the general purpose of the optics are determined not only by this parameter, but also...by the size of the matrix with which the optics are used. The dependence looks like this: at the same viewing angles, a lens for a larger matrix will have a longer focal length than a lens for a small sensor. Accordingly, only cameras with the same sensor size can be directly compared with each other in terms of lens focal length. However, to facilitate comparisons in the characteristics, the so-called. EGF - focal length in 35 mm equivalent: this is the focal length that a lens for a full frame matrix having the same viewing angles would have. You can compare by EGF lenses for any matrix size. There are formulas that allow you to independently calculate the equivalent of 35 mm, they can be found in special sources.

If we talk about a specific specialization, then the EGF up to 18 mm corresponds to ultra-wide-angle fisheye lenses. Wide-angle is considered "fixed" optics with EGF up to 28 mm, as well as vario lenses with a minimum EGF up to 35 mm. Values up to 60mm correspond to "general purpose" optics, 50 - 135mm are considered optimal for shooting portraits, and higher focal lengths are found in telephoto lenses. More detailed information about the specifics of various focal lengths can be found in special sources.

Exposure compensation

The ability to manually (or automatically, according to predetermined parameters) change the exposure parameters during shooting, that is, the amount of light falling on the matrix. It is used when the automatically selected exposure parameters do not give a satisfactory result — for example, in difficult conditions, when the illumination of the main subject and the background is very different. The camera's exposure compensation capabilities are recorded in the format "± x EV, in y EV increments", such as "± 3 EV, in 1/2 EV increments". The first digit indicates the maximum amount by which the exposure can be changed from the original value by the compensation process; the second is the step (step) with which the change occurs. EV is a specific unit of measure for exposure; a 1 EV change in exposure means a 2x change in the amount of light hitting the sensor. An increase in EV indicates an increase in the amount of light due to opening the aperture or an increase in shutter speed, a decrease indicates the opposite. All modern cameras with exposure compensation function are capable of producing it “in both directions”.

Ultra HD (4K)

The maximum resolution and frame rate of video captured by the camera in the Ultra HD (4K) standard.

UHD 4K refers to resolutions with a frame size of approximately 4,000 horizontal pixels. Specifically, in cameras for video shooting, resolutions of 3840x2160 and 4096x2160 are most often used. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.

Video scene modes

The number and / or types of scene programs for shooting videos provided in the design of the camera.

Scene programs are a set of presets designed for different shooting situations - for example, in sunlight, on a cloudy day, in a darkened room, etc. Also, this list may include other specific modes - for example, creative tools. In any case, the presence of scene programs facilitates the choice of video shooting parameters, which is very useful for novice users.
Canon EOS M50 Mark II often compared
Canon EOS 800D often compared