Comparison Sigma mobile X-Sport C10 vs T'nB SPCAMWIFI

Camera ability for recording WVGA (480p) video.

The most popular resolution options provided by this standard are 640x480 and 848x480; there may be other options, for example, 736x480 or 720x576, but the resolution of such a video is very low by modern standards.

Another important parameter indicated in the specs of the video is the frame rate. The higher it is, the smoother the picture looks, and the less moving objects are blurred in the frame. Accordingly, the higher the frame rate, the better the dynamic scenes will look on the video. A value of 120 fps or more usually indicates that the camera can shoot video in slow-motion format (although it should be specified separately). At the same time, many models with high fps allow you to set a lower frame rate than stated in the specifications — for example, a camera for 120 fps can also support 30 and 60 fps. This feature is useful in cases where you need to save memory — the higher the frame rate, the more space the video takes (at the same resolution), and by reducing the number of frames per second, you can fit more material in the same amount of memory.

The ability of the camera to shoot Full HD (1080p) video.

The standard image size in this standard is 1920x1080. However, in the case of action cameras, this category also includes some other resolutions that are similar in quality, for example, 1440x1080. In general, Full HD provides a very good balance between image quality, the volume of captured files and the processing power requirements for processing them, which makes this standard very popular in modern video equipment — both in cameras and in TV monitors.

Another important parameter given in this paragraph is the frame rate. The higher it is, the smoother the movement in the frame will be, and the details in dynamic scenes will be visible clearly. Technically, 30 fps or even less is enough, but 60 fps is considered the perfect value — at this frame rate, motion blur becomes almost imperceptible and at the same time the size of the captured files remains within reasonable limits. However, there are cameras on the market with a higher frame rate at FullHD resolutions — 90 fps, 100 fps, 120 fps and even 240 fps. This speed is usually used for shooting slow-motion video, but the possibility of such shooting needs to be specified separately.

For models with several lenses, as a rule, this parameter is indicated for each lens.

Most often (unless otherwise indicated), the specifications indicate the field of view by the diagonal of the frame; in some ultra-wide-angle lenses it can exceed 180°. A special case is made up of lenses for which a 360° view is declared: this means that the optics cover the entire hemisphere in front of it. Such lenses are found in panoramic and 360-degree cameras (see “Product type”).

In general, the field of view primarily determines what area of the scene is being captured into the frame. Accordingly, the wider it is, the more space the camera captures, and the lower the likelihood that something that is happening will be off-screen. On the other hand, it is worth considering that a strong increase in the field of view leads to distortions of the “picture”, especially at the edges, as well as, to a decrease in the size of visible objects and a decrease in detail. Detailed recommendations regarding choosing a camera based on this parameter can be found in special sources.

The presence of a digital (electronic) stabilization system in the camera design.

Any stabilization is intended to compensate for small juddering of the image that occurs due to the instability of the hold in the hands, vibrations from the motor or road roughness (when used in transport), etc. Digital stabilization is carried out as follows: a reserve area is allocated along the edges of the sensor, which under normal conditions does not participate in the formation of the final image. If the device is being shaken, the camera electronics select certain parts of the image from the reserve and build the image in such a way that in the end, it remains stable.

Compared to other methods of stabilization, digital systems are extremely simple and reliable. Moreover, they are inexpensive and have almost no effect on the weight, dimensions, and price of the camera. At the same time, with this method of stabilization, the effective area of the image sensor is reduced, which can adversely affect the image quality and the amount of noise on it.

The maximum resolution at which the action camera can take photos. Specified in pixels horizontally and vertically.

This parameter is directly related to the resolution of the image sensor(see above): the total number of pixels in the photo, usually, corresponds to the number of pixels in the sensor. For example, a photo resolution of 4608x3456 corresponds to a sensor of 15925248 pixels, or approximately 16 megapixels. If the number of pixels in the photo is greater than the claimed resolution of the sensor, then the manufacturer uses software tricks that allow you to improve the photo resolution to a higher one than originally. This reduces the cost of devices but also affects the quality of images.

Theoretically, high-resolution images can provide good detail, but in fact, much depends on the specs of the sensor (primarily physical size) and image processing features.

— Photo during video. The ability to take photos directly while recording a video — usually using a separate button. Thus, it is convenient to fix the most significant moments of what is happening. Such photos are much better in quality than "freeze frames" from the captured video.

— Serial photo shoot. This feature allows you to take several pictures at once in a short period (usually it is a fraction of a second). A series of shots increases the chance of capturing a good moment, which can be very important given the specifics of using action cameras.

— One click recording. The ability to quickly turn on the camera for recording — literally at the touch of a button, by the name. Moreover, such a button works even if the device is turned off. However, the recording inevitably starts with some delay; but often this delay is a fraction of a second.

— Online streaming. Ability to stream video to popular services like YouTube and social networks (Facebook, Instagram, TikTok, etc.). Usually, the online streaming function is implemented when the action camera is connected to the Internet via a Wi-Fi network, less often via a wired connection. Communication with the World Wide Web can be held directly or through a smartphone or computer. It will require the use of appropriate software.

