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Comparison SJCAM SJ5000 vs SJCAM SJ4000 WiFi

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SJCAM SJ5000
SJCAM SJ4000 WiFi
SJCAM SJ5000SJCAM SJ4000 WiFi
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Product typeaction cameraaction camera
Body typeconventionalconventional
Thread 1/4" (for tripod)
Dust-, moisture-proof of case
IP68 /dive up to 30 m/
IP68 /dive up to 30 m/
Filming
WVGA (480p)640x480 px 60 fps640x480 px 60 fps
HD (720p)1280x720 px 60 fps1280x720 px 60 fps
Full HD (1080p)1920x1080 px 30 fps1920x1080 px 30 fps
Quad HDno supportno support
Ultra HD (4K)no supportno support
Field of view170 °170 °
Sound recording
Megapixels1412
Photo resolution4320x3240 px4000x3000 px
Capabilities
time lapse
time lapse
Communications and display
Connection
 
HDMI output
Wi-Fi module
HDMI output
Display
2 "
960x240 px
1.5 "
960x240 px
Speaker
In box
In box
protective case
curved mount (helmet)
flat mount
3-axis mount
bicycle / moto handlebar
clamp (clip)
mounting frame
hand strap
protective case
curved mount (helmet)
flat mount
3-axis mount
bicycle / moto handlebar
clamp (clip)
 
hand strap
General
Max. memory card capacity64 GB64 GB
Power sourceremovable batteryremovable battery
Battery modelSJ-BAT-10SJ-BAT-10
Battery900 mAh900 mAh
Dimensions60x41x25 mm59x41x30 mm
Weight74 g59 g
Color
Added to E-Catalogaugust 2015january 2015

Megapixels

The number of megapixels in the action camera sensor, in other words, the resolution of this sensor(1 megapixel is 1 million photosensitive points).

There is an opinion that the higher the resolution, the better the image quality. It is true from the point of view that manufacturers are trying to install high-resolution sensors in advanced cameras. At the same time, there are no strict dependencies here, and from the technical point of view, the number of megapixels determines only the maximum image resolution that can be captured using this sensor. The quality of this picture will depend both on several features of the sensor itself (size, type, special design solutions), and the specs of the camera. So when choosing, you should focus not so much on the resolution of the image sensor, but on the general class of the camera and reviews with examples of footage.

Photo resolution

The maximum resolution at which the action camera can take photos. Specified in pixels horizontally and vertically.

This parameter is directly related to the resolution of the image sensor(see above): the total number of pixels in the photo, usually, corresponds to the number of pixels in the sensor. For example, a photo resolution of 4608x3456 corresponds to a sensor of 15925248 pixels, or approximately 16 megapixels. If the number of pixels in the photo is greater than the claimed resolution of the sensor, then the manufacturer uses software tricks that allow you to improve the photo resolution to a higher one than originally. This reduces the cost of devices but also affects the quality of images.

Theoretically, high-resolution images can provide good detail, but in fact, much depends on the specs of the sensor (primarily physical size) and image processing features.

Connection

GPS module. Built-in satellite navigation module that allows you to determine the current coordinates of the device. Options for using data from GPS can be different: geotagging footage, recording travelled routes, determining the speed of movement, or even full-fledged navigation on the map.

Wi-Fi module. The Wi-Fi wireless module in action cameras can be used in different formats: in some models, it is responsible for connecting to the Internet, in others it is for communicating with a smartphone or other gadget, in others both options are available at once. Anyway, the main use of this connection is to transfer footage to an external device or to the Internet (including broadcasting in the online streaming format, see “Filming capabilities”). In addition, more specific functions can be provided, for example, using a smartphone as an external viewfinder and remote control. Specific features of the use of Wi-Fi in each case should be clarified separately.

Bluetooth. Direct wireless communication technology for exchanging information between two electronic devices. In action cameras, it is most often used to connect remote controls, selfie sticks and smartphones, which can also act as a remote control. Unlike the Wi-Fi module, it consumes battery power more economically, but at the same time, the range of wireless communication is reduced to 10 m...etres.

NFC chip. NFC is a wireless communication technology over short distances (up to 10 cm). In action cameras, this technology is mainly used as an auxiliary one, to facilitate connection with a smartphone or other gadget via Wi-Fi or Bluetooth. If such a gadget is also equipped with NFC, just bring the camera to it and confirm the connection — it's easier than fiddling with the settings.

USB-C. A relatively new type of USB interface that uses a miniature double-sided connector, slightly larger than microUSB. Most often used for similar purposes — as a universal connector through which you can charge the battery and connect the camera to a computer (for copying photos and videos, updating software, etc.). P.). At the same time, USB-C provides a higher data transfer rate than microUSB, supports more power supply, and also has a more convenient plug. Occasionally, there are more specific ways to use this interface — for example, direct connection to a smartphone or tablet that has a USB-C port.

HDMI output. HDMI is a digital interface specially designed for high-definition video and multi-channel audio. With this output, you can connect the camera to a TV, monitor or other device as an external player and play the footage directly. The convenience of HDMI is that almost all modern video equipment with support for HD standards is equipped with such inputs.

Note that the cameras can be equipped with a smaller version of the connector — miniHDMI or microHDMI; however, finding an adapter cable is usually not a problem, it can even be supplied in the kit.

AV output. Output for transmitting video and audio signals in analogue format. In action cameras, it most often has the form of a 3.5 mm mini-jack connector. The AV output capabilities are noticeably more modest than those of HDMI, which has a similar purpose: the analogue signal only allows standard definition video (not HD) plus mono or stereo sound (not multi-channel). On the other hand, often even such features are enough; and AV inputs are widespread and are found not only in modern but also in outdated technology like CRT TVs. In addition, many cameras have two video outputs at once — both HDMI and AV.

