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Comparison Tenex DoubleCam D1 vs Tenex MidiCam C2

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Tenex DoubleCam D1
Tenex MidiCam C2
Tenex DoubleCam D1Tenex MidiCam C2
Outdated ProductOutdated Product
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Typedashcamdashcam
Installation
on the windscreen
on the windscreen
Glass mountsuction cup
Dashcam mountclip
Camera
Screen typeSony IMX323
ProcessorNovatek NTK96658MStar 8328P
Full HD (1080)1920x1080, 30 fps
Super HD2304x1296, 30 fps
Field of view170 °170 °
Recording features
G-sensor
sound recording
WDR (Wide Dynamic Range)
G-sensor
sound recording
WDR (Wide Dynamic Range)
Features
Functions
speaker
speaker
Additional camera
External camera1
Video resolution1920х1080 px
Frame frequency30 fps
Screen
Screen size4 "3 "
General
AV-output
Max. memory card size32 GB
Backup powerbatterybattery
Size87x54x35 mm
Added to E-Catalogfebruary 2018january 2018

Glass mount

Glass mount provided in the model with the corresponding type of installation (see above).

Note that in many models, not the recorder itself is attached to the glass, but the bracket, on which, in turn, the device is installed. To learn how to fix the recorder on the bracket, see "Mounting the recorder". And the options for attaching to glass can be as follows:

Sucker. The traditional suction cup, which works due to the reduced pressure between the mount and the glass — as a result, the force of the pressure of the outside air and holds the structure in place. One of the main advantages of this option is “reusability”: the suction cup can be repeatedly stuck and detached at the request of the user, and after removal it leaves practically no traces. However this type of fastening is considered somewhat less reliable than stickers; however, the suction cups used in video recorders are usually of a special design that provides sufficient reliability for practical use. Therefore, this type of mount is extremely popular in modern registrars.

Sticker. A plate with a layer of special glue, due to which the entire structure is held on the glass. Such mounts are considered more reliable than suction cups, they are less prone to wear and do not lose effectiveness even with minor damage such as cracks and chips. On the other hand, the sticker is usually installed "once and for all..." and does not provide the ability to quickly remove the bracket. And although dismantling by itself is possible, however, it will not work to reuse the sticker, and the glass will most likely have to be cleaned from traces of glue. So installing a recorder with such a mount requires special care and attention.

Note that some models of DVRs are supplied immediately with both types of mounts described above in the kit. This allows the user to choose the option of their choice — including changing the suction cup to a sticker, if the need arises.

Dashcam mount

A method of fixing the recorder on a device that plays the role of a mount - a bracket for the windshield, a helmet platform, a clamp for the steering wheel or another similar structure.

Latch. One of the most popular options nowadays. The latch, along with the magnet (see below), refers to quick-release fasteners, allowing you to easily and quickly remove the device and return it to its place. This feature can be useful, for example, if the car is left overnight in an unguarded place, where an unremoved recorder can become a bait for thieves; In addition, the entire device sometimes has to be removed to view and copy footage. Specifically, latches are considered more reliable than magnets; they can be used even with the most massive devices, and are also cheaper to produce.

- Magnet. Another type of quick-release mount: a powerful permanent magnet that is strong enough to hold the recorder in place. This type of fastener is easier to use than a latch: to install it, just “stick” the device to the mount, and to remove it, just pull it hard. Another advantage is that the latch can be broken by unsuccessfully applying force, whereas in magnets there is practically nothing to break. On the other hand, this type of mount is less reliable: in the event of a shock or a powerful jerk, the force of attraction may not be enough. Therefore, although magnets ar...e widespread, they are still inferior in popularity to latches.

— Magnet/latch. An option that involves the presence of both types of mount in the kit - both a magnet and a latch. This allows you to choose an option at your discretion depending on the situation. For example, for quiet movement around the city and frequent stops during which you have to remove the recorder, a magnet is better suited, and a more reliable latch will be useful on a long journey, especially if the roads are of poor quality. At the same time, such versatility is not required so often, which is why this option has not become widespread.

- Screw. Fixation with a screw that is screwed into a socket on the recorder body. Connecting and disconnecting such a fastener takes noticeably longer than in the case of a latch or magnet, however, the reliability of fasteners of this type is very high - even a strong tug is more likely to tear off the suction cup or sticker that holds the entire structure than damage the screw mount.

— Fixed / non-removable. An option found exclusively in windshield recorders installed using a sticker (see “Attaching to glass”). The platform with the sticker in such models is rigidly fixed to the body; and in some models the role of such a platform is played by the upper side of the body, specially made flat. The advantages of fixed mounts are simplicity, compactness and high reliability. On the other hand, this installation method requires the recorder to be permanently on the glass and does not allow you to quickly remove it and put it back: removing the sticker is quite difficult, and it cannot be reused.

Screen type

The sensor is a key element of any digital camera; it is from it and from signal processing technologies that the quality of the resulting image primarily depends. In this case, the type refers rather to the brand or brand of the matrix; it is usually indicated if the recorder is equipped with a high-quality sensor that is noticeably superior to most solutions on the market.

One of the most popular such options is Sony. The specific characteristics of the matrices ( IMX179, IMX222, IMX291, IMX307, IMX317, IMX322, IMX323, IMX326, IMX335, IMX415) may vary, but anyway, such a sensor is a sign of a high-end DVR.