— Time lapse. A special mode of operation of the action camera, in which video recording is carried out at a slower frequency is mainly used for filming slow processes. Thus, for example, a long journey or a long sunset can fit into a 3-minute video.

— Auto-rotate. The function of automatic rotation of the captured photos and videos to the position corresponding to the position of the camera. Without this feature, all footage during playback would be displayed strictly in landscape orientation, and footage shot with the camera upside down or upside down would have to be rotated in a photo or video editor. Usually, at the beginning of video recording, auto-rotation is blocked — so that the position of the frame at any time corresponds to the rotation of the camera itself relative to its original position.

— Photo panoramas shooting. The ability to use the camera to take panoramic photos. In traditional action cameras (see "Product type"), such shooting is carried out as follows: the camera takes several separate photos, which are then glued into one image. Regarding panoramic and 360-degree models (see ibid.), it is worth noting that not all such models support shooting in panoramic format, so it is advisable to check the availability of this function separately.

— Key points labels. The ability to add special marks to the footage that indicate key moments. While viewing such videos, you can go directly to the labels — this is easier than manually searching for the right moment. This feature is especially useful when shooting long videos, as well as when numerous individual files. The label, usually, is placed right during the shooting by pressing a special button or by voice command.

— Night shooting. Special mode for recording in low light conditions. The specific implementation of this function may be different: in some models, the sensitivity of the sensor is increased, in others, shooting in the IR range is used. Accordingly, specific features may vary: not every camera with this function can shoot in complete darkness, and these nuances should be clarified separately.

— GPS module. Built-in satellite navigation module that allows you to determine the current coordinates of the device. Options for using data from GPS can be different: geotagging footage, recording travelled routes, determining the speed of movement, or even full-fledged navigation on the map.

— Wi-Fi module. The Wi-Fi wireless module in action cameras can be used in different formats: in some models, it is responsible for connecting to the Internet, in others it is for communicating with a smartphone or other gadget, in others both options are available at once. Anyway, the main use of this connection is to transfer footage to an external device or to the Internet (including broadcasting in the online streaming format, see “Filming capabilities”). In addition, more specific functions can be provided, for example, using a smartphone as an external viewfinder and remote control. Specific features of the use of Wi-Fi in each case should be clarified separately.

— Bluetooth. Direct wireless communication technology for exchanging information between two electronic devices. In action cameras, it is most often used to connect remote controls, selfie sticks and smartphones, which can also act as a remote control. Unlike the Wi-Fi module, it consumes battery power more economically, but at the same time, the range of wireless communication is reduced to 10 m...etres.

— NFC chip. NFC is a wireless communication technology over short distances (up to 10 cm). In action cameras, this technology is mainly used as an auxiliary one, to facilitate connection with a smartphone or other gadget via Wi-Fi or Bluetooth. If such a gadget is also equipped with NFC, just bring the camera to it and confirm the connection — it's easier than fiddling with the settings.

— USB-C. A relatively new type of USB interface that uses a miniature double-sided connector, slightly larger than microUSB. Most often used for similar purposes — as a universal connector through which you can charge the battery and connect the camera to a computer (for copying photos and videos, updating software, etc.). P.). At the same time, USB-C provides a higher data transfer rate than microUSB, supports more power supply, and also has a more convenient plug. Occasionally, there are more specific ways to use this interface — for example, direct connection to a smartphone or tablet that has a USB-C port.

— HDMI output. HDMI is a digital interface specially designed for high-definition video and multi-channel audio. With this output, you can connect the camera to a TV, monitor or other device as an external player and play the footage directly. The convenience of HDMI is that almost all modern video equipment with support for HD standards is equipped with such inputs.

Note that the cameras can be equipped with a smaller version of the connector — miniHDMI or microHDMI; however, finding an adapter cable is usually not a problem, it can even be supplied in the kit.

— AV output. Output for transmitting video and audio signals in analogue format. In action cameras, it most often has the form of a 3.5 mm mini-jack connector. The AV output capabilities are noticeably more modest than those of HDMI, which has a similar purpose: the analogue signal only allows standard definition video (not HD) plus mono or stereo sound (not multi-channel). On the other hand, often even such features are enough; and AV inputs are widespread and are found not only in modern but also in outdated technology like CRT TVs. In addition, many cameras have two video outputs at once — both HDMI and AV.

— Microphone connection. Almost any modern action camera has a built-in microphone that allows you to record sound. However, the quality of its sound is often quite low. Thus, many models can connect an external microphone — you can fix it, for example, on the helmet strap and record the comments of the athlete in the process of movement. Note that different types of connectors can be used for such a connection. As a result, the specific connector type and supported accessories depend on the action camera model, and some devices are only compatible with branded microphones.

— Diagonal. The larger the screen, the more convenient it is to watch (and also to control if the display is touch-sensitive). On the other hand, the diagonal of the built-in display directly affects the size of the case, and action cameras should be quite compact. Thus, there are practically no screens larger than 2.5" in modern action cameras.

