Brightness
The maximum brightness of the image provided by the TV screen.
The image on the screen should be bright enough so that you do not have to strain your eyes unnecessarily to view it. However, too high brightness is undesirable — it will also lead to fatigue. The optimal brightness level depends on the surrounding conditions: the more intense the ambient light, the brighter the TV screen should be. So, on a sunny day, the screen may have to be “turned up” to the maximum, and in the evening, in dimmed light, a relatively dim image will be more comfortable. In addition note that large screens require higher brightness, since they are designed for a greater distance from the viewer.
Thus, the higher the number in this paragraph, the greater the margin of brightness this model has, the better it will show itself in intense ambient light. The lowest indicator sufficient for more or less comfortable viewing in any conditions is 300 cd/m² for models with a diagonal of up to 32", 400 cd/m² for models in the range of 32 – 55" and 600 cd/m² for large screens of 60" and more. In this case, the brightness margin anyway will not be superfluous. But with lower indicators, you may have to darken the room somewhat for comfortable viewing.
Response time
The response time can be described as the maximum time required for each pixel of the screen to change brightness, in other words, the longest time from the receipt of a control signal to the pixel until it switches to the specified mode. The actual switching time may be less — if the brightness changes slightly, it can be calculated in microseconds. However, it is the longest time that matters — it describes the guaranteed response speed of each pixel.
First of all, the frame rate is directly related to the response time (see the relevant paragraph): the lower the response time, the higher the frame rate can be provided on this sensor. However, the actual frame rate may be less than the theoretical maximum, it all depends on the TV. Also note that the overall image quality in dynamic scenes depends primarily on the frame rate. Therefore, we can say that the response time is an auxiliary parameter: the average user rarely needs this data, and in the specifications they are given mainly for advertising purposes.
Inputs
The TV's connectivity is based not only on wireless technologies (described above), but also on a wired connection. In particular, video transmission can be carried out through
VGA,
Component,
Composite,
SCART connectors. Some of them also provide sound transmission, in addition to which there may be a
mini-Jack (3.5 mm). and other ports for interconnection with external devices. More about them:
—
USB. Connector for connecting external peripheral devices. The presence of USB means at least that the TV is capable of playing content from flash drives and other external USB media. In addition, there may be other ways to use this input:
recording TV programs to external media, connecting a WEB camera (see same paragraph), keyboard and mouse to use the built-in browser and other software, etc. The specific set of options depends on the functionality of the TV, it should be specified separately in each case.
—
Card reader. A device for working with memory cards, most often in SD format. The main use of the card reader is to play content from such cards on a TV; such an opportunity is especially convenient for viewing materials from photo and video cameras — it is in such devices that memory cards are w
...idely used. There may be other ways to use this function — for example, recording from the broadcast or even exchanging files between the card and the TV's storage. It is worth bearing in mind that SD cards have several subtypes — original SD, SD HC and SD XC, and not all of them may be supported by the card reader.
— LAN. Standard connector for wired connection to computer networks (both local and the Internet). Mostly found in models with Smart TV support (including Android TV devices; see related paragraphs). A wired connection is less convenient than Wi-Fi, not as aesthetically pleasing, so manufacturers place more emphasis on a wireless connection, as a result of which the speed indicators of the LAN connector are not indicated, and in some cases may be unacceptable for 4K broadcasts.
— VGA. Analogue video input, also known as D-sub 15 pin. Initially, the VGA interface was developed for computers, but due to the emergence of more advanced standards like HDMI (see below) and technical limitations (the maximum resolution is only 1280x1024, the inability to transmit sound), it is considered obsolete and is used less and less. So it makes sense to specifically look for a TV with such a connector mainly in cases where it is planned to be used as a monitor for an outdated computer or laptop.
— Component. Video interface with 3 connectors, each of which is responsible for its part of the video signal. This separation provides high bandwidth and noise reduction, making the component input the most advanced analogue video interface available today. So, it is capable of working with HD, and in terms of image quality it significantly surpasses S-Video and composite connector, closely approaching HDMI (see below).
— Composite. Combined analogue audio/video interface, it is this connector that is usually called the A/V input. Actually, there are usually three connectors in the composite interface — separately for video and the left/right channel of stereo sound (on TVs with one speaker that do not support stereo, one of the audio connectors is missing). The image quality when working through such an input is not high, and HD formats are not supported at all; on the other hand, the composite interface is extremely widespread not only in modern, but also in outdated equipment like VHS video recorders.
— SCART. The large universal multimedia connector, the largest connector used in today's consumer-grade video equipment. Works mainly with an analogue signal, which is why it is considered obsolete; however, still not falling into disuse. One of the reasons for this "longevity" is versatility: SCART does not have its "own" signal format, this standard only describes the connector. In fact, having the appropriate cables, you can connect different types of incoming signals to such an input — composite, S-Video, etc. Moreover, it is technically possible for such a connector to work as an output (for the same signal types). However the specifications of SCART connectors in different TVs may be different, so a specific list of compatible interfaces needs to be specified separately.
— COM port (RS-232). A connector originally developed for computer technology. It is used as a control on TVs: by connecting the device to a computer, you can control TV parameters and various settings, sometimes quite specific and inaccessible when using a conventional remote control.
— Mini-Jack (3.5 mm). A connector most commonly used as an analogue audio (line) input. One of the options for using such a connector is to connect audio for a video signal transmitted via VGA, S-Video (see above) or another interface that does not support audio transmission. However, with the appropriate cable, any audio source can be connected to the 3.5 mm mini-Jack port, including a mobile device like a smartphone or a pocket player. In this case, the sound can be played both through the speakers of the TV, and on external speakers connected to it. Another option for using this input is to connect a microphone for chatting via Skype.Wall mount
Most TVs have a VESA wall mount which may vary in size. The basis for such mount is a rectangular plate with four holes for screws in the corners. The main characteristic of such a mount is the distance between the holes — it is measured along the sides of the rectangle and is expressed in two numbers. The original VESA format is 100x100, these mounts are used for most medium-sized LCD TVs. For small screens, 75x75 mounts are provided, for large ones — 200x200 and more (up to 800x400).
However, there are also models that are equipped with a standard (proprietary) mount from the manufacturer. Mostly these are either ultra-thin TVs or designer lines. Anyway, the mount in the kit is suitable only for the selected model.
Stand shape
— 2 separate legs.
Two legs as support are usually located on different sides of the lower face of the TV panel body. Such a design involves placing the TV on a large flat surface that extends along the entire lower side of the device. The TV is often more stable on two "legs" than on
one leg.
— 1 leg on the platform. A support for the TV with a round or rectangular platform, which is in contact with the surface of the TV panel (table, stand, etc.) with its entire plane.
— 1 leg with supports. Stands of this kind consist of a single leg and a base of various geometric shapes that holds the TV. This solution ensures reliable stability of the TV panel, and in terms of design, it is a stylish element of the design of the structure.
— Monolithic. A solid stand with two or more attachment points to the bottom of the TV and monolithic frames as a solid support for installing the TV panel on a flat surface of a table or stand.