In addition, there are models equipped with matrices from other manufacturers — Aptina, OmniVision, Samsung(GalaxyCore), Sandvik. Such solutions are generally considered to be simpler and more democratic than Sony — both in terms of price and functionality. Nevertheless, Samsung has a lot of developments in the field of electronics, and even such r...elatively “simple” sensors are usually more advanced and of higher quality than “know-names”.

Another manufacturer that produces fairly high-quality matrices is Panasonic. Such sensors are not as widespread as those described above, but they are still found in video recorders, including pretty advanced.

Processor

Model of the processor used in the dashcam

The term "video chip" is used mainly for devices with classic capabilities, "processor" — for advanced models with an abundance of non-standard functions. However, anyway, we are talking about the same component — the main computing unit, the characteristics of which directly affect the capabilities of the recorder as a whole. Knowing the model of the processor, you can find detailed data on it and evaluate how satisfied you are with a device based on such electronics. Of the most advanced modern chips, one can name, in particular, Ambarella A7L, Ambarella A12, Novatek NTK96655, Novatek NTK96660 and HiSilicon Hi3516.

Full HD (1080)

The maximum resolution and frame rate of video taken by the recorder in the Full HD (1080p) standard.

Many people associate the term Full HD with a resolution of 1920x1080 — and indeed, this resolution is very popular, including among DVRs. However, this standard also covers other options — in particular, 1440x1080 (4:3 aspect ratio) and 1920x540 (halved vertical size). In general, support for this resolution is a good indicator for a modern registrar, indicating that the device belongs to at least an average level.

As for the frame rate, the higher it is, the smoother and less blurry the video will be, the better the details on moving objects will be visible, and also the more space the footage will take up. It is worth noting here that in low-cost Full HD recorders, shooting can be carried out at very low speeds — 15 fps or even 10 fps. Such a shooting speed allows you to watch video more or less normally, but for a normal display of moving objects, a higher frame rate is still desirable — at least 25 frames / sec.

Super HD

The maximum resolution and frame rate of video taken by the recorder in the Super HD standard.

Super HD is a rather specific standard that exceeds Full HD in resolution, but falls short of Quad HD. The traditional frame size for this format is 2304x1296, but there are models with a lower horizontal resolution — 1728x1296. Anyway, Super HD is quite popular among DVRs: it provides good detail and does not require particularly powerful hardware.

As for the frame rate, the higher it is, the smoother and less blurry the video will be, the better the details on moving objects will be visible, and also the more space the footage will take up. However, in Super HD models this figure usually ranges from 25 to 30 fps, and this difference is hardly fundamental.

External camera

One or more remote cameras in the standard equipment of the registrar, used for video recording of the traffic situation behind the car. In the vast majority of cases, the remote camera is attached to the DVR in one copy. It covers the rear "stern" of the car and is simultaneously used as an assistant when reversing parking — the picture from the camera can be displayed on the DVR screen in real time. There can be several remote cameras, which provides a wider coverage of the DVR's field of view.

Video resolution

The maximum video resolution supported by the optional DVR camera. Depending on the design and configuration, we can talk about both a remote camera and a camera for filming the interior (see above for both); this nuance should be clarified separately.

The higher the resolution, the more detailed the image from the camera will be, the more small details will be normally visible on it. On the other hand, high detailing affects the volume of materials to be filmed and the requirements for the “hardware” of the registrar (and, accordingly, affects the cost).

In general, additional cameras of modern recorders can be divided into the following categories:

— SD. "Standard" resolution (as opposed to HD — "high resolution"). A rather modest frame size, which at the same time allows you to significantly save memory for video recording and is suitable even for low-cost recorders. Specific resolution options include, but are not limited to, 628x582, 640x480, and 720x480.

— HD 720p. The traditional, most popular resolution for this video recording standard is 1280x720. In addition to it, registrars also found 960x720 (aspect ratio 4:3) and reduced in height 1280x480. HD is the most modest of today's high-definition standards, but still provides pretty decent detail.

— Full HD 1080p. The "classic of the genre" for this standard is the resolution of 1920x1080, however, there are other values in registrars, including very speci...fic ones — such as 1440x1080 (4:3 aspect ratio) and 1920x540 (halved vertical resolution). This is a fairly solid indicator even for the main camera of the registrar, and there is no need to talk about additional ones.

— Super HD. Not a particularly popular standard in video technology, which, nevertheless, has found application in video recorders. Most often provides a resolution of 2304x1296, which provides even more

Frame frequency

Maximum video frame rate supported by the optional DVR camera. Depending on the design and configuration, we can talk about both a remote camera and a camera for filming the interior (see above for both); this nuance should be clarified separately. Anyway, it is with this frequency that the shooting is carried out by default.

The higher the frame rate, the clearer the moving objects will be on the video, the less they will be blurred and the less “jerky” the video itself will be. It is believed that the most comfortable for the human eye is a speed of 24 to 60 frames per second; a lower frequency is already perceived as a “slideshow”, and a higher one only increases the amount of material being shot, without giving a visible increase in quality. At the same time, registrar cameras can also provide higher filming speeds than 60 fps — this provides good visibility of individual moving parts in slow motion or frame-by-frame playback.