— Resolution. Theoretically, the higher the resolution, the clearer and better image the screen produces. On the other hand, displays in action cameras are designed mainly for menu operation and footage preview — and for these purposes, especially high resolutions are not needed. For models with two screens, the rear display is considered the main display.

— Touch screen. Display equipped with a sensor and responsive to touch like in smartphones/tablets. Control through such a display is simpler and more intuitive than using buttons, rotary knobs, etc. On the other hand, for more or less convenient control, the touch screen must be quite large, which affects the dimensions of the entire camera.

— Front screen. The presence in the camera of a screen mounted on the front panel, next to the lens. Other displays may not be present at all; in such cases, the diagonal, resolution and other parameters are given for the front screen.

It is worth noting that most often the simplest black-and-whit...e displays are installed on the front panel, suitable only for text and basic graphic information. However, even on such a screen, you can display a wide variety of service data: the current mode of operation (photo, video, standby), the resolution used, the shooting time, the amount of free space on the drive, etc. But more advanced displays are not used as front displays: a full-colour screen is needed only for taking a selfie, and for this you can use a remote display with a remote control(see "Control") or a smartphone connected to the camera.

— Protective case. A special container that provides additional protection against dust, moisture, shock, extreme temperatures and other similar “troubles”. The specific degree of protection in each case must be specified separately. In order not to interfere with the shooting, the box is made of transparent materials. In addition, we note that some cameras can only be mounted on mounts in a protective case (or in a mounting frame — see below), since the camera body may not have mounts for this.

— Curved mount(helmet). A mount designed to mount the camera on a helmet or other curved surface. The design of such a mount is based on a curved platform with an adhesive layer or hook-and-loop, the shape of which approximately corresponds to the shape of the surface of the helmet. Such a fixture can provide a more secure hold than the classic flat platform (see below).

— Flat mount. One of the basic and simplest mounts used to fix an action camera on almost any uniform surface: snowboard, skateboard, car hood, etc. It is a small flat platform, on one side of which the camera is attached, while the other is fixed on the desired surface (using hook-and-loop, special glue, etc.). Note that flat mounts are often used for mounting on a helmet. However, there is a separate type of mount for this, with a curved platform (see above).

— 3-axis mount. It differs from other types of mounting in the presence of three movable nodes that allow you to rotate the camera at an angle of up to 90 degrees in three axes. This allows you to choose the most interesting or successful shooting angle — on the side of the helmet, for example. Such options are usually compatible with many other mounts, so they can be used in conjunction with a handlebar, curved mount, etc.

— Bicycle/moto handlebar. Mount for installing the camera on a small pipe, such as the handlebars of a bicycle or motorcycle. Usually, it looks like a clamp, and the size of the fastening can be adjusted within a fairly wide range, adjusting it to pipes of different diameters.

— Suction cup(on glass). Camera mount, fixed in the right place with a suction cup. Allows you to install the device on flat and slightly curved surfaces. At the same time, note that such fasteners are not held as securely as flat or curved ones (see the relevant paragraphs). On the other hand, the suction cup is easy to attach and remove and leaves no marks. Therefore, mounts of this type are mainly used for installation on car glass when the camera works as a DVR.

— Clamp (clip). The clip-pin mount is quite versatile since it allows you to hang the camera on almost any suitable piece of equipment (backpack strap, unloading belt, belt, etc.). But at the same time, it is not very suitable for extreme shooting due to the relatively low reliability.

— Head mount. A device for fixing the camera on the head — usually on the forehead, like a headlamp. In addition to being hands-free, this placement has another advantage: the camera lens faces the same direction as the user. In this case, the mount itself is usually a system of elastic straps and is designed to be worn directly on the head, in contrast to the curved platform for the helmet. However, in some models, the possibility of putting on a helmet is also allowed.

— Chest mount. This mount is a system of elastic straps that allows you to fix the camera on the user's chest, shooting a little lower than the "eyeball". Like the head mount (see above), it easily adapts to the desired size.

— Mounting frame. A device designed to mount the camera on various mounts — helmet-mounted, on the handlebar, etc. The camera body itself often does not have mounts for such fixing, which is why you have to use additional equipment. Note that a similar function is often performed by a protective case(see above); the mounting frame, in contrast, provides almost no protection. However, in the frame, the camera body remains as open as possible. This provides additional features — in particular, it allows you to connect various cables and effectively use the built-in microphone, which is not possible with many protective cases.

— Monopod(selfie stick). It is a rod, usually folding, and sometimes adjustable in length; on one end of the rod is a mount for the camera and on the other — a handle for holding in your hand. By the name, such a monopod is intended mainly for filming itself — thanks to the length of the rod, the camera can be held at a convenient distance for this. However, other applications are also possible: for example, with the help of a monopod, you can “look” quite far over the edge of a cliff or around a corner. The main disadvantage of such a device is that one hand is constantly busy.

In addition to those mentioned above, other types of mounts may be included in the delivery package — for example, for musical instruments (for a guitar neck, a drum kit bar, etc.), for a surfboard, etc.