Microphone connection. Almost any modern action camera has a built-in microphone that allows you to record sound. However, the quality of its sound is often quite low. Thus, many models can connect an external microphone — you can fix it, for example, on the helmet strap and record the comments of the athlete in the process of movement. Note that different types of connectors can be used for such a connection. As a result, the specific connector type and supported accessories depend on the action camera model, and some devices are only compatible with branded microphones.

Display

— Diagonal. The larger the screen, the more convenient it is to watch (and also to control if the display is touch-sensitive). On the other hand, the diagonal of the built-in display directly affects the size of the case, and action cameras should be quite compact. Thus, there are practically no screens larger than 2.5" in modern action cameras.

— Resolution. Theoretically, the higher the resolution, the clearer and better image the screen produces. On the other hand, displays in action cameras are designed mainly for menu operation and footage preview — and for these purposes, especially high resolutions are not needed. For models with two screens, the rear display is considered the main display.

— Touch screen. Display equipped with a sensor and responsive to touch like in smartphones/tablets. Control through such a display is simpler and more intuitive than using buttons, rotary knobs, etc. On the other hand, for more or less convenient control, the touch screen must be quite large, which affects the dimensions of the entire camera.

— Front screen. The presence in the camera of a screen mounted on the front panel, next to the lens. Other displays may not be present at all; in such cases, the diagonal, resolution and other parameters are given for the front screen.

It is worth noting that most often the simplest black-and-whit...e displays are installed on the front panel, suitable only for text and basic graphic information. However, even on such a screen, you can display a wide variety of service data: the current mode of operation (photo, video, standby), the resolution used, the shooting time, the amount of free space on the drive, etc. But more advanced displays are not used as front displays: a full-colour screen is needed only for taking a selfie, and for this you can use a remote display with a remote control(see "Control") or a smartphone connected to the camera.

In box

Protective case. A special container that provides additional protection against dust, moisture, shock, extreme temperatures and other similar “troubles”. The specific degree of protection in each case must be specified separately. In order not to interfere with the shooting, the box is made of transparent materials. In addition, we note that some cameras can only be mounted on mounts in a protective case (or in a mounting frame — see below), since the camera body may not have mounts for this.

Curved mount(helmet). A mount designed to mount the camera on a helmet or other curved surface. The design of such a mount is based on a curved platform with an adhesive layer or hook-and-loop, the shape of which approximately corresponds to the shape of the surface of the helmet. Such a fixture can provide a more secure hold than the classic flat platform (see below).

Flat mount. One of the basic and simplest mounts used to fix an action camera on almost any uniform surface: snowboard, skateboard, car hood, etc. It is a small flat platform, on one side of which the camera is attached, while the other is fixed on the desired surface (using hook-and-loop, special glue, etc.). Note that flat mounts are often used for mounting on a helmet. However, there is a separate type of mount for this, with a curved platform (see above).

3-axis mount. It differs from other types of mounting in the presence of three movable nodes that allow you to rotate the camera at an angle of up to 90 degrees in three axes. This allows you to choose the most interesting or successful shooting angle — on the side of the helmet, for example. Such options are usually compatible with many other mounts, so they can be used in conjunction with a handlebar, curved mount, etc.

Bicycle/moto handlebar. Mount for installing the camera on a small pipe, such as the handlebars of a bicycle or motorcycle. Usually, it looks like a clamp, and the size of the fastening can be adjusted within a fairly wide range, adjusting it to pipes of different diameters.

Suction cup(on glass). Camera mount, fixed in the right place with a suction cup. Allows you to install the device on flat and slightly curved surfaces. At the same time, note that such fasteners are not held as securely as flat or curved ones (see the relevant paragraphs). On the other hand, the suction cup is easy to attach and remove and leaves no marks. Therefore, mounts of this type are mainly used for installation on car glass when the camera works as a DVR.

Clamp (clip). The clip-pin mount is quite versatile since it allows you to hang the camera on almost any suitable piece of equipment (backpack strap, unloading belt, belt, etc.). But at the same time, it is not very suitable for extreme shooting due to the relatively low reliability.

Head mount. A device for fixing the camera on the head — usually on the forehead, like a headlamp. In addition to being hands-free, this placement has another advantage: the camera lens faces the same direction as the user. In this case, the mount itself is usually a system of elastic straps and is designed to be worn directly on the head, in contrast to the curved platform for the helmet. However, in some models, the possibility of putting on a helmet is also allowed.

Chest mount. This mount is a system of elastic straps that allows you to fix the camera on the user's chest, shooting a little lower than the "eyeball". Like the head mount (see above), it easily adapts to the desired size.

Mounting frame. A device designed to mount the camera on various mounts — helmet-mounted, on the handlebar, etc. The camera body itself often does not have mounts for such fixing, which is why you have to use additional equipment. Note that a similar function is often performed by a protective case(see above); the mounting frame, in contrast, provides almost no protection. However, in the frame, the camera body remains as open as possible. This provides additional features — in particular, it allows you to connect various cables and effectively use the built-in microphone, which is not possible with many protective cases.

Monopod(selfie stick). It is a rod, usually folding, and sometimes adjustable in length; on one end of the rod is a mount for the camera and on the other — a handle for holding in your hand. By the name, such a monopod is intended mainly for filming itself — thanks to the length of the rod, the camera can be held at a convenient distance for this. However, other applications are also possible: for example, with the help of a monopod, you can “look” quite far over the edge of a cliff or around a corner. The main disadvantage of such a device is that one hand is constantly busy.

In addition to those mentioned above, other types of mounts may be included in the delivery package — for example, for musical instruments (for a guitar neck, a drum kit bar, etc.), for a surfboard, etc.